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dance in the wind

Saturday, January 31, 2015. The Rare Documents of Jayantika. Although a teacher by profession, Vijayalaxmi is a trained Hindusthani singer and she is at the head of the Dayanidhi Sruti Kala Parishad in Cuttack which comes out every year with an annual souvenir called Kala Srujani; in the last four issues of the souvenir, she has published few of these documents both in the original forms and in the transliterated one. From the proceedings of one meeting held on the 27. In spite of all the good intentions...

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dance in the wind | icitaris.blogspot.com Reviews
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Saturday, January 31, 2015. The Rare Documents of Jayantika. Although a teacher by profession, Vijayalaxmi is a trained Hindusthani singer and she is at the head of the Dayanidhi Sruti Kala Parishad in Cuttack which comes out every year with an annual souvenir called Kala Srujani; in the last four issues of the souvenir, she has published few of these documents both in the original forms and in the transliterated one. From the proceedings of one meeting held on the 27. In spite of all the good intentions...
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1 aims and motivations
2 and mudra
3 the repertoire
4 pallavi
5 nrutya
6 sabdam
7 mokshya nata
8 flute mardala
9 and manjira
10 for the batu
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aims and motivations,and mudra,the repertoire,pallavi,nrutya,sabdam,mokshya nata,flute mardala,and manjira,for the batu,arasa,and muktai,nikunchana,nritya,banghi s,mudra s,and tala,programmes,and pada bheda,batu,basanta pallavi,odia,abhinaya,and mokshya
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dance in the wind | icitaris.blogspot.com Reviews

https://icitaris.blogspot.com

Saturday, January 31, 2015. The Rare Documents of Jayantika. Although a teacher by profession, Vijayalaxmi is a trained Hindusthani singer and she is at the head of the Dayanidhi Sruti Kala Parishad in Cuttack which comes out every year with an annual souvenir called Kala Srujani; in the last four issues of the souvenir, she has published few of these documents both in the original forms and in the transliterated one. From the proceedings of one meeting held on the 27. In spite of all the good intentions...

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dance in the wind

http://www.icitaris.blogspot.com/2015/01/the-rise-and-fall-ofjayantika-word.html

Saturday, January 31, 2015. The Rare Documents of Jayantika. Although a teacher by profession, Vijayalaxmi is a trained Hindusthani singer and she is at the head of the Dayanidhi Sruti Kala Parishad in Cuttack which comes out every year with an annual souvenir called Kala Srujani; in the last four issues of the souvenir, she has published few of these documents both in the original forms and in the transliterated one. From the proceedings of one meeting held on the 27. In spite of all the good intentions...

2

dance in the wind: October 2013

http://www.icitaris.blogspot.com/2013_10_01_archive.html

Wednesday, October 9, 2013. I would like to share few articles I wrote in 1983-1984. Those were the years of the first 'East-West dance encounters", discussions and seminars about tradition, need of changes, stagnation and innovation, and new directions in Indian dance were starting to emerge. Some of the questions put forwards in the articles may be obsolete now, but some maybe still relevant. Odissi: a flower without the fragrance? To pick up a flower and. We have come a long way since the time when Od...

3

dance in the wind: January 2015

http://www.icitaris.blogspot.com/2015_01_01_archive.html

Saturday, January 31, 2015. The Rare Documents of Jayantika. Although a teacher by profession, Vijayalaxmi is a trained Hindusthani singer and she is at the head of the Dayanidhi Sruti Kala Parishad in Cuttack which comes out every year with an annual souvenir called Kala Srujani; in the last four issues of the souvenir, she has published few of these documents both in the original forms and in the transliterated one. From the proceedings of one meeting held on the 27. In spite of all the good intentions...

4

dance in the wind

http://www.icitaris.blogspot.com/2013/10/i-would-like-to-share-few-articles-i.html

Wednesday, October 9, 2013. I would like to share few articles I wrote in 1983-1984. Those were the years of the first 'East-West dance encounters", discussions and seminars about tradition, need of changes, stagnation and innovation, and new directions in Indian dance were starting to emerge. Some of the questions put forwards in the articles may be obsolete now, but some maybe still relevant. Odissi: a flower without the fragrance? To pick up a flower and. We have come a long way since the time when Od...

5

dance in the wind: September 2014

http://www.icitaris.blogspot.com/2014_09_01_archive.html

Sunday, September 21, 2014. Odissi and Chhau-a comparative study. Odissi and Chhau-a comparative study. Odissi and Chhau dance (I will be dealing in this article only with the Mayurbhanji variety of Chhau dance) are two products of the rich cultural history of the state of Odisha; they represent two important aspects of this history and are indicative of the two major trends which characterize the region, the religious or bhakti component and the martial one. Although we don’t have much documents r...

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Sacred Space: Upcoming film: Odissi - from the temples to the contemporary stage

http://www.sacredspaceblog.com/2011/11/upcoming-film-odissi-from-temples-to.html

November 30, 2011. Upcoming film: Odissi - from the temples to the contemporary stage. Documentary filmmaker Sandrine Da Costa’s latest project takes a look at the history and evolution of Odissi, the classical dance from the state of Orissa. I had the opportunity to collaborate with Sandrine on this project last July. We travelled around Orissa visiting dance schools and meeting gurus and dancers, as well as dance historians, musicians and art critics. February 11, 2012 at 6:39 AM. Join the Facebook page.

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Sacred Space: The revival of dance as temple ritual

http://www.sacredspaceblog.com/2013/02/the-revival-of-dance-as-temple-ritual.html

February 11, 2013. The revival of dance as temple ritual. Many of India’s classical dance traditions originated in the temples, where dance was presented as a sacred ritual offering to the deity. Eventually Indian classical dance moved from these sacred spaces to performance venues, where it is performed today as entertainment to large audiences. Meanwhile, the temple has become a popular scenic backdrop for dance festivals like Khajuraho, Chidambaram and Mukteshwar. Using these references and inputs, Sw...

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Sacred Space: Nrityagram: Living for dance

http://www.sacredspaceblog.com/2010/10/nrityagram-living-for-dance.html

October 10, 2010. Nrityagram: Living for dance. Deep in the South Indian countryside, there is a place where dancers live to dance,. 8220;…a place where anyone with a passion for dance could come and stay and train, not having to worry about finances or anything else, and devote themselves one hundred per cent to dance. The students would live on the campus learning all the major classical dance styles from the best gurus.”. What is the recipe for Nrityagram’s success? Photos courtesy of Nrityagram.

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Sacred Space: The karana sculptures of Thanjavur temple

http://www.sacredspaceblog.com/2011/03/karana-sculptures-of-thanjavur-temple.html

March 20, 2011. The karana sculptures of Thanjavur temple. Image Source: The Hindu). As part of the 2010-2011 music and dance season, the Music Academy Madras ran an interesting lecture series every morning during the second half of December. On December 21st, renowned Bharata Natyam dancer and scholar, Dr Padma Subrahmanyam, presented a one-hour talk on the karana sculptures of the Brihadeeshwara Temple in Thanjavur (Tanjore). Watch 1000 dancers dance at a 1000-year-old temple:. It was an employee of th...

sacredspaceblog.com sacredspaceblog.com

Sacred Space: September 2014

http://www.sacredspaceblog.com/2014_09_01_archive.html

September 16, 2014. Upcoming workshop with Birju Maharaj in Bangalore: 27-30 November 2014. Subscribe to: Posts (Atom). Join the Facebook page. Follow me on Twitter. Subscribe in a reader. Enter your email address:. An Introduction to Indian Classical Dance. Nrityagram: Living for dance. The karana sculptures of Thanjavur temple. The revival of dance as temple ritual. Leela Samson: A love for beauty, life and expression. Dhimsa dance in the Araku Valley. Vilasini Natyam: A dance tradition revived.

sacredspaceblog.com sacredspaceblog.com

Sacred Space: Experiences of the traditional gurukul system: past and present

http://www.sacredspaceblog.com/2014/12/experiences-of-traditional-gurukul.html

December 25, 2014. Experiences of the traditional gurukul system: past and present. Curious about this traditional system of learning and its viability today, I spoke to musicians and dancers who have had the benefit of training in a gurukul. Some are attempting to continue this same tradition by teaching their own students in the same way. They shared with me their learning and teaching experiences and the challenges of replicating the gurukul system. Right: SK Rajaratnam Pillai). Known for high standar...

sacredspaceblog.com sacredspaceblog.com

Sacred Space: Upcoming workshop with Birju Maharaj in Bangalore: 27-30 November 2014

http://www.sacredspaceblog.com/2014/09/upcoming-workshop-with-birju-maharaj-in.html

September 16, 2014. Upcoming workshop with Birju Maharaj in Bangalore: 27-30 November 2014. Subscribe to: Post Comments (Atom). Join the Facebook page. Follow me on Twitter. Subscribe in a reader. Enter your email address:. An Introduction to Indian Classical Dance. Nrityagram: Living for dance. The karana sculptures of Thanjavur temple. The revival of dance as temple ritual. Leela Samson: A love for beauty, life and expression. Dhimsa dance in the Araku Valley. Vilasini Natyam: A dance tradition revived.

sacredspaceblog.com sacredspaceblog.com

Sacred Space: Aditi Mangaldas premieres her latest production 'Within'

http://www.sacredspaceblog.com/2013/09/aditi-mangaldas-premieres-her-latest.html

September 5, 2013. Aditi Mangaldas premieres her latest production 'Within'. Aditi Mangaldas is one of the biggest names in Kathak today and needs no introduction to Indian dance enthusiasts. Known for her virtuosity and innovative choreography which takes a strong foundation in classical dance and blends it with a contemporary sensibility, combined with a refined aesthetic sense for stage and costume design, her productions have received critical acclaim across the world. Are they in ever half embrace?

sacredspaceblog.com sacredspaceblog.com

Sacred Space: Gitanjali Kolanad’s Sleeping with Movie Stars

http://www.sacredspaceblog.com/2012/02/gitanjali-kolanads-sleeping-with-movie.html

January 15, 2012. Gitanjali Kolanad’s Sleeping with Movie Stars. The title promises to titillate. And it does. But this collection of nine short stories by Gitanjali Kolanad. Is not only about a young woman’s coming of age but also a candid glimpse into the world of a dancer. The stories are based on her experiences living in the Madras of the 1970s where she studied Bharata Natyam at Kalakshetra. And later during the 1980s when she returned to India as a mother and settled in Delhi. Was about another in...

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Sacred Space: Leela Samson: A love for beauty, life and expression

http://www.sacredspaceblog.com/2010/10/leela-samson-love-for-beauty-life-and.html

October 12, 2010. Leela Samson: A love for beauty, life and expression. Leela Samson, a former student of Kalakshetra who had the privilege of studying directly under Rukmini Devi, is one of India’s best-known Bharata Natyam dancers. She taught for some years at Kalakshetra and toured all over the world as a member of its dance troupe. She is also a respected teacher, choreographer and writer. Below: dance class at Kalakshetra by Isabel). Photo of Leela Samson by P. Ravindran courtesy The Hindu. Her biog...

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dance in the wind

Saturday, January 31, 2015. The Rare Documents of Jayantika. Although a teacher by profession, Vijayalaxmi is a trained Hindusthani singer and she is at the head of the Dayanidhi Sruti Kala Parishad in Cuttack which comes out every year with an annual souvenir called Kala Srujani; in the last four issues of the souvenir, she has published few of these documents both in the original forms and in the transliterated one. From the proceedings of one meeting held on the 27. In spite of all the good intentions...

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