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IFTR 2018 Belgrade

Theatre and Migration Theatre, Nation and Identity: Between Migration and Stasis

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IFTR 2018 Belgrade | iftr.org Reviews
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Theatre and Migration Theatre, Nation and Identity: Between Migration and Stasis
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1 become a member
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3 conference
4 working groups
5 new scholars
6 prizes
7 news
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9 resources
10 theatre and migration
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become a member,organisation,conference,working groups,new scholars,prizes,news,publications,resources,theatre and migration,the term,migration,performing borders,access and mobility,migrating histories,language and translation,performing stasis,venues
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IFTR 2018 Belgrade | iftr.org Reviews

https://iftr.org

Theatre and Migration Theatre, Nation and Identity: Between Migration and Stasis

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Places to Stay / Activities | IFTR

https://www.iftr.org/conference/activities-places-to-stay

Conference 2017: Unstable Geographies: Multiple Theatricalities. São Paulo 10-14 July 2017. Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices. STOCKHOLM UNIVERSITY, 13-17 JUNE 2016. Activities / Places to Stay. We are very pleased to inform you that Elite Hotels offers all participants at the IFTR conference 20% discount on accommodation from June 9th 26th. Elite Hotels gives you an extraordinary experience, with a very high level of service. Have a look at these sites:.

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The Venue | IFTR

https://www.iftr.org/conference/the-venue

Conference 2017: Unstable Geographies: Multiple Theatricalities. São Paulo 10-14 July 2017. Presenting the Theatrical Past. STOCKHOLM UNIVERSITY, 13-17 JUNE 2016. IFTR 2016 will be held on the Stockholm University Campus of Frescati, located just north of Stockholm city, in the middle of the world’s first National City Park. Campus Map (2.12mb). Department of Culture and Aesthetics. Performing Premodernity, research project. Venues for farewell reception and party. Regional and domestic train. Meike Wagn...

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performingpremodernity.com performingpremodernity.com

Rousseau conference | Performing Premodernity

http://performingpremodernity.com/rousseau-conference

Rousseau and the Theatre: Political-Aesthetic Ideals and Practices. How are Rousseau’s activities as a philosopher, as a theatre and opera critic, and as a playwright related to each other? How are his theories on language, music and bodily movement connected to his ideas on theatrical practice? How were Rousseau’s plays and operas (meant to be) performed originally, in regard to acting, scenery, music and theatrical space? Lettre à d’Alembert sur les Spectacles. Was intended as a general rejection of th...

performingpremodernity.com performingpremodernity.com

Rousseau’s Lyric Scene Pygmalion | Performing Premodernity

http://performingpremodernity.com/rousseau's-lyric-scene-pygmalion

Rousseau’s Lyric Scene Pygmalion. Performing Premodernity has been invited to present. At Český Krumlov Castle theatre on 15 June 2015. The performance will be the result of a unique collaboration between artists specialised in 18th-century scenic and musical practices and academic specialists associated with Performing Premodernity. More information will be available shortly. Pygmalion de M. J.J. Rousseau, Mise en vers par M. Berquin. New book: Rousseau Centre Stage: Spectator, Playwright, Theorist.

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Partners | Performing Premodernity

http://performingpremodernity.com/partners

Performing Premodernity has developed an extensive network of partners:. Drottningholms Slottsteater was built in 1766 at the behest of Queen Lovisa Ulrika. The theatre is constructed of simple materials and the auditorium is decorated using paint, stucco, and. The wooden stage machinery is operated by hand. It includes wind, thunder and cloud machines, as well as traps and moving waves. About 30 original stage sets have been preserved. Český Krumlov Castle Theatre. Český Krumlov Castle Theatre website.

performingpremodernity.com performingpremodernity.com

News | Performing Premodernity

http://performingpremodernity.com/news

Comala and Nina: Operatic Performance in the Age of Sensibility. This scholarly symposium, which takes place in Vadstena on 6 August, is organised by the research group Performing Premodernity on the occasion of the Vadstena Academy’s double-bill production. Of two little known Italian operas: Pietro Morandi’s. 1780) and the one-act version of Giovanni Paisiello’s. Nina o sia La pazza per amore. How do the dramaturgical innovations affect performance practice? 9:45 Lucio Tufano: Tears for. 11:00 Carola B...

mappinggth.hypotheses.org mappinggth.hypotheses.org

Artikels | Theatrescapes

http://mappinggth.hypotheses.org/category/billets

Skip to primary content. Skip to secondary content. The Journal of Global Theatre History (GTHJ) has published its first issue! The journal and more information on submissions, the review process, and future issues can be found at:. Https:/ gthj.ub.lmu.de/. Center for Global Theatre History. Christopher Balme and Nic Leonhardt. Derek Miller (Harvard), Helen Gilbert (Royal Holloway London). Stanca Scholz-Cionca (Trier/Munich), Kati Röttger (Amsterdam). Marlis Schweitzer (York University, Toronto). CFP 201...

performingpremodernity.com performingpremodernity.com

About Performing Premodernity | Performing Premodernity

http://performingpremodernity.com/people

Project members, visiting scholars and associates. Permanent members of the project team are based in Stockholm. Through conferences, symposia and seminars they are in regular contact with a large international network of researchers and practitioners. More information about project members’ current research can be found here. Meike Wagner – email. Co-initiator, Deputy project leader. Willmar Sauter, Professor emeritus of Theatre Studies at Stockholm University, has studied audience and reception process...

performingpremodernity.com performingpremodernity.com

New doctoral student | Performing Premodernity

http://performingpremodernity.com/new-doctoral-student

We are delighted to report that Petra Dotlačilová has recently been accepted as a doctoral student at the Department of Culture and Aesthetics at Stockholm University and will be joining the Performing Premodernity research group. Performing Premodernity founds The Anna Maria Lenngren Society (and has grand plans for the Lenngren jubilee in 2017! New book: Rousseau Centre Stage: Spectator, Playwright, Theorist. IFTR conference in Stockholm 13-17 June 2016. Collaboration with Vadstena Academy.

performingpremodernity.com performingpremodernity.com

Acting in the Late Enlightenment (1740-1800) | Performing Premodernity

http://performingpremodernity.com/december-symposium

Acting in the Late Enlightenment (1740-1800). The Performing Premodernity research group held an international symposium 4-6 December 2015 entitled Acting in the Late Enlightenment (1740-1800). On 4 December scholars and practitioners gathered for a day of lectures and discussions about acting in the second half of the late 18th century, and about the revival of period acting principles on the modern stage. New book: Rousseau Centre Stage: Spectator, Playwright, Theorist. Stockholm, 106 91 Sweden.

performingpremodernity.com performingpremodernity.com

Visit to the Royal Library in Stockholm | Performing Premodernity

http://performingpremodernity.com/visit-to-the-royal-library-in-stockholm

Visit to the Royal Library in Stockholm. Participants in the international symposium “Acting in the Late Enlightenment (1740-1800)” visited the Royal Library in Stockholm to see three older manuscripts containing costume sketches by Johan Tobias Sergel, for a tournament planned by King Gustav III at Gripsholm Castle in 1782. The symposium was organised by the Department of Performance Studies at Stockholm University as part of the research project Performing Premodernity. For more detailed information se...

newtidesplatform.org newtidesplatform.org

Who we are –

https://newtidesplatform.org/about

Is an independent organisation. Established in 2015, exploring and encouraging cross-cultural exchanges and dialogue within contemporary performing arts. We aim to map and assess theatrical, literary and cultural crossings in theatre and creative writing through research, public events and outreach programmes. Wishes to function as an interface. Between scholarly research and the creative sector. As a collaborative venture. Of cultural projects and initiators. Working as an outreach platform. Kate had wo...

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