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I Hear TooImproving Heritage Experience through Acoustic Reality and Audio Research
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Improving Heritage Experience through Acoustic Reality and Audio Research
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I Hear Too | iheartoo.blogspot.com Reviews
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Improving Heritage Experience through Acoustic Reality and Audio Research
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I Hear Too: I Hear Too Live Flier
http://iheartoo.blogspot.com/2009/09/blog-post.html
Improving Heritage Experience through Acoustic Reality and Audio Research. I Hear Too Live Flier. Subscribe to: Post Comments (Atom). About I Hear Too. How can audio and acoustics research be employed in the interpretation, understanding and representation of heritage materials and artifacts? How might such audio materials be better preserved for future generations of researchers and heritage visitors? The I-Hear-Too research cluster will attempt to answer these questions. I Hear Too is supported by:.
I Hear Too: Sounds of the Past and the Future
http://iheartoo.blogspot.com/2009/11/sounds-of-past-and-future.html
Improving Heritage Experience through Acoustic Reality and Audio Research. Sounds of the Past and the Future. Today sees the launch of the Podcast we have been working on in the support of the I Hear Too project. As we have been investigating the role that sound has in heritage we thought 21st century audio media would be the best way to capture and disseminate our work. The podcast has been announced on EPSRC's news website:. Http:/ www.epsrc.ac.uk/PressReleases/pastsounds.htm. About I Hear Too. I Hear ...
I Hear Too: More About I Hear Too
http://iheartoo.blogspot.com/2009/05/more-about-i-hear-too.html
Improving Heritage Experience through Acoustic Reality and Audio Research. More About I Hear Too. I-Hear-Too Live, a programme of sound works, installations, demos and audio interactives to be held in and around York Minster in October 2009 will showcase these aspects of science/heritage research and set a benchmark for future work. Subscribe to: Post Comments (Atom). About I Hear Too. How might such audio materials be better preserved for future generations of researchers and heritage visitors? National...
I Hear Too: May 2012
http://iheartoo.blogspot.com/2012_05_01_archive.html
Improving Heritage Experience through Acoustic Reality and Audio Research. I-Hear-Too Researchers in York Grand Tour. Our exhibit is loacted in the Museum Gardens by the ruins of St. Mary's Abbey and describes how University of York AudioLab researchers are using the latest 3-D audio modelling technology to recreate the sound of 16th century choral voices in the Abbey ruins. The York Grand Tour also has a smartphone App. To allow visitors to make the most of the tour. More about the York Grand Tour.
I Hear Too: September 2009
http://iheartoo.blogspot.com/2009_09_01_archive.html
Improving Heritage Experience through Acoustic Reality and Audio Research. I Hear Too: Live - 7 October 2009 8pm. York Minster to echo to the sound of heritage. A unique event showcasing sound-art and music in the historic setting of York Minster. I Hear Too: Live. Will feature seven specially commissioned music, performance and sound-art installation in various locations around the Minster. John Was and Aaron Watson: David Chapman: Craig Vear. Louise K Wilson: HISTORYWORKS: Jon Calver and Helen Weinstein.
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Telling | geodesic arts
http://www.geodesicarts.org/project/telling
Words written and spoken by Julia, sound design, recording and composition by Damian, installation by Mark, direction from John, images by Kippa – including the pictures of the coins you see on the main table. Telling was installed and presented as part of the I-Hear-Too Live II. Event on the evening of 19th September 2012. I-Hear-Too Live II was a series of commissioned artworks and performances for an invited audience as part of the 15th International Conference on Digital Audio Effects (DAFx12).
Issues of Musical Behaviour and the Performative at Prehistoric Monuments | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/introductions-to-the-field/issues-of-musical-behaviour-and-the-performative-at-prehistoric-monuments
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. Issues of Musical Behaviour and the Performative at Prehistoric Monuments. Issues of Musical Behaviour and the Performative at Prehistoric Monuments. But what happens when people are absent? Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out. Sarah Ma...
Acoustic Resonances in Pre-historic Sites | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/introductions-to-the-field/acoustic-resonances-in-pre-historic-sites
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. Acoustic Resonances in Pre-historic Sites. Acoustic Resonances in Pre-historic Sites. Evidence of acoustic resonant behaviour has been found in many sites of archaeological importance. Acoustic resonances. Are important phenomena in pre-historic spaces because they have a very noticeable effect on sound. Loudness Variations in the Space. Is created these are commonly called the ‘modes of the...
Instruments of Prehistory | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/introductions-to-the-field/instruments-of-prehistory
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. When looking at objects we assume they had one function, but pots may be used as drums as readily as a small piece of bone, shell or acorn cup as a whistle. And it is very unlikely that the scarcity of the British prehistoric musical record reflects the nature of the music in the past. 2 Responses to “Instruments of Prehistory”. March 26, 2014 at 6:31 am. February 2, 2015 at 11:43 am. Draft ...
Information | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/introductions-to-the-field
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. This is a set of brief introductions to the field by participants in the network. There are also videos of presentations from the Symposium at Cambridge University. Acoustic modelling and measurement for archaeological sites. Acoustic modelling techniques relevant for monuments in Britain’s prehistory. Acoustic Resonances in Pre-historic Sites. Archaeological approaches to sound. Draft Archa...
Bibliography | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/bibliography
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. Please leave suggestions for additions to this bibliography as comments. Please leave suggestions in the same format as the other entries. There are many more references at the online bibliography of the International Study Group for Music Archaeology (ISGMA). Please click HERE. To go to the ISGMA site. Akutec, ‘Concert Hall Acoustics: Parameters’,. Bahn, P.G., and J. Vertut, 1997. Bradley, ...
People | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/project-participants-and-interested-parties
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. This is a list of participants in the project and those who have expressed an interest. If there are any errors, outdated pieces of information, or if you wish to be added to the list, please leave information in a comment, which you can make at the bottom. Senior Lecturer in Music Technology. Department of Music and Drama. Fellow of the Acoustical Society of America (ASA). Senior Lecturer i...
July | 2013 | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/2013/07
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. July 10, 2013. The Sky at Night, Stonehenge and Sound. Posted by ruperttill under Uncategorized. As well as being used by the sky at night, This research has been used by the History Channel, BBC radio 4, the New Scientist, the iPad/iPhone app ‘Stonehenge Experience’, and it has featured on Apple’s recent worldwide advertising campaign. Http:/ www.bbc.co.uk/programmes/p01ccpsp. Acoustic mode...
Acoustics and Music of British Prehistory Research Network | part of the AHRC/EPSRC Science and Heritage Programme | Page 2
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Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. September 7, 2011. Hearing the Past through our ancestors’ ears. Posted by ruperttill under Uncategorized. Hearing the Past through our ancestors’ ears. BBC Radio 4,. 11 am, Monday September 12th, 2011. Imagine being able to eavesdrop on the sound of a ritual at Stonehenge four thousand years ago, or hear singing in the original Coventry Cathedral before it was bombed in 1940. The initial pr...
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I Hear Too
Improving Heritage Experience through Acoustic Reality and Audio Research. I Hear Too Live - II. Photo By Kippa Matthews. Http:/ www.kippamatthews.co.uk/). I-Hear-Too members are putting the finishes touches on new sound art work for a unique event coming up next week on Wednesday 19th September. After the success of the I Hear Too Live event in the Minster. The programme includes contributions from Louise K Wilson. Helen Weinstein and Jon Calver), Jon Was and Aaron Watson. And the Ebor Singers. The York...
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