laurathesis.blogspot.com
27 Stories: October 2009
http://laurathesis.blogspot.com/2009_10_01_archive.html
Tuesday, October 27, 2009. These postcards are my very small haul from the September postcard show in Burlington. I'm trying to come up with ways to insert the postcards that I've collected into my thesis book, and so far all I've got is using them as spacers between stories, even if they don't relate to the story preceding or following. Would this be wierd? Would I have to have an explination for why I placed certain cards in certain places? Elliot Lake, Ontario. Dartmouth, Nova Scotia. The 100 - 43-45.
tkeensdee.blogspot.com
For the Goat: September 2009
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Tuesday, September 29, 2009. The use and integration of sailor's prop (the cane) analyzed. Labels: the sailor dance. Wednesday, September 23, 2009. Ignasi de Solà -Morales writes in Differences: Topographies of Contemporary Architecture :. Architecture is not a tree but an event, resulting from the intersection of forces capable of situating an object that is partially signifying, contingent." (p.16). Monday, September 21, 2009. You want to be able to see the music dancing! Subscribe to: Posts (Atom).
tkeensdee.blogspot.com
For the Goat: October 2009
http://tkeensdee.blogspot.com/2009_10_01_archive.html
Thursday, October 29, 2009. The carnival mentality seriously, solemnly dedicates itself to the concept of waste, ephemera, of built-in obsolescence, but this is not the built-in obsolescence of manufacture but of art, because in Carnival the creative energy is strictly regulated to its own season. Last year’s intricate sculptures are discarded as immediately valueless when it is midnight on Shrove Tuesday …". Pg 55 Critcial Perspectives on Derek Walcott by Robert D. Hameer. You ‘fraid de devil? An’...
tkeensdee.blogspot.com
For the Goat: December 2009
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Monday, December 7, 2009. Jumbie, Jumbie dey. outta body back to yuhself! Dip in the center do the jumbie dance, lean back and reverse do the jumbie dance .". An Old Jewish Story. More hard times came and another generation was excluded from the ritual. Somebody remembered that in the old days their ancestors had gone into the forest and done something, so the rabbi and the people went out into the forest and made up a ritual. And it was sufficient. And then there were more hard times, and all that was l...
tkeensdee.blogspot.com
For the Goat: LUCY AND BART ART
http://tkeensdee.blogspot.com/2010/06/lucy-and-bart-art.html
Thursday, June 3, 2010. LUCY AND BART ART. Subscribe to: Post Comments (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. Salad: Cross-referencing seasonal schedules as inspiration. I just want to take pictures. LUCY AND BART ART. LOOK but dont TOUCH. View my complete profile.
tkeensdee.blogspot.com
For the Goat: July 2010
http://tkeensdee.blogspot.com/2010_07_01_archive.html
Wednesday, July 14, 2010. Slowly coming together - disguise. The four designs are based on 4 themes of what happens to the body when it dons a costume. These themes are stylized, distorted, disguised and inversed. The origami dress posted previously is the stylized version of the female in carnival and the traditional dragon costume. The rope costume is a distorted and exaggerated version of the female body and form. This one is the 3rd costume 'disguise'. Subscribe to: Posts (Atom). 1000 Hours of Drawing.
tkeensdee.blogspot.com
For the Goat: June 2010
http://tkeensdee.blogspot.com/2010_06_01_archive.html
Tuesday, June 15, 2010. Plaster body form contoured with 200 yards of white nylon rope. Thursday, June 3, 2010. LUCY AND BART ART. Tuesday, June 1, 2010. LOOK but don't TOUCH. Completed origami 'threat' paper costume. Look but don't Touch '. Inspired by traditional threat/ dominant costumes and the female role in today's carnival. Subscribe to: Posts (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. I just want to take pictures. LUCY AND BART ART.
tkeensdee.blogspot.com
For the Goat: LOOK but don't TOUCH
http://tkeensdee.blogspot.com/2010/06/look-but-dont-touch.html
Tuesday, June 1, 2010. LOOK but don't TOUCH. Completed origami 'threat' paper costume. Look but don't Touch '. Inspired by traditional threat/ dominant costumes and the female role in today's carnival. Subscribe to: Post Comments (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. Salad: Cross-referencing seasonal schedules as inspiration. I just want to take pictures. LUCY AND BART ART. LOOK but dont TOUCH. View my complete profile.
alineinmotion.blogspot.com
A Line in Motion: A Reservoir of Knowledge
http://alineinmotion.blogspot.com/2009/08/reservoir-of-knowledge.html
A Line in Motion. A Reservoir of Knowledge. With each change of written form, the characters are conceived to be endowed with new meanings that reflect changes in the socio-cultural environment. As a result, written characters as a whole constitute a fecund reservoir of ancient ideas and a record of social history. Subscribe to: Post Comments (Atom). A Line in Motion-Book Format. Time, Space Calligraphy and Architecture. A Landscape Continuously Unfolding. Written Form as Poetry. A Reservoir of Knowledge.
alineinmotion.blogspot.com
A Line in Motion: 19.04.09
http://alineinmotion.blogspot.com/2009_04_19_archive.html
A Line in Motion. A conclusion shouldn't just summarize what you've done, take time to reflect on the things you've learnt as a result of doing the thesis. A conclusion should open new questions, propel further discussion. . With that said, I'm revising my conclusion again. It's hard making the thesis transparent (architecturally) when I am still not sure what the architectural argument really is or how it matters. Subscribe to: Posts (Atom). BODY HEAT or: what to do in an emergency. 1000 Hours of Drawing.
