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Continuo | Andrew Lawrence-King

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Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. The Perfect Musical Director: Music inspires me! Posted by Andrew Lawrence-King. Updated May 25th 2016 – please revisit this page for further updates, or LIKE our Facebook page here. To receive updates automatically. Art, crown, refreshment, heavenly language, pleasure of gods and men all these speak to me in words! The Perfect Musical Director. No, before I’m drowned out with howls of derision, that’s not me! From 2011 to 2015 h...

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Music, Dance & Swordsmanship | Andrew Lawrence-King

https://andrewlawrenceking.com/category/history-of-emotions/music-dance-swordsmanship

Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. Music, Dance and Swordsmanship. Baroque Gesture: what’s the Point? Posted by Andrew Lawrence-King. At the seaward end of Barcelona’s Ramblas, Colombus points the way not only to America, but also towards good Baroque Gesture: weight on the back foot, front leg elegantly bent (more about historical posture here. Notice that he holds his music/script in his left. Start Here: How to study. How to Act: Preliminary Exercises. From the...

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Early Harps | Andrew Lawrence-King

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Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. Happy New Year 2016. Posted by Andrew Lawrence-King. Please join me on Facebook https:/ www.facebook.com/andrew.lawrenceking.9. And visit our websites:. Http:/ www.TheHarpConsort.com. The ensemble, early harps and Early Music]. Http:/ www.IlCorago.com. The production company and Historical Action]. Http:/ www.TheFlow.Zone. Flow for optimal creativity, The Zone for elite performance]. Posted in Early Harps. Look Bach on 2015.

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History of Emotions | Andrew Lawrence-King

https://andrewlawrenceking.com/category/history-of-emotions

Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. Ut pictura: reverse-engineering Baroque gesture. Posted by Andrew Lawrence-King. Following on from previous posts on Historical Action –. 8211; this article offers a new approach to period acting that is utterly historical, but significantly different from the coaching methods usually applied today. Music is like a painting) is often recognised in the 16th- and 17th-century practice of. Similarly, visual detail in the text –.

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Dream Theory | Andrew Lawrence-King

https://andrewlawrenceking.com/category/dream-theory

Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. The Power of Tactus: A hands-on approach. Posted by Andrew Lawrence-King. Tactus is the slow, steady beat that guides Early Music, shown by a down-up movement of the hand, approximately one second each way. In previous posts, I’ve introduced the concept. Rhythm – what really counts? Explored the philosophical background. Quality Time: how does it feel? And summarised the implications for Historically Informed Performance. To Purc...

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Flow (The Oxford papers) Part 1: What’s in a name? | Andrew Lawrence-King

https://andrewlawrenceking.com/2015/04/19/flow-the-oxford-papers-part-1-whats-in-a-name

Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. Tempus putationis – Getting back to Monteverdi’s Time. The implications of Peri’s Preface →. Flow (The Oxford papers) Part 1: What’s in a name? Posted by Andrew Lawrence-King. What’s in a name? That which we call a rose. By any other name would smell as sweet. 1597) Act II Scene ii. An optimal state for study, training and creativity, is often linked with the concept of The Zone. Does it matter, which name we use? As you read thi...

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Flow | Andrew Lawrence-King

https://andrewlawrenceking.com/category/dream-theory/flow

Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. The Power of Tactus: A hands-on approach. Posted by Andrew Lawrence-King. Tactus is the slow, steady beat that guides Early Music, shown by a down-up movement of the hand, approximately one second each way. In previous posts, I’ve introduced the concept. Rhythm – what really counts? Explored the philosophical background. Quality Time: how does it feel? And summarised the implications for Historically Informed Performance. To Purc...

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Introductions | Andrew Lawrence-King

https://andrewlawrenceking.com/category/introductions

Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. Ut pictura: reverse-engineering Baroque gesture. Posted by Andrew Lawrence-King. Following on from previous posts on Historical Action –. 8211; this article offers a new approach to period acting that is utterly historical, but significantly different from the coaching methods usually applied today. Music is like a painting) is often recognised in the 16th- and 17th-century practice of. Similarly, visual detail in the text –.

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Andrew Lawrence-King | Text, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone | Page 2

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Text, Rhythm, Action! Historically Informed Performance) and The Flow.Zone. Newer posts →. Start Here: How to study Baroque Gesture and Historical Action. Posted by Andrew Lawrence-King. We must not break forth at once into speech, but should allow ourselves a few moments for reflection In this preliminary delay there are certain. As the actors call them, which are not unbecoming. We may stroke our head, look at our hand, wring the fingers, pretend to summon all our energies for the effort. The Art of Ge...