ilonadomnich.blogspot.com

Ilona Domnich

Sunday, 10 May 2015. Mimi, La Boheme with ETO 2015. Whatever you do with La Boheme always ends up the same' hmmm. A lot is written in Puccini music, and it makes it easier for the audience and actors when it's simply honest and not overwhelmed dramatically. I feel that a lot of times opera is capturing the moment, looking at photographs remembering and seeing yourself in different times of your life. I found Mimi's role incredibly short, for the emotional depth of her intensity and almost not enough time...

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Ilona Domnich | ilonadomnich.blogspot.com Reviews

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Sunday, 10 May 2015. Mimi, La Boheme with ETO 2015. Whatever you do with La Boheme always ends up the same' hmmm. A lot is written in Puccini music, and it makes it easier for the audience and actors when it's simply honest and not overwhelmed dramatically. I feel that a lot of times opera is capturing the moment, looking at photographs remembering and seeing yourself in different times of your life. I found Mimi's role incredibly short, for the emotional depth of her intensity and almost not enough time...

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Ilona Domnich | ilonadomnich.blogspot.com Reviews

https://ilonadomnich.blogspot.com

Sunday, 10 May 2015. Mimi, La Boheme with ETO 2015. Whatever you do with La Boheme always ends up the same' hmmm. A lot is written in Puccini music, and it makes it easier for the audience and actors when it's simply honest and not overwhelmed dramatically. I feel that a lot of times opera is capturing the moment, looking at photographs remembering and seeing yourself in different times of your life. I found Mimi's role incredibly short, for the emotional depth of her intensity and almost not enough time...

INTERNAL PAGES

ilonadomnich.blogspot.com

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Ilona Domnich: July 2013

http://www.ilonadomnich.blogspot.com/2013_07_01_archive.html

Thursday, 25 July 2013. Jacqueline in Andre Messager Fortunio @ Grange Park Opera and Buxton festival. The arrival of an attractive officer shakes her pleasant, yet relatively boring existence. Clavaroch charms her, she gives in to his forceful advances, perhaps curious and he awakens her sexual freedom. She discovers that she can have excitement, be physically satisfied. Clavaroch is planning to kill Fortunio, as he senses the change in Jacqueline. On the other hand Fortunio is ready to die for the ...

2

Ilona Domnich: Mélisande in Pelléas and Mélisande

http://www.ilonadomnich.blogspot.com/2013/12/melisande-in-pelleas-and-melisande.html

Saturday, 28 December 2013. Mélisande in Pelléas and Mélisande. Music by Claude Debussy. Opera in five acts to French libretto adapted from the sympolist Maurice Maeterlinck. link to YOUTUBE. Performances in August and September 2013 in London Arcola Theatre and Bury Court Opera. The charismatic Ilona Domnich made a poised yet sensual Melisande, her soprano both clean-toned and ripely palpitating.' * * Yehuda Shapiro, Opera. Ilona Domnich's Melisande had luxuriant long blond hair. Domnich provided so...

3

Ilona Domnich: October 2011

http://www.ilonadomnich.blogspot.com/2011_10_01_archive.html

Saturday, 15 October 2011. Monday 31 October 2011. Francis Poulenc: La voix humaine - opera in 1 act. Jonny Greenwood: 48 Responses to Polymorphia (UK premiere). Aphex Twin: Nannou arr. Patrick Nunn. As an alluring alternative to mainstream Halloween entertainment, the BBC Concert Orchestra weaves scintillating tendrils of sound with an unforgettable psycho-dramatic musical tapestry. Links to this post. Subscribe to: Posts (Atom). View my complete profile. Simple template. Powered by Blogger.

4

Ilona Domnich: March 2014

http://www.ilonadomnich.blogspot.com/2014_03_01_archive.html

Monday, 3 March 2014. This was my first time in Japan. On the way there I found myself day-dreaming on the aeroplane and lost in the familiar to travellers sensation: I am suspended somewhere between the countries, almost frozen in time between the zones, carried away from my reality into another reality. It is a strange place to be and one good to embrace it. I realised that Japanese people are incredibly strong and the strengths are in their vulnerability, positiveness, humbleness and humanity. I was s...

5

Ilona Domnich: May 2013

http://www.ilonadomnich.blogspot.com/2013_05_01_archive.html

Saturday, 4 May 2013. Der Neue orpheus-Kurt Weill. The rest is noise' festival at Southbank, London. 12th April at Queen Elizabeth Hall 7:30pm. BBC Concert orchestra and Keith Lockhart. Links to this post. Friday, 3 May 2013. Rosina's shoes at ENO. She is shapely and very witty, hair in ringlets cheeks like summer roses, eyes full of laughter and the daintiest little fingers.'. 9th and 15th March at the Coliseum, English national Opera, conductor Jaime Martin. With Adrian Powter as Bartolo.

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Ilona Domnich

Sunday, 10 May 2015. Mimi, La Boheme with ETO 2015. Whatever you do with La Boheme always ends up the same' hmmm. A lot is written in Puccini music, and it makes it easier for the audience and actors when it's simply honest and not overwhelmed dramatically. I feel that a lot of times opera is capturing the moment, looking at photographs remembering and seeing yourself in different times of your life. I found Mimi's role incredibly short, for the emotional depth of her intensity and almost not enough time...

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I am Ilona Domnich- a musician, a versatile singer and an actress. I feel blessed to have my voice and fortunate with my teachers to learn the skills of Operatic art. I am hugely grateful to the most amazing supportive team of people that stand behind me and walk together with me. Surrender: Voices of Persephone. Ilona Domnich, Leo Nucci, Simon Over, Southbank Sinfonia. Concert with Sholto Kynoch at the piano. Ravel Shaharezade with St. Petersburg symphony orchestra Alexander Dmitriev-conductor.

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