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Old guy jamming out. Posted by Stephen Boyd. World's fastest bass player. Posted by Stephen Boyd. The Making of Ephemicropolis. And then 2 eggs. Posted by sforzando hussein. Walter Lewin's best lines. Posted by the war on tremolo. Rage against the machine. Posted by the war on tremolo. Your percussion based worries are over. Posted by sforzando hussein. Subscribe to: Posts (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. Do me do duds.

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Old guy jamming out. Posted by Stephen Boyd. World's fastest bass player. Posted by Stephen Boyd. The Making of Ephemicropolis. And then 2 eggs. Posted by sforzando hussein. Walter Lewin's best lines. Posted by the war on tremolo. Rage against the machine. Posted by the war on tremolo. Your percussion based worries are over. Posted by sforzando hussein. Subscribe to: Posts (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. Do me do duds.
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immanent discursivity | immanentdiscursivity.blogspot.com Reviews

https://immanentdiscursivity.blogspot.com

Old guy jamming out. Posted by Stephen Boyd. World's fastest bass player. Posted by Stephen Boyd. The Making of Ephemicropolis. And then 2 eggs. Posted by sforzando hussein. Walter Lewin's best lines. Posted by the war on tremolo. Rage against the machine. Posted by the war on tremolo. Your percussion based worries are over. Posted by sforzando hussein. Subscribe to: Posts (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. Do me do duds.

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immanent discursivity: non-newtonian

http://immanentdiscursivity.blogspot.com/2012/03/non-newtonian.html

Subscribe to: Post Comments (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. 28 YEARS IN THE IMPLICATE ORDER. A good face kicking. A hip hop hippy to the hop and you dont. Adults Against Kids Doing Anything Ever. Aint nothin else to talk about. Aint no god damn son of a bitch. And whats this all about anyway? Art ensemble of chicago. Art of the fugue. Baby please dont go. Back to the future. Being twice as tall as the other tubists.

2

immanent discursivity: Jackson Pollock

http://immanentdiscursivity.blogspot.com/2012/01/jackson-pollock.html

Subscribe to: Post Comments (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. 28 YEARS IN THE IMPLICATE ORDER. A good face kicking. A hip hop hippy to the hop and you dont. Adults Against Kids Doing Anything Ever. Aint nothin else to talk about. Aint no god damn son of a bitch. And whats this all about anyway? Art ensemble of chicago. Art of the fugue. Baby please dont go. Back to the future. Being twice as tall as the other tubists.

3

immanent discursivity: euler's

http://immanentdiscursivity.blogspot.com/2012/08/eulers.html

Subscribe to: Post Comments (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. 28 YEARS IN THE IMPLICATE ORDER. A good face kicking. A hip hop hippy to the hop and you dont. Adults Against Kids Doing Anything Ever. Aint nothin else to talk about. Aint no god damn son of a bitch. And whats this all about anyway? Art ensemble of chicago. Art of the fugue. Baby please dont go. Back to the future. Being twice as tall as the other tubists.

4

immanent discursivity: rage

http://immanentdiscursivity.blogspot.com/2012/01/rage.html

Rage against the machine. Subscribe to: Post Comments (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. 28 YEARS IN THE IMPLICATE ORDER. A good face kicking. A hip hop hippy to the hop and you dont. Adults Against Kids Doing Anything Ever. Aint nothin else to talk about. Aint no god damn son of a bitch. And whats this all about anyway? Art ensemble of chicago. Art of the fugue. Baby please dont go. Back to the future. Do me do duds.

5

immanent discursivity: the lick

http://immanentdiscursivity.blogspot.com/2012/02/lick.html

I just saw a special about HEARING on PBS- evidently babies hear music in utero and have already learned our diatonic scale and its usual motifs (or licks) before birth. Many cry at intervals of thirds! Cultural musical norms are so pervasive that any other scales or intervals from any other culture strike us as alien and wrong. Thank God for Stravisnsky and his Rite of Spring. It awakened us to dissonance and nonresolution, freeing us from cliche forever. February 4, 2012 at 9:02 AM. A good face kicking.

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A Shout In The Street: Ai Weiwei detained

http://ashoutinthestreet.blogspot.com/2011/04/ai-weiwei-detained.html

A Shout In The Street. The Guardian UK reports that Ai Weiwei, the most renowned living Chinese artist, has been detained by police. Before boarding a flight to Hong Kong, he was detained at immigration. His assistant was also detained. Ai's studio has been surrounded by plainclothes police and is thought to have been raided. No one can get in touch with Ai and posts about him on Weibo, a Chinese microblog similar to Twitter, are being deleted. Posted by Madison Brookshire. About A Shout In the Street.

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A Shout In The Street: Interstices

http://ashoutinthestreet.blogspot.com/2014/10/interstices.html

A Shout In The Street. What follows are a few fragments from an unfinished essay I wrote in 2007 for Thom Andersen's class on Deleuze. F. Rom this distance, it. Paraphrasing Pierre Reverdy, Jean-Luc Godard repeatedly states that an image derives its emotional and intellectual power from a juxtaposition that is distant and true. He creates an essay-film-within-a-film that analyzes his own method of accomplishing this. He refers to it, perhaps with some irony, as “shot/counter-shot.”. 8220;In 1938, Heisenb...

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A Shout In The Street: December 2011

http://ashoutinthestreet.blogspot.com/2011_12_01_archive.html

A Shout In The Street. What Lies Beneath the Pavement? Requires acts of imagination. In order to turn away from the world as-it-is, one must be able to envision, even if only in an inchoate way, that another world is possible and that this potentiality is, in and of itself, worth fighting for. The sand- revealed by pulling up the paving stones to use as projectiles- suggested either another world, or another dimension to this one. This creativity need not be bounded by works of art, even those that are s...

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A Shout In The Street: Toward a New Project

http://ashoutinthestreet.blogspot.com/2013/08/toward-new-project.html

A Shout In The Street. Toward a New Project. The spectacle is the map of this new world, a map which exactly covers its territory. Guy Debord, Society of the Spectacle. And its massive, accompanying infrastructure of surveillance, "intelligence," and analysis by algorithm. Knows nothing; it is but a surfer on the world wide web of military omnipotence, searching and destroying. Computer warfare is similarly unrestricted and exists outside the process of judicial review. The digital, however, is also ...

ashoutinthestreet.blogspot.com ashoutinthestreet.blogspot.com

A Shout In The Street: August 2013

http://ashoutinthestreet.blogspot.com/2013_08_01_archive.html

A Shout In The Street. Toward a New Project. The spectacle is the map of this new world, a map which exactly covers its territory. Guy Debord, Society of the Spectacle. And its massive, accompanying infrastructure of surveillance, "intelligence," and analysis by algorithm. Knows nothing; it is but a surfer on the world wide web of military omnipotence, searching and destroying. Computer warfare is similarly unrestricted and exists outside the process of judicial review. The digital, however, is also ...

ashoutinthestreet.blogspot.com ashoutinthestreet.blogspot.com

A Shout In The Street: May 2012

http://ashoutinthestreet.blogspot.com/2012_05_01_archive.html

A Shout In The Street. Hemingway, Ernest. Death in the Afternoon. New York: Scribner, 1932. 111-112. Posted by Madison Brookshire. Subscribe to: Posts (Atom). About A Shout In the Street. Cruel, crazy, beautiful world. Why we need a new, truly global, prize for world literature. The Battery Miracle Is Just Getting Started. Michael Pisaro European Tour (May 2016). Too early, too late. 2015 in repertory cinema and premieres. Mapping Out Vancouver’s Electronic Music. The Richard Larson blog.

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A Shout In The Street: Mark So Appreciations V: END ROAD WORK / NO PARKING / BOB LOVES BETTY (2011) for Liz

http://ashoutinthestreet.blogspot.com/2011/09/mark-so-appreciations-v-end-road-work.html

A Shout In The Street. Mark So Appreciations V: END ROAD WORK / NO PARKING / BOB LOVES BETTY (2011) for Liz. A tape plays in a room. The tape is mostly blank except for frequent, irregular interruptions- short spurts of recording. The sounds suggest that the tape was made while on a walk, pausing occasionally to hit the record button. The reason for turning on the tape player at a given point is unclear- why here and not there? All of the absences presented by the tape are present in the score as well&#4...

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A Shout In The Street: September 2011

http://ashoutinthestreet.blogspot.com/2011_09_01_archive.html

A Shout In The Street. Mark So Appreciations V: END ROAD WORK / NO PARKING / BOB LOVES BETTY (2011) for Liz. A tape plays in a room. The tape is mostly blank except for frequent, irregular interruptions- short spurts of recording. The sounds suggest that the tape was made while on a walk, pausing occasionally to hit the record button. The reason for turning on the tape player at a given point is unclear- why here and not there? All of the absences presented by the tape are present in the score as well&#4...

ashoutinthestreet.blogspot.com ashoutinthestreet.blogspot.com

A Shout In The Street: January 2014

http://ashoutinthestreet.blogspot.com/2014_01_01_archive.html

A Shout In The Street. Posted by Madison Brookshire. Subscribe to: Posts (Atom). About A Shout In the Street. Cruel, crazy, beautiful world. Why we need a new, truly global, prize for world literature. The Battery Miracle Is Just Getting Started. Michael Pisaro European Tour (May 2016). Too early, too late. 2015 in repertory cinema and premieres. Mapping Out Vancouver’s Electronic Music. The Richard Larson blog.

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immanent discursivity

Old guy jamming out. Posted by Stephen Boyd. World's fastest bass player. Posted by Stephen Boyd. The Making of Ephemicropolis. And then 2 eggs. Posted by sforzando hussein. Walter Lewin's best lines. Posted by the war on tremolo. Rage against the machine. Posted by the war on tremolo. Your percussion based worries are over. Posted by sforzando hussein. Subscribe to: Posts (Atom). In which questions are finally answered about the following. 100 yards from an EF5. 21st century rube goldberg. Do me do duds.

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Il blog di Marco Bertollini. Lunedì 27 maggio 2013. Il cestello della lavastoviglie faceva circa ottocento giri al minuto. Ecco la ragione di tanto fracasso. Un po' più di tredici giri al secondo, ve lo immaginate? Provate a impugnare un semplice spago, all'estremità del quale avrete legato un peso, tipo l'astuccio della scuola. Ora provate a farlo girare tredici volte in un secondo. Sonia si può sapere perché non mi rispondi? Sonia si gira e lascia cadere la penna. La mamma. Prima di stare con loro!

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Sunday, January 20, 2013. Piers Morgan Imitates Galaxy Quest. AHMADINEJAD (through translator): I thank you for caring so much about me. And I do believe that it is commonplace for someone, for an interviewer to pose a question and wait for the proper response to be completed. If you keep wanting to interrupt me, it's not an issue, it's your show, here you are and there's the camera. MORGAN: Forgive me for my impertinence. I will allow you to answer in any way you see fit. Links to this post. 3 Stop talk...