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marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/ac3p.html

There goes the neighborhood. Scoring Dope for Sally. Electro cover versions of AC/DC, 2003. AC/3P Watch me Explode:. And The Ministry of Shit: spasticated records (Compliation) Also available from illegal art. Australian Centre for Photography, Sydney, 2006.

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/fighting_song.html

There goes the neighborhood. Scoring Dope for Sally. Artspace, Sydney, 2006. Performance, 7pm, 3rd. Exhibition 9th Feb - 4th March, 2006. Artist : Hannah Furmage. Sound : Wade Marynowsky. Boxing manager: Denver Matthews. Curator : Sally Breen. Boxers had accelerometer sensors attached to their hands. Movement data is sent wirelessly to the computer and used to select samples from a group of programmed sample banks.

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/UniversalRemote.html

There goes the neighborhood. Scoring Dope for Sally. Level 4, Peter Johnson Building, 702 Harris St, UTS, Broadway, Sydney, 24th April - 1st June, 2012. Is Wade Marynowsky’s unsettling critique on the position of technology in our daily lives. Through woodcarving, photography and installation, he ponders techno-fetishism and the promise of devices designed to make our lives easier. Catalougue essay by Adam Jasper here. Das Superpaper review by Giselle Stanborough here.

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/Auton.html

There goes the neighborhood. Scoring Dope for Sally. Prepared and automated Pianola, Four networked computers, 3 projectors, 3 screens 170*cm * 140cm, monitor, amplifier, speakers, sound, Custom built software to randomly play 37 different video files and to play the Pianola. If so, what design considerations are needed to provoke feelings of uncanniness? Can this factor be used to evaluate an installations ability to produce an emotive response, and if so what is the nature of that response?

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/the_ministers.html

There goes the neighborhood. Scoring Dope for Sally. Emergency,The ministers are coming! Replica of the ICC emergency terminal, 75cm * 150cm, emergency Light and button interface, MDF, Paint. Made during an artists residency at S-AIR, (June-July) and exhibited as apart of;. The ministers are coming. ICC, 26th-27th July. Supported by the Japan Foundation's JENESYS program.

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/Acconci.html

There goes the neighborhood. Scoring Dope for Sally. The Acconci Robot,. ThingWorld: International Triennial of New Media Art. National Art Museum of China, June 11 – July 9, 2014, Video here. Speak to me, Experimenta's. 5th International Biennale of Media Art, RMIT Gallery, Melbourne, 14th September - 17th November. video doco here. Robotics, Wood, 900 x 600 x 2200mm. Electrical engineer; Aras Vaichas, Programmer; Dougall Johnston. The work draws inspiration from a 1969 performance work,.

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/spanky.html

There goes the neighborhood. Scoring Dope for Sally. SPANKY : eclectic-electronica Live Audio Visual projection (1998-2002). Spanky- Demo 2002 available here. 2002AD - analogue to digital : surgery records, has the Spanky track 'Hurricane'. Rebirth of fool 2: Dual pLover. Has the track Hot Diggity. 1998 was released on Freaky loops 99 and Elephant Traks. Food to eat music by.

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/liveacts_marynowsky.html

There goes the neighborhood. Scoring Dope for Sally. Marynowsky performs live AV in serious mode (no costumes). For example;. 2004) documents live audio - visual performance work spaning the years 2002 to 2004. The work explores Australia’s history of violence through abstraction and the destruction of sound and image.

marynowsky.net

Wade Marynowsky

http://www.marynowsky.net/atm.html

There goes the neighborhood. Scoring Dope for Sally. I know you,. Interactive ATM, 1998. Artspace Sydney, 12-28 Nov, 1998. An Automatic Teller Machine facade (supplied by NCR National Cash Registers) a small surveillance camera, a computer and Director software programmed by Adam Hinshaw.