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i'm trying not to miss everything

looking with ‘wide attention’ – seeing with the body

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i'm trying not to miss everything | imtryingnottomisseverything.blogspot.com Reviews
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looking with ‘wide attention’ – seeing with the body
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i'm trying not to miss everything | imtryingnottomisseverything.blogspot.com Reviews

https://imtryingnottomisseverything.blogspot.com

looking with ‘wide attention’ – seeing with the body

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1

i'm trying not to miss everything: January 2009

http://imtryingnottomisseverything.blogspot.com/2009_01_01_archive.html

I'm trying not to miss everything. 8220;looking with ‘wide attention’ – seeing with the body” Miranda Tufnell. A message in a bottle…. To wait for three days. A promise, to send. I went back to my corner. To make a harbour in a raging sea. Where I could admire. The view. . Friday 9th january 2009. The ability to see something. Is lovely from up here. With a view to. with the hope, aim, or intention of. 160;feminine past participle of veoir 'see'. Consult for fuller or further information). To abandon the...

2

i'm trying not to miss everything: sunday 4th january 2009

http://imtryingnottomisseverything.blogspot.com/2009/01/sunday-4th-january.html

I'm trying not to miss everything. 8220;looking with ‘wide attention’ – seeing with the body” Miranda Tufnell. A message in a bottle…. To wait for three days. A promise, to send. I went back to my corner. To make a harbour in a raging sea. Where I could admire. The view. . Sunday 4th january 2009. Walk (walking in the shade. At 7am on the bridge by the Arnolfini. It is dark and extremely cold. My fake fur is out for the first time this winter. We walk in silence for the full length of the walk -. Not unt...

3

i'm trying not to miss everything: saturday 3rd january 2009

http://imtryingnottomisseverything.blogspot.com/2009/01/saturday-3rd-january-2009.html

I'm trying not to miss everything. 8220;looking with ‘wide attention’ – seeing with the body” Miranda Tufnell. A message in a bottle…. To wait for three days. A promise, to send. I went back to my corner. To make a harbour in a raging sea. Where I could admire. The view. . Saturday 3rd january 2009. Derived from the word Swen. Song for solo voice. Soul, spirit, breath. From the Latin mind, the. 160; soul (. Feminine). In Greek the spirit is feminine.  . The myth is that the swan is mute. Wednesday 7th ja...

4

i'm trying not to miss everything: May 2009

http://imtryingnottomisseverything.blogspot.com/2009_05_01_archive.html

I'm trying not to miss everything. 8220;looking with ‘wide attention’ – seeing with the body” Miranda Tufnell. A message in a bottle…. To wait for three days. A promise, to send. I went back to my corner. To make a harbour in a raging sea. Where I could admire. The view. . Aria: never has there been a shade. Subscribe to: Posts (Atom). State of being pleasantly lost in one’s thoughts, a daydream. 160;          . 160;          . 160;        . On the manner of addressing clouds. View my complete profile.

5

i'm trying not to miss everything: friday 2nd january 2009

http://imtryingnottomisseverything.blogspot.com/2009/01/friday-2nd-january-2009.html

I'm trying not to miss everything. 8220;looking with ‘wide attention’ – seeing with the body” Miranda Tufnell. A message in a bottle…. To wait for three days. A promise, to send. I went back to my corner. To make a harbour in a raging sea. Where I could admire. The view. . Friday 2nd january 2009. Everywhere there are the dances of birds. I am drawn to them. The birds appear to know that I am watching, I am able to witness something small. The two seagulls stamp on the hill of grass, . Back to the water.

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mappingspectraltraces.org mappingspectraltraces.org

Members Page - Mapping Spectral Traces

http://www.mappingspectraltraces.org/members-page.html

Art and Geography Ireland. MST VII: Invisible Scotland. MST VII: Full Itinerary. MST5: Sliabh Bán Visit. MST5: The Rambling House. Community and Public Art. Exhibitions, Installations and Performance. Seminars and Public Engagement. Http:/ www.katybeinart.co.uk. Https:/ silvialoeffler.wordpress.com/. Http:/ www.talyachalef.com. Http:/ www.land2.uwe.ac.uk/jlyon.htm. Http:/ www.margaretcogswell.net. Research by Margaret Cogswell for Wyoming River Fugues. Courtesy of Art Museum of University of Wyoming, 2010.

melshearsmith.blogspot.com melshearsmith.blogspot.com

mel shearsmith: MOVING BETWEEN THE LINES (AHRC & PLaCE)

http://melshearsmith.blogspot.com/2011/03/moving-between-lines.html

On the manner of addressing clouds: archive and response. Tuesday, 1 March 2011. MOVING BETWEEN THE LINES (AHRC and PLaCE). Moving between the lines. Respondant: A somatic translation, in other words. Subscribe to: Post Comments (Atom). Http:/ imtryingnottomisseverything.blogspot.com/. Http:/ sevensecretwondersofbristol.co.uk. Anne Teresa de Keersmaeker barbe bleue. Anne Teresa de Keersmaeker. The memory of moths (Bristol Contemporary Open, 2008). View my complete profile.

melshearsmith.blogspot.com melshearsmith.blogspot.com

mel shearsmith: silk making in Budapest: 14.11.ő8

http://melshearsmith.blogspot.com/2008/11/silk-making-in-budapest-14118.html

On the manner of addressing clouds: archive and response. Friday, 14 November 2008. Silk making in Budapest: 14.11.ő8. Re-inventing the making of the memory of moths for Mamu Gallery, Budapest (2008). Small slithers of paper. Box and knots of thread hang close to the base of the fruit box, the nutshell for the projector and DVD player. Small dark light illuminates the white wall, within it a moth moves and shakes and rattles. A nail and a thimble mark the point where the celestial light is absent. Anne T...

melshearsmith.blogspot.com melshearsmith.blogspot.com

mel shearsmith: Response to Locator, Ty Canol Woods (2008)

http://melshearsmith.blogspot.com/2008/09/ty-canol-trees.html

On the manner of addressing clouds: archive and response. Wednesday, 24 September 2008. Response to Locator, Ty Canol Woods (2008). Of us gathered for the woods and walking to be bound the indoors and. Our bodies and the witness,. The bones and our breath. The trees are waiting for me…. I came for the trees. You bright coloured standings, watchings. Following views of the man in his underwear marking. A highway or by the way. So very clean he leans too. You are his animation, his almost. I wish I was.

melshearsmith.blogspot.com melshearsmith.blogspot.com

mel shearsmith

http://melshearsmith.blogspot.com/2009/02/memory-of-moths-memory-of-moths.html

On the manner of addressing clouds: archive and response. Sunday, 15 February 2009. The memory of moths. The memory of moths. To instigate another perspective where the human becomes animal, insect like and almost verging on the mechanical. Bristol Contemporary Open, Paintworks Gallery (2008). Mamu Gallery, Budapest (2008). Creative Art and Design Dept, University West of England (2009). Filmmaker and dancer - Mel Shearsmith. Filmed at the Arnolfini, Bristol. 3 January 2010 at 03:40.

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i'm trying not to miss everything

I'm trying not to miss everything. 8220;looking with ‘wide attention’ – seeing with the body” Miranda Tufnell. A message in a bottle…. To wait for three days. A promise, to send. I went back to my corner. To make a harbour in a raging sea. Where I could admire. The view. . Aria: never has there been a shade. Friday 9th january 2009. The ability to see something. Is lovely from up here. With a view to. with the hope, aim, or intention of. 160;feminine past participle of veoir 'see'. In miniature moments,.

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