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INCOGNITUM HACTENUS | Journal on art, horror, and philosophy

Journal on art, horror, and philosophy

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INCOGNITUM HACTENUS | Journal on art, horror, and philosophy | incognitumhactenus.com Reviews
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Journal on art, horror, and philosophy
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1 incognitum hactenus
2 main menu
3 volume 3
4 volume 2
5 blog
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8 older posts
9 posted on
10 caryncoleman
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incognitum hactenus,main menu,volume 3,volume 2,blog,post navigation,larr;,older posts,posted on,caryncoleman,reply,chimerization,posted in,philosophy,leave a reply,jim shaw mini documentary,the rinse cycle,living on zombies,volume 3 here,artist,links
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INCOGNITUM HACTENUS | Journal on art, horror, and philosophy | incognitumhactenus.com Reviews

https://incognitumhactenus.com

Journal on art, horror, and philosophy

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Florian Hecker & Reza Negarestani event (New York) | INCOGNITUM HACTENUS

http://incognitumhactenus.com/2012/11/12/florian-hecker-reza-negarestani-event-new-york

Journal on art, horror, and philosophy. Skip to primary content. Florian Hecker and Reza Negarestani event (New York). The Non-Trivial Goat and the Cliffs of the Universal:. A Topological Fable on Navigation and Synthesis. Thursday, November 15, 2012 – 7:30pm. Abrons’ Playhouse, 466 Grand Street, New York. Doors open at 7pm. Seating is limited, and available on a first-come, first-served basis. No RSVP required. A recent work by Florian Hecker. For more information go here. Leave a Reply Cancel reply.

2

IH co-presents The Quiet Earth at the 2012 Doomsday Festival | INCOGNITUM HACTENUS

http://incognitumhactenus.com/2012/10/20/ih-co-presents-the-quiet-earth-at-the-2012-doomsday-festival

Journal on art, horror, and philosophy. Skip to primary content. IH co-presents The Quiet Earth at the 2012 Doomsday Festival. The 2012 Doomsday Festival at 92Y Tribeca is already in full swing and we’re happy that tomorrow, Sunday (October 21), Incognitum Hactenus is co-presenting a screening of the 1985 Australian post-apocalyptic film. Is a slow and steady film into the lonely abyss. This entry was posted in Film/Cinema. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

3

Artist | INCOGNITUM HACTENUS

http://incognitumhactenus.com/category/artist

Journal on art, horror, and philosophy. Skip to primary content. Skip to secondary content. In conjunction with Jim Shaw’s full-scale exhibition survey of his work,. At the Baltic Art Centre. Which includes more than one hundred paintings, sculptures, drawings and videos from the last twenty-five years) is this 20 minute feature on the artist, his influences, and the all-mighty Oism. See Jim Shaw’s visual contribution to. Ben Rivers’ “Two Years at Sea” at Anthology Films. Real Horror (Vol. 1). Contributo...

4

Philosophy | INCOGNITUM HACTENUS

http://incognitumhactenus.com/category/philosophy

Journal on art, horror, and philosophy. Skip to primary content. Skip to secondary content. Florian Hecker and Reza Negarestani event (New York). The Non-Trivial Goat and the Cliffs of the Universal:. A Topological Fable on Navigation and Synthesis. Thursday, November 15, 2012 – 7:30pm. Abrons’ Playhouse, 466 Grand Street, New York. Doors open at 7pm. Seating is limited, and available on a first-come, first-served basis. No RSVP required. A recent work by Florian Hecker. For more information go here.

5

the quiet earth | INCOGNITUM HACTENUS

http://incognitumhactenus.com/tag/the-quiet-earth

Journal on art, horror, and philosophy. Skip to primary content. Skip to secondary content. Tag Archives: the quiet earth. IH co-presents The Quiet Earth at the 2012 Doomsday Festival. The 2012 Doomsday Festival at 92Y Tribeca is already in full swing and we’re happy that tomorrow, Sunday (October 21), Incognitum Hactenus is co-presenting a screening of the 1985 Australian post-apocalyptic film. Is a slow and steady film into the lonely abyss. Living On: Zombies (Vol. 3). Gods and Monsters (Vol. 2).

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Aldo Tambellini – Making the Void Visible « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/2013/10/03/tambellinireview

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Aldo Tambellini – Making the Void Visible. 3 October, 2013. REVIEW: Aldo Tambellini –. We Are The Primitives of a New Era: Paintings and Projections 1961-1989. At James Cohan Gallery. For Void is, like Darkness and Silence, a negation, but a negation that does away with every this and here, in order that the wholly other may become actual. Rudolph Otto. We Are The Primitives of a New Era. Black is the begi...

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Nitehawk Naughties: Reclaiming 1970s Porn « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/2015/03/09/nitehawk-naughties-reclaiming-1970s-porn

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Nitehawk Naughties: Reclaiming 1970s Porn. 9 March, 2015. As I embark on a new erotic film series in 2015, here’s a look back at what I programmed for the 2014 Nitehawk Naughties seriesand why. I am a woman and I programmed a year-long dirty film series at Nitehawk Cinema. I took the helm of our 2014 signature series Nitehawk Naughties. S digital release of. Learning of their archive made it impossible for...

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Links -  Exploring the Extraordinary

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Exploring the Extraordinary Channel. Abraxas: International Journal of Esoteric Studies. Journal of Exceptional Experiences and Psychology. Humphrey with his Flail. Letter from Hardscrabble Creek. Parapsychology: News, History, Research. Institute for Thealogy and Deasophy. Institute of Noetic Sciences. Nonreligion and Secularity Research Network. Phantoms at the Phil. The Religious Studies Project. The Science Fiction Foundation. Scientific and Medical Network. Society for Psychical Research. Create you...

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Five Questions on Horror & Architecture: AIDA RUILOVA « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/2013/11/03/five-questions-on-horror-architecture-aida-ruilova

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Five Questions on Horror and Architecture: AIDA RUILOVA. 3 November, 2013. Artist and filmmaker Aida Ruilova. Provides the first set of answers to a series of questions about horror and architecture. The Girl Who Knew Too Much. Is asking artists, filmmakers, curator, and writers. Five Questions on Horror and Architecture: AIDA RUILOVA. Do you think architecture has the power to be horrific? If so, how?

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Video « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/category/video

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Catch Catch a Horror Taxi, I Fell in Love a Video Nasty. 6 March, 2015. British popular culture collides with the influence of horror films in the midst of the Nasty scandal in 1980s UK. You Must Taste Blood to be a Man. 21 August, 2013. Art in Horror Film: The Secret of Dorian Gray. 17 May, 2013. Oscar Wilde’s The Portrait of Dorian Gray. Is the quintessential merger of visual art and horror. 3 May, 2013.

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How to Explain Pictures to a Dead Hare « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/2011/06/02/how-to-explain-pictures-to-a-dead-hare

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. How to Explain Pictures to a Dead Hare. 2 June, 2011. How to Explain Pictures to a Dead Hare. Is a collaboration with Darren Banks’. For his current solo exhibition. In Northhampton. My accompanying text is a part of Banks’ film installation of the 1972 classic. In his show at Fishmarket Gallery (on view through 25 June). I’ve written for and about Banks (a fellow horror aficionado) before: read. Challenge...

thegirlwhoknewtoomuch.com thegirlwhoknewtoomuch.com

Film « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/category/film

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Nitehawk Naughties: Reclaiming 1970s Porn. 9 March, 2015. As I embark on a new erotic film series in 2015, here’s a look back at what I programmed for the 2014 Nitehawk Naughties seriesand why. I am a woman and I programmed a year-long dirty film series at Nitehawk Cinema. I took the helm of our 2014 signature series Nitehawk Naughties. S digital release of. Learning of their archive made it impossible for...

thegirlwhoknewtoomuch.com thegirlwhoknewtoomuch.com

Familial History (Sculpture, Film and Horror): a Q&A with Darren Banks « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/2014/01/03/familial-history-sculpture-and-horror-a-qa-with-darren-banks

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Familial History (Sculpture, Film and Horror): a Q&A with Darren Banks. 3 January, 2014. Explores familial and technological histories through the integration of a filmic and sculptural language. Incorporating all the things we love here at. The Girl Who Knew Too Much. How to Explain Pictures to a Dead Hare. 1975), jump cut (. 2001: A Space Odyssey. 1962), double exposure (. However, once I began making th...

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Night of the Living Dead: Annotated Palace Collection « THE GIRL WHO KNEW TOO MUCH

https://thegirlwhoknewtoomuch.com/2013/02/10/night-of-the-living-dead-annotated-palace-collection

THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Night of the Living Dead: Annotated Palace Collection. 10 February, 2013. I wrote about the impossibility of writing about. Night of the Living Dead. For the Annotated Palace Collection. Project by Darren Banks):. In 1968 two films were released that changed the landscape for cinema and ushered in the era of the post-modern horror film. The first is Roman Polanski’s Rosemary’s Baby. And the rest in Romero’...

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INCOGNITUM HACTENUS | Journal on art, horror, and philosophy

Journal on art, horror, and philosophy. Skip to primary content. Skip to secondary content. Florian Hecker and Reza Negarestani event (New York). The Non-Trivial Goat and the Cliffs of the Universal:. A Topological Fable on Navigation and Synthesis. Thursday, November 15, 2012 – 7:30pm. Abrons’ Playhouse, 466 Grand Street, New York. Doors open at 7pm. Seating is limited, and available on a first-come, first-served basis. No RSVP required. A recent work by Florian Hecker. For more information go here.

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