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Indrė Šerpytytė

The Screen Fades to Black. 2 Seconds of Colour. 1944 – 1991). A State of Silence. Contemporary Art Centre, Vilnius, Lithuania.

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Indrė Šerpytytė | indre-serpytyte.com Reviews
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The Screen Fades to Black. 2 Seconds of Colour. 1944 – 1991). A State of Silence. Contemporary Art Centre, Vilnius, Lithuania.
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Indrė Šerpytytė | indre-serpytyte.com Reviews

https://indre-serpytyte.com

The Screen Fades to Black. 2 Seconds of Colour. 1944 – 1991). A State of Silence. Contemporary Art Centre, Vilnius, Lithuania.

INTERNAL PAGES

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Indrė Šerpytytė

http://www.indre-serpytyte.com/pedestaltext2016ink-on-vinyl-and-dibonddimensions-variable

The Screen Fades to Black. 2 Seconds of Colour. 1944 – 1991). A State of Silence. Ink on vinyl and dibond. Archival image courtesy of Lithuanian Central State Archives, photographed by V.Gulevičius, M.Baranauskas. Archival image courtesy of Lithuanian Central State Archives, photographed by A.Šestakovas. Archival image courtesy of Lithuanian Central State Archives, photographed by J.Ambraška. Archival image courtesy of Lithuanian Central State Archives, photographed by E.Šiško.

2

Indrė Šerpytytė

http://www.indre-serpytyte.com/biography

The Screen Fades to Black. 2 Seconds of Colour. 1944 – 1991). A State of Silence. Indrė Šerpytytė (b. 1983 in Palanga, Lithuania) is an artist living and working in London, UK. Mphil/PhD in Photography, Royal College of Art, London. MA in Photography, Royal College Of Art, London. BA in Editorial Photography, University of Brighton, Brighton. Pedestal, Parafin, London Details. Ffotogallery,Turner House, Penarth Details. Photographers Association, London. Vilniaus Photography Gallery, Vilnius Details.

3

Indrė Šerpytytė

http://www.indre-serpytyte.com/press

The Screen Fades to Black. 2 Seconds of Colour. 1944 – 1991). A State of Silence. Interview with Indre Šerpytytė. British Journal of Photography, Visible Memories: Reclaiming the relics of the Soviet era Text. A Visual History of Violence. Photography desk’s daily digest. Royal Academy Blog, Top five art shows to see Text. 8216;Pedestal’ at Parafin, London. 10 to See: Recommended exhibitions. Issue 72 August/September 2016. Review of Ocean of Images. Indre Serpytyte Points Out Torture Sites. New Light, J...

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Indre Serpytyte – from the series ‘A State of Silence’ – Gifted Auction

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Charity art auction for outstanding causes. Affinity Global Real Estate. Indre Serpytyte – from the series ‘A State of Silence’. April 8, 2015. At 2976 × 2480. Indre Serpytyte – from the series ‘A State of Silence’ – Digital C-type – 10x12in http:/ www.indre-serpytyte.com/. Blog at WordPress.com. Follow “Gifted Auction”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

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Memorialization & Narrative: “Conflict-Time-Photography” at the Tate Modern | The Vision Machine

http://thevisionmachine.com/2015/01/memorialization-narrative-conflict-time-photography-at-the-tate-modern

Ivory Tower 2.0. Ivory Tower 2.0. Memorialization and Narrative: Conflict-Time-Photography at the Tate Modern. January 20, 2015. Conflict -Time -Photography at the Tate Modern, London. If your photographs aren’t good enough, you’re not close enough. Of a Spanish Loyalist at the instant a bullet apparently felled him, testify to this. Its images ordered according to how long after the event they were created from moments, days and weeks to decades later. Post the Decisive Moment. Nearly every image displa...

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Artists | Indrė Šerpytytė

http://www.parafin.co.uk/artists--indre-serpytyte.html

The series A State of Silence. 2006) creates an ambiguous archive of relics, combining personal possessions with seeming remnants of bureaucracy. Denying a coherent narrative, the work questions official accounts of the untimely death of the artist’s father, a government official, in an apparent car accident. Šerpytytė’s new works, the Pedestal. Šerpytytė will have her first exhibition at Parafin in October 2016. At the Museum of Modern Art, New York (2015), Conflict, Time, Photography. 44 (0)20 7495 1969.

blog.egidija.com blog.egidija.com

Egidija's Notebook II: February 2015

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Still thinking about the title. Tuesday, 24 February 2015. 8594; currious lens devices between the reader and the world. This blog post was first published at Wednesday Post. An instrument of natural magic may reappear as a philosophical instrument, as an instrument of entertainment, or as a practical "invention" in a new guise" (Hankins and Silverman, 1995). And all we are left with is the world. Window vinyls and a set of three artists’ books, including viewing devices. Opens at Milton Gallery @. Books...

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The Exposure Project: March 2010

http://theexposureproject.blogspot.com/2010_03_01_archive.html

Tuesday, March 30, 2010. Unites contemporary portraiture of his grandfather and images taken from family photo albums. The transition from the appropriated imagery to the more mediated photographs doesn't always feel fluid and intuitive, however, regardless this series is a compelling examination of familial heritage seen through two distinctly different photographic tacks. 169; Daniel Schumann. 169; Daniel Schumann. 169; Daniel Schumann. 169; Daniel Schumann. 169; Daniel Schumann. Links to this post.

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