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Inês Ribeiro | esad ma. year 01

esad ma. year 01

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Inês Ribeiro | esad ma. year 01 | inesribeiroblender.wordpress.com Reviews

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ilott-canonet-2up_big-500×175 | Inês Ribeiro

https://inesribeiroblender.wordpress.com/2016/12/22/project-i/ilott-canonet-2up_big-500x175

Esad ma. year 01. Skip to primary content. December 21, 2016. At 500 × 175. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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cs_scan_jpg_136 | Inês Ribeiro

https://inesribeiroblender.wordpress.com/2017/01/10/workshop-1/cs_scan_jpg_136

Esad ma. year 01. Skip to primary content. Cs scan jpg 136. January 10, 2017. At 3310 × 2340. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Workshop 1 | Inês Ribeiro

https://inesribeiroblender.wordpress.com/2017/01/10/workshop-1

Esad ma. year 01. Skip to primary content. January 10, 2017. For this workshop we were confronted with four theatre plays, Frankenstein, Money, Cat on a Hot Tin Roof and Saint Joan. Each of the students had to pick one of this plays and create a poster for it. I picked Frankenstein, mainly because I was familiarized with it’s story, and since we were time constrained it would be easier to work with something I already knew. Friday was our last workshop day, we had to present our final poster. Being t...

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vintage-radio-no-pastel-green1 | Inês Ribeiro

https://inesribeiroblender.wordpress.com/2016/12/22/project-i/vintage-radio-no-pastel-green1

Esad ma. year 01. Skip to primary content. December 21, 2016. At 1000 × 600. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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cs_scan_jpg_179 | Inês Ribeiro

https://inesribeiroblender.wordpress.com/2017/01/10/workshop-1/cs_scan_jpg_179

Esad ma. year 01. Skip to primary content. Cs scan jpg 179. January 10, 2017. At 2340 × 1654. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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neuzafonteblender | Neuza Fonte

https://neuzafonteblender.wordpress.com/author/neuzafonteblender

Esad ma. year 01. Skip to primary content. Skip to secondary content. Workshop.6 Paul McNeil. March 3, 2017. 8220;TRUST THE SYSTEM. ACCEPT WHAT HAPPENS.”. O título que introduziu esta palestra foi Machine Tools. Paul Mcneil introduz a palestra debruçado nesta ideia da máquina como forma de organizar as ideias e utilizar as máquinas/programas como meio de as expressar, descrevendo os suportes como algo construído para atingir outros fins. Sol Lewitt, Geometric Structures. As all ten sonnets have not just ...

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catialimablender | Cátia Lima

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Esad ma. year 01. Skip to primary content. Skip to secondary content. February 17, 2017. My work explores three ways of seeing the female body:. 1 From an artistic and pornographic point of view. In 2012, the Picasso’s “Nude woman in a red armchair” was censored in a airport in Edinburgh after protests of people scandalized with discovered breasts of painting. 2 From a cultural point of view. 3 From a scientific point of view. How science see the female body and how it is different from male. And her...

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Pop-up Shop (P1) — visual identity | Sofia Barbosa

https://sofiabarbosablender.wordpress.com/2016/12/18/pop-up-shop-p1-visual-identity

Esad ma. year 01. Skip to primary content. Pop-up Shop (P1) visual identity. December 18, 2016. Ícones ilustrativos/explicativos baseados em de imagens de apoio). This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.

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Workshop I — Andrew Howard | Sofia Barbosa

https://sofiabarbosablender.wordpress.com/2016/12/18/workshop-i-andrew-howard

Esad ma. year 01. Skip to primary content. Workshop I Andrew Howard. December 18, 2016. Tinha como tema a “Hierarquia” de texto. Assim sendo, e partindo de algumas peças de teatro, foi-nos pedido que nos debruçássemos sobre uma delas, à nossa escolha, para realizar os exercícios apresentados. A mesma tipografia mas um único peso. A mesma tipografia mas dois pesos distintos. O resultado (final) foi o seguinte:. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here.

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Pop-up Shop (P1) — process of making | Sofia Barbosa

https://sofiabarbosablender.wordpress.com/2016/12/18/pop-up-shop-p1-process

Esad ma. year 01. Skip to primary content. Pop-up Shop (P1) process of making. December 18, 2016. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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sofiabarbosablender | Sofia Barbosa

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Ways of seeing and telling (P2) final outcome. February 23, 2017. O projecto final é composto por três pôsteres. No canto inferior esquerdo de cada pôster está indicado o tema abordado e no canto superior direito de cada um deles, está presente o mote do projecto “Ways of seeing”. As cores utilizadas foram duas preto e azul tendo em conta que o preto foi utilizado numa vertente explicativa e o azul numa vertente ilustrativa. 8220;De to...

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Neuza Fonte | esad ma. year 01 | Page 2

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Newer posts →. Red on poetry (3). February 10, 2017. The impact of the color. When you can’t see it. O simbolismo da cor confere. Um significado mais profundo às palavras, ajudando no processo de transformação do conteúdo escrito. Fig01- texto (O QUE LEMOS). Fig02- imagem (O QUE IMAGINAMOS AO LER). Cada vez mais a cor é um fator fulcral na arte da escrita. 8220;Signs and Symbols rule the world, not rules and law”. Confucius (551 479 BC).

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joaosilvablender | Joao Silva

https://joaosilvablender.wordpress.com/author/joaosilvablender

Esad m.a. year 01. Skip to primary content. Skip to secondary content. February 26, 2017. Nesta interpretação foi abordada a história da maquina de escrever, para melhor entendimento do tema foi elaborado um editorial sobre o mesmo. Este editorial aborda a história da maquina de escrever desdas suas primeiras invenções e até ao final do século XX que foi o fim da produção das maquinas. Não percam o próximo episódio pois nos também não. 2# Typewriter – Erro. February 23, 2017. Em resumo para conseguir alc...

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About | Alice Medina

https://alicemedinablender.wordpress.com/about

Esad ma. year 01. Skip to primary content. When I was seventeen I took part in a cultural exchange from Brazil to Utrecht, in the Netherlands. That was partly a test run to see if I really wanted to live in Europe for a longer period of time. I grew up in São Paulo and as much as I love and appreciate it I have found my home living in the Netherlands. Create a free website or blog at WordPress.com.

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Project 1. The First Test | Alice Medina

https://alicemedinablender.wordpress.com/2016/11/18/project-1-the-first-test

Esad ma. year 01. Skip to primary content. Project 1. The First Test. November 18, 2016. The first step was to make a test on paper to try and understand better how the wheel works and how the information has to be displayed. However that test was a bit of a fail, because of the material, and the organisation of the information. Since it was getting too complicated to try it on paper I decided to make a test on Illustrator and later on print it, but more about that on the next post.

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Esad ma. year 01. Skip to primary content. Skip to secondary content. October 21, 2016. Graphic Designer, Illustrator, Cat Lover, Cosplayer, Artist. My name is Inês, I’m 22 years old, from Lousada, a small village near Porto, Portugal. I currently work for both my personal freelancer studio, Little Pet Monster Studio, and Ovelha Negra Studio. I graduated in 2016 at ESAD, and I’m currently starting my masters degree. I guess I like to do everything where I can be creative and use my hands. January 10, 2017.

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