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Victoria Martinez Highlights the Energy of Urban Sites Through Pattern, Color, and Site-Specificity – THE COLLECTIVE GAP

http://collectivegap.info/victoria-martinez-energy-of-urban-sites

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Victoria Martinez Highlights the Energy of Urban Sites Through Pattern, Color, and Site-Specificity. November 28, 2016. How do you use fiber and collaging processes to create visual narratives and what do these visual narratives mean to the history its installed site? How do your processes and your chosen materials lend itself to the interruptions you create for others? OC: At times your work involves collaborating with people who live near the ...

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Dominique Carella Questions Identity Constructs By Reclaiming Language – THE COLLECTIVE GAP

http://collectivegap.info/dominique-carella-questions-identity-constructs-by-reclaiming-language

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Dominique Carella Questions Identity Constructs By Reclaiming Language. November 30, 2016. That Awkward Moment…. Dominique Carella is a recent graduate of the University of California, Santa Cruz, where she received her Bachelor’s degree in Sociology and Visual Arts. For the exhibition Qué Pasa, USA? Carella, created a large scale vinyl text piece entitled That Awkward Moment When. In Kansas City, Missouri. CAMILE MESSERLEY: Your work in. I am O...

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Michelle Lee Examines Familial History Through the Process of Photography – THE COLLECTIVE GAP

http://collectivegap.info/michelle-lee-examines-familial-history-through-the-process-of-photography

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Michelle Lee Examines Familial History Through the Process of Photography. December 2, 2016. ISABEL VARGAS: You utilize personal images throughout your work. How comfortable are you with your role in that image’s history? Does your work aim to heighten the history behind them? My photo explorations started off in a vein of documentary work. For Aye Mama. I’ve used photography to document performative acts. For example, in Penelope. I give my mot...

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Silvia Beatriz Abisaab Uses Portraits and Conversation to Uncover Personal Stories – THE COLLECTIVE GAP

http://collectivegap.info/silvia-beatriz-abisaab-portraits-conversation

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Silvia Beatriz Abisaab Uses Portraits and Conversation to Uncover Personal Stories. November 18, 2016. In KCMO (Julio M.),. Silvia Beatriz Abisaab explores the appearance and experience of race through interviews, photography, video, and performance. One of Abisaab’s recent bodies of work is loosely organized under the title of. In KCMO (Nelson P.). And who do you consider your audience to be? Now as for my audience, I would love for the whole w...

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Damali Abrams Shares Self-Healing Strategies as a Radical Act of Resistance – THE COLLECTIVE GAP

http://collectivegap.info/damali-abrams-self-healing-as-radical-act

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Damali Abrams Shares Self-Healing Strategies as a Radical Act of Resistance. January 6, 2017. That Old Black Magic (Happiness Spell #1). HOPE-LIAN VINSON: In the oversaturation of violent media depicting police shootings, what has been your process in promoting self-healing as a response to social ills in your artistic practice? In addition to offering healing remedies through GlitterPriestess.com. I see my work as a contribution to those contem...

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Kayla Quan Challenges the Model Minority Stereotype Through Sincerity and Humor – THE COLLECTIVE GAP

http://collectivegap.info/kayla-quan-challenges-the-model-minority-stereotype-through-sincerity-and-humor

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Kayla Quan Challenges the Model Minority Stereotype Through Sincerity and Humor. November 22, 2016. DREA DICARLO: Your sketchbook drawings use little poetic phrases that are playfully naïve, ironic, and assertive, used as a means of articulating difficult thoughts and feelings. As a collection, these sketches convey a sense of sincere hurt or melancholy. What is the role of text and language in your work? Please read caption and comments). 2015)...