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Reading musicology book reviews with Anzaldúa. October 3, 2011. Now that I’m in week 5 of grad school, I would love if this blog could become a repository for all of my tangential questions. I’ll write a proper update someday soon, but for now I just want to raise the following issue. This past week, my seminar on gender, sexuality and music was set to discuss Nadine Hubbs’s. The Queer Composition of America’s Sound. That it even matters. Whether or not the reader feels accused. But as the excerpt fr...

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Reading musicology book reviews with Anzaldúa. October 3, 2011. Now that I’m in week 5 of grad school, I would love if this blog could become a repository for all of my tangential questions. I’ll write a proper update someday soon, but for now I just want to raise the following issue. This past week, my seminar on gender, sexuality and music was set to discuss Nadine Hubbs’s. The Queer Composition of America’s Sound. That it even matters. Whether or not the reader feels accused. But as the excerpt fr...
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intrplay | intrplay.wordpress.com Reviews

https://intrplay.wordpress.com

Reading musicology book reviews with Anzaldúa. October 3, 2011. Now that I’m in week 5 of grad school, I would love if this blog could become a repository for all of my tangential questions. I’ll write a proper update someday soon, but for now I just want to raise the following issue. This past week, my seminar on gender, sexuality and music was set to discuss Nadine Hubbs’s. The Queer Composition of America’s Sound. That it even matters. Whether or not the reader feels accused. But as the excerpt fr...

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Classical music audiences’ “unremitting gush” | intrplay

https://intrplay.wordpress.com/2011/02/26/unremitting-gush

February 26, 2011. Classical music audiences’ “unremitting gush”. Before I write about the salons of Brown Symposium XXXIII, which just ended, I want to talk about my performance of Elizabeth Jacquet de la Guerre’s. Earlier that day over a luncheon with other music students and Greg Sandow. I love unremitting gush. But it’s best when people tell me that I have communicated the music well, not that my voice sounded pretty. Would it put musicologists out of their jobs? What is happening when someone is mov...

2

November | 2010 | intrplay

https://intrplay.wordpress.com/2010/11

Monthly Archives: November 2010. A lil AMS recap. November 7, 2010. Over the past few days at AMS, I. Hung out with some fantastic musicologists. Heard a couple of good papers. Spoke at some length to a professor whose school I had mixed up for another, and described why I liked the program description of the wrong school. Spoke for about 10 minutes with two professors with chocolate fondue on my face. Reading musicology book reviews with Anzaldúa. What to hear while listening for something else.

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intrplay | Page 2

https://intrplay.wordpress.com/page/2

So much all at the same time. January 22, 2011. I am looking at you (except not) through the tail end of a tunnel I burrowed through for three and a half years. Wow, that sounds so overly epic. I need to start with the past few days—. To Dean, the employee at the 24 hour kinkos where I spent most of Wednesday night, who helped me cut 4,000 mat boards into 23,400 pieces… in straight lines. To Anne, who cut the first 302 pieces of mat board for me, and who gave me a ride to the Volkswagen dealership at the...

4

But, I like gush: working on my voice | intrplay

https://intrplay.wordpress.com/2011/03/02/but-i-like-gush

March 2, 2011. But, I like gush: working on my voice. I’ve been thinking a lot about my last post, which I edited substantially… several times. Yet even with those edits, I speak too vaguely about “non-responsive audiences,” and the lack of specific examples I gave made it seem like I was criticizing the positive responses from my own recent performance. In fact, I was deeply flattered by the multitude of responses I got. Music undergrads (and grads, and whomever) — do you disagree with me? It’s aw...

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October | 2011 | intrplay

https://intrplay.wordpress.com/2011/10

Monthly Archives: October 2011. Reading musicology book reviews with Anzaldúa. October 3, 2011. Now that I’m in week 5 of grad school, I would love if this blog could become a repository for all of my tangential questions. I’ll write a proper update someday soon, but for now I just want to raise the following issue. This past week, my seminar on gender, sexuality and music was set to discuss Nadine Hubbs’s. The Queer Composition of America’s Sound. That it even matters. Whether or not the reader feels ac...

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intrplay

Reading musicology book reviews with Anzaldúa. October 3, 2011. Now that I’m in week 5 of grad school, I would love if this blog could become a repository for all of my tangential questions. I’ll write a proper update someday soon, but for now I just want to raise the following issue. This past week, my seminar on gender, sexuality and music was set to discuss Nadine Hubbs’s. The Queer Composition of America’s Sound. That it even matters. Whether or not the reader feels accused. But as the excerpt fr...

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