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Issue 3

The Actor's Vision" by Steven Rybin. Discussions of visions in film studies are usually limited to film directors, but what would it mean to credit an actor with a vision? The actor’s vision might be understood as a process of thought, emotion, and action that unfolds gradually on film: not a way of being looked at, but a way of looking, glancing, and gazing at the world around her, and conveying meaning through this gaze. Wiping the Dust from our Eyes" by Lauren Newton Glenn.

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The Actor's Vision by Steven Rybin. Discussions of visions in film studies are usually limited to film directors, but what would it mean to credit an actor with a vision? The actor’s vision might be understood as a process of thought, emotion, and action that unfolds gradually on film: not a way of being looked at, but a way of looking, glancing, and gazing at the world around her, and conveying meaning through this gaze. Wiping the Dust from our Eyes by Lauren Newton Glenn.
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Issue 3 | issue3.thecine-files.com Reviews

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The Actor's Vision" by Steven Rybin. Discussions of visions in film studies are usually limited to film directors, but what would it mean to credit an actor with a vision? The actor’s vision might be understood as a process of thought, emotion, and action that unfolds gradually on film: not a way of being looked at, but a way of looking, glancing, and gazing at the world around her, and conveying meaning through this gaze. Wiping the Dust from our Eyes" by Lauren Newton Glenn.

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Savannah College of Art and Design. Issue 9 (Fall 2015): Teaching Film. Issue 8 (Spring 2015): Film Sound. Issue 7 (Fall 2014): The Video Essay: Parameters, Practice, Pedagogy. Issue 6 (Spring 2014): Film Acting, with guest scholar dossier on various film performers. Issue 5 (Fall 2013): Featured Scholarship and Coverage of the 2013 Savannah Film Festival. Issue 4 (Spring 2013): Mise-en-scène, with guest scholar dossier on close analysis. Issue 2 (Spring 2012): The French New Wave.

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Issue 3

The Actor's Vision" by Steven Rybin. Discussions of visions in film studies are usually limited to film directors, but what would it mean to credit an actor with a vision? The actor’s vision might be understood as a process of thought, emotion, and action that unfolds gradually on film: not a way of being looked at, but a way of looking, glancing, and gazing at the world around her, and conveying meaning through this gaze. Wiping the Dust from our Eyes" by Lauren Newton Glenn.

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