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SMILE. | an experimental film by adnan x. khan

An experimental film by adnan x. khan. How the film was made. Filmed in a single continuous shot, Smile. is an experiment in Brechtian theatre, baroque art and existential ennui. It is the strange case of a man, a photo booth and infinite secrets. / 8min. February 14, 2011. I decided to examine the practice of disclosure within the framework of my interest in existentialism and baroque art, especially paintings by Caravaggio and Diego Velázquez. As much as Smile.

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SMILE. | an experimental film by adnan x. khan | iwillnotsmile.com Reviews

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An experimental film by adnan x. khan. How the film was made. Filmed in a single continuous shot, Smile. is an experiment in Brechtian theatre, baroque art and existential ennui. It is the strange case of a man, a photo booth and infinite secrets. / 8min. February 14, 2011. I decided to examine the practice of disclosure within the framework of my interest in existentialism and baroque art, especially paintings by Caravaggio and Diego Velázquez. As much as Smile.

<META> KEYWORDS

1 smile

2 menu

3 skip to content

4 cast and crew

5 director’s statement

6 by x

7 post navigation

8 twitter

9 facebook

10 trivia

CONTENT

Page content here

KEYWORDS ON PAGE

smile,menu,skip to content,cast and crew,director’s statement,by x,post navigation,twitter,facebook,trivia

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SMILE. | an experimental film by adnan x. khan | iwillnotsmile.com Reviews

https://iwillnotsmile.com

An experimental film by adnan x. khan. How the film was made. Filmed in a single continuous shot, Smile. is an experiment in Brechtian theatre, baroque art and existential ennui. It is the strange case of a man, a photo booth and infinite secrets. / 8min. February 14, 2011. I decided to examine the practice of disclosure within the framework of my interest in existentialism and baroque art, especially paintings by Caravaggio and Diego Velázquez. As much as Smile.

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iwillnotsmile.com

1

Director's Statement for SMILE. | a film by Adnan X. Khan

http://iwillnotsmile.com/director-statement

An experimental film by adnan x. khan. How the film was made. February 14, 2011. I have always been fascinated by confessions how people can sometimes tell their deepest, darkest secret to a complete stranger. (My Catholic upbringing and confessions to the priest may have something to do with this.) So, for my debut short film Smile. I decided to examine the practice of disclosure within the framework of my interest in existentialism and baroque art, especially paintings by Caravaggio and Diego Velázquez.

2

X., Author at SMILE.

http://iwillnotsmile.com/author/khan

An experimental film by adnan x. khan. How the film was made. February 14, 2011. I have always been fascinated by confessions how people can sometimes tell their deepest, darkest secret to a complete stranger. (My Catholic upbringing and confessions to the priest may have something to do with this.) So, for my debut short film Smile. I decided to examine the practice of disclosure within the framework of my interest in existentialism and baroque art, especially paintings by Caravaggio and Diego Velázquez.

3

How the Film Was Made | SMILE. directed by Adnan X. Khan

http://iwillnotsmile.com/how-the-film-was-made

An experimental film by adnan x. khan. How the film was made. How the film was made. To achieve the vintage “Polaroid” look, Smile. Was filmed on 16mm Kodak color reversal stock (Ektachrome 7285) using an Arri SRIII camera and 25mm Zeiss Superspeed lens. The color reversal film was developed using the E-6 process, then digitally scanned with a 2K Spirit DataCine. Aside from a “one-light” color grading during telecine, no other digital processes were used. Proudly powered by WordPress.

4

SMILE. | a film directed by Adnan X. Khan

http://iwillnotsmile.com/smile

An experimental film by adnan x. khan. How the film was made. Deceptively simple, all effects were accomplished inside the camera using analog filmmaking techniques: rare 1960s Sylvania flashbulbs were triggered to create the bright flashes, and part of an actual size photo booth was constructed for the actor. Proudly powered by WordPress. Theme: Sundance by WordPress.com.

5

Cast and Crew of SMILE. | directed by Adnan X. Khan

http://iwillnotsmile.com/cast-and-crew

An experimental film by adnan x. khan. How the film was made. Justin Michael Terry (as David). Germán Izquierdo Valero (line producer). Enrique Latapí Silva (line producer). Adnan X. Khan (producer). Adnan X. Khan (cinematographer). Saman Yaghmai-Aledavoud (assistant camera). John Elizondo (still photographer). Aaron Downes (set constructor). Olivier Creurer (poster designer). Cristina Penescu (title designer). Omar Barraza (sound recordist). Andy Favre (adr mixer). Ben Wilkins (sound re-recording mixer).

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SMILE. | a film by Adnan X. Khan

http://adnanxkhan.com/portfolio/smile

Royal Perfumes: In Disguise. ET Bil Arabi (MBC). Nabd Al Herouf (Dubai TV). Black & Gold. Dubai World Trade Centre. 8 min USA Experimental S16mm. Directed and photographed by Adnan X. Khan. Filmed in a single continuous shot, SMILE. is an experiment in Brechtian theatre, baroque art and existential ennui. It is the strange case of a man, a photo booth and infinite secrets. iwillnotsmile.com. Larr; Dear Father.

xperimentmedia.com

Smile. | Xperiment Media

http://www.xperimentmedia.com/portfolio/smile

971) 4 278 0954 Dubai. Filmed in a single continuous shot, SMILE. is an experiment in Brechtian theatre, baroque art and existential ennui. It is the strange case of a man, a photo booth and infinite secrets. Watch the entire film online at www.iwillnotsmile.com. Genre: Mystery, Drama. This belongs to: films. Xperiment Media, Boulevard Plaza Tower 1, Level 14, P.O. Box 334036, Downtown Dubai, United Arab Emirates.

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SMILE. | an experimental film by adnan x. khan

An experimental film by adnan x. khan. How the film was made. Filmed in a single continuous shot, Smile. is an experiment in Brechtian theatre, baroque art and existential ennui. It is the strange case of a man, a photo booth and infinite secrets. / 8min. February 14, 2011. I decided to examine the practice of disclosure within the framework of my interest in existentialism and baroque art, especially paintings by Caravaggio and Diego Velázquez. As much as Smile.

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