labnotesproject.wordpress.com
people | LAB NOTES
https://labnotesproject.wordpress.com/people
Ancient oceans and climate. Jon Chouler (chemical engineering). Jon graduated from the University of Bath with an MEng in Chemical Engineering, which included a 6 month overseas research project at the University of Canterbury, New Zealand, and a year-long placement working for Procter and Gamble in process improvements for dish homecare manufacturing. Outside of work Jon enjoys cycle touring, brewing beer/wine and playing guitar. Dr Mirella Di Lorenzo (chemical engineering). Dr Mirella Di Lorenzo.
cmrbsu.wordpress.com
May | 2014 | Centre for Musical Research
https://cmrbsu.wordpress.com/2014/05
Centre for Musical Research. Nigel Beaham-Powell: Music, Money and Maps – what do Collecting Societies tell us about culture? Monthly Archives: May 2014. Paul Carr – An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa. May 1, 2014. Paul Carr – An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa. May 1, 2014. Decision making at ESCOM 2015. Loder Family and Music in Provincial Britain Study Day: Call for Papers. Me and my shadow. Create a free...
cmrbsu.wordpress.com
Luke Nickel (Bath Spa) – Living scores: using memory to erode and transform musical material / Joseph Buckler (Bath Spa) – Categories of networking and cueing systems found in composition for performance | Centre for Musical Research
https://cmrbsu.wordpress.com/2015/02/09/luke-nickel-bath-spa-living-scores-using-memory-to-erode-and-transform-musical-material-joseph-buckler-bath-spa-categories-of-networking-and-cueing-systems-found-in-composit
Centre for Musical Research. Nigel Beaham-Powell: Music, Money and Maps – what do Collecting Societies tell us about culture? Luke Nickel (Bath Spa) Living scores: using memory to erode and transform musical material / Joseph Buckler (Bath Spa) Categories of networking and cueing systems found in composition for performance. February 9, 2015. Wednesday 11 December 2014. 12.30-2pm. CM105, Newton Park. Luke Nickel – Living scores: using memory to erode and transform musical material. February 9, 2015.
harmony-harmony.blogspot.com
harmony! harmony!: November 2006
http://harmony-harmony.blogspot.com/2006_11_01_archive.html
I'm a composer, performer, and lecturer. I'm going to attempt to blog here every day about my life as an academic - teaching, writing, and administering. I'll also talk more generally about projects I have on the go at the moment, as well as about twentieth and twentieth-first century music, especially experimental and avant-garde repertories. And science fiction. And food. And dogs. Saturday, November 04, 2006. Bet you can't wait! Posted by harmonyharmony at 12:13 AM. Edinburgh, Scotland, United Kingdom.
untitledwebsite.com
tim parkinson - untitled website
http://www.untitledwebsite.com/links
Alvin Lucier video interview. Chris Newman on YouTube. Interview by Jason Gross from April 1998. Christopher Hobbs, Michael Parsons, Hugh Shrapnel, Dave Smith. Matthew Shlomowitz on YouTube. BBC Radio 3 - Hear and Now. Huddersfield Contemporary Music Festival. Music We'd Like to Hear. The concert series I curate and organise with John Lely and Markus Trunk. Ostrava New Music Days. Small but perfectly formed. The Henningham Family Press. ICA concert 31st May 2009.
nullpointseries.wordpress.com
null point 4 | null point
https://nullpointseries.wordpress.com/events/null-point-4
A platform for experimental arts. Null point 7. Decay/Reverberate: Site-Specific Sound at Silo City. SURFACES–null point at echo art fair. Decay/Reverberate: Site-Specific Sound at Silo City. Gerhard Rühm: from barely something to almost nothing–Ethan Hayden. On “Few”–Charlie Sdraulig. Null Point 4. With Paper. February 21, 2015. 5 pm Free. 2013) for sound sources*. 2006-9) for pieces of paper. Event will include audience-participatory version of Saunders–pencils, paper, and scores will be provided.
audiograft.co.uk
FRIDAY 13/03 | AUDIOGRAFT FESTIVAL
http://www.audiograft.co.uk/programme/friday-1303
Holywell Music Room, 7pm. Tickets: 10 / 8 concession booking fee. Bookings: http:/ www.wegottickets.com/event/307469. Rout] – Cutting Into The Continuum. Rout]‘s performance takes as its starting point Antoine Beuger’s notion of music as ‘all that is (sounding)’, and the role of composition as cutting into ‘this infinitely dense continuum’. It brings together a group of composers whose work explores ways of framing the world in an unmediated state and seek to investigate this notion.
