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Jan van Biezen

Rhythm, metre and tempo in early music. 101;mail Jan van Biezen. A collection of articles by Jan van Biezen. The tower of the 'Dorpskerk' at Wassenaar, a church that has been close to me since childhood. My interests and activities in church music and church organs started there. An Easter song from the 7th century on a melody of a hymn by Ambrosius. In the 'Liedboek voor de Kerken' at which creation I was closely involved I tried to restore the old melodies to their original form as much as possible.

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Jan van Biezen | janvanbiezen.nl Reviews

https://janvanbiezen.nl

Rhythm, metre and tempo in early music. 101;mail Jan van Biezen. A collection of articles by Jan van Biezen. The tower of the 'Dorpskerk' at Wassenaar, a church that has been close to me since childhood. My interests and activities in church music and church organs started there. An Easter song from the 7th century on a melody of a hymn by Ambrosius. In the 'Liedboek voor de Kerken' at which creation I was closely involved I tried to restore the old melodies to their original form as much as possible.

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Biography of Jan van Biezen

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Rhythm, metre and tempo in early music. Borrowed from the article ‘Biezen, Jan van’, written by Joost van Gemert, in the second edition of The New Grove Dictionary of Music and Musicians. Volume 3. p. 562) . Jan van Biezen ( b. Wassenaar, 22 April 1927). Dutch musicologist. He studied mathematics at the. MSc 1954) and organ with Adriaan Engels; He was a secondary school teacher (1954-72) and organist and choirmaster of the Dutch Reformed Church in Wassenaar (1954-97). He took the doctorate at. Het calvin...

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links naar verwante onderwerpen

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Rhythm, metre and tempo in early music. In de Koninklijke Bibliotheek. Professeur de Chant Grégorien au Conservatoire de Genève et à la Schola Cantorum Basiliensis geeft het belang. Aan van de uitkomsten van mijn onderzoek. En nogmaals. Jan van Biezen 2007.

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Articles by Jan van Biezen

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Rhythm, metre and tempo in early music. 1 The rhythm of Byzantine hymns. 2 The rhythm of Office antiphons. 3 The rhythm of Gregorian chant. 4 The rhythm of Latin hymns. 5 The rhythm of songs from the Gruuthuse manuscript. 6 The rhythm of Genevan psalms. 7 The tempo of hymns of the reformation. 8 The tempo of French Baroque dances. 9 Tempo in the first half of the 18th century, especially in the organ works of Johann Sebastian Bach. Jan van Biezen 2007.

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Icons by Jan van Biezen

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Rhythm, metre and tempo in early music. Icons by Jan van Biezen. Icons of the Dodekaorton. Icons of the Deesis. Jan van Biezen 2007.

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Jan van Biezen

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Rhythm, metre and tempo in early music. 101;mail Jan van Biezen. A collection of articles by Jan van Biezen. The tower of the 'Dorpskerk' at Wassenaar, a church that has been close to me since childhood. My interests and activities in church music and church organs started there. An Easter song from the 7th century on a melody of a hymn by Ambrosius. In the 'Liedboek voor de Kerken' at which creation I was closely involved I tried to restore the old melodies to their original form as much as possible.

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Een belangrijk vertrekpunt is het benedictijnen klooster Abbaye Saint-Pierre de Solesmes. In het Franse departement Sarthe. Vanuit 'Solesmes' werd sinds de tweede helft van de 19e eeuw het gregoriaans hersteld en gepropageerd. De enige plaats in Nederland waar het grootste deel van het gregoriaans repertoire nog in zijn oorspronkelijke context wordt gezongen is de Abdij Sint Benedictusberg. In het Vlaamse Drongen (bij Gent) bestaat sinds de jaren negentig het Centrum Gregoriaans. Kan gemakkelijk worden g...

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Rhythm, metre and tempo in early music. 101;mail Jan van Biezen. A collection of articles by Jan van Biezen. The tower of the 'Dorpskerk' at Wassenaar, a church that has been close to me since childhood. My interests and activities in church music and church organs started there. An Easter song from the 7th century on a melody of a hymn by Ambrosius. In the 'Liedboek voor de Kerken' at which creation I was closely involved I tried to restore the old melodies to their original form as much as possible.

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