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- Jared R Pike

Published in 1619, Lope de Vega’s Fuente Ovejuna may seem like a museum piece; however, in this stunning production by the Ducdame Ensemble, the vivid […]. I am excited to announce that I will be presenting a paper as part of the New Scholars Forum at the International Federation of Theatre […]. 2015 New York Fringe. I am excited to announce that I will be reviewing some of the shows in this year’s New York International Fringe Festival for Theatre Is […]. FringeNYC: Hamlet the Hip-Hopera.

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- Jared R Pike | jaredrpike.com Reviews
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Published in 1619, Lope de Vega’s Fuente Ovejuna may seem like a museum piece; however, in this stunning production by the Ducdame Ensemble, the vivid […]. I am excited to announce that I will be presenting a paper as part of the New Scholars Forum at the International Federation of Theatre […]. 2015 New York Fringe. I am excited to announce that I will be reviewing some of the shows in this year’s New York International Fringe Festival for Theatre Is […]. FringeNYC: Hamlet the Hip-Hopera.
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- Jared R Pike | jaredrpike.com Reviews

https://jaredrpike.com

Published in 1619, Lope de Vega’s Fuente Ovejuna may seem like a museum piece; however, in this stunning production by the Ducdame Ensemble, the vivid […]. I am excited to announce that I will be presenting a paper as part of the New Scholars Forum at the International Federation of Theatre […]. 2015 New York Fringe. I am excited to announce that I will be reviewing some of the shows in this year’s New York International Fringe Festival for Theatre Is […]. FringeNYC: Hamlet the Hip-Hopera.

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About - Jared R Pike

http://www.jaredrpike.com/about

Jared R. Pike. The views and opinions expressed in this blog are my own and do not necessarily represent the groups or organizations with which I may be affiliated. Please also consider the date of the post, as my opinions may have changed since the time of a post's publication.

2

2015 New York Fringe - Jared R Pike

http://www.jaredrpike.com/2015-new-york-fringe

2015 New York Fringe. I am excited to announce that I will be reviewing some of the shows in this year’s New York International Fringe Festival for Theatre Is Easy (www.theasy.com). Keep an eye out for my reviews! The views and opinions expressed in this blog are my own and do not necessarily represent the groups or organizations with which I may be affiliated. Please also consider the date of the post, as my opinions may have changed since the time of a post's publication.

3

Shakespeare, Our Contemporary? - Jared R Pike

http://www.jaredrpike.com/shakespeare-our-contemporary

Shakespeare, Our Contemporary? From basically the time of its publication in 1964, Jan Kott’s book. Shakespeare, Our Contemporary. Influenced almost every major Shakespeare production of the latter half of the twentieth century. Providing a post-war European perspective, the book illuminates various Shakespeare texts and interprets them for a contemporary audience. This however begs the question: what does it mean to make Shakespeare our contemporary? That costumes do not matter. What matters is that...

4

Actor/Director - Jared R Pike

http://www.jaredrpike.com/actordirector

Height: 5’8″ Weight: 150 lbs. Eyes: Hazel Hair: Dark Brown Contact Me. New York Theatrical Alliance. Mortals Theatre/ Brooklyn Stage Co. Duke/ Dr. Pinch. The Stolen Chair Theatre Co. THe Commedia Pied Piper. John Raymond Barker, dir. Asad Latif, dir. Atlantic Theatre Company Part Time Program Levels 1, 2 and 3. Jordan Ladge, Tamara Lovitt-Smith, Bridgett Dunlap, Michael Piazza, Heather Oakley. Voice Training: The Linklater Center. Andrea Haring, Susan Main, Rebecca Dumaine. The Stonewall Inn, October 2011.

5

Essays Archive - Jared R Pike

http://www.jaredrpike.com/category/essays

Archive for the ‘Essays’ Category. And the Abrogation of Female Sexuality. Posted on April 1, 2014. This paper was originally written for a class on Dramatic Structure while working on my M.A. in the fall of 2010. In his article Some Inversions Not Righted: A Note on Aeschylus’ Eumenides, David Porter provides an exploration of the inversion of images and motifs in the Orestia. Porter claims that in the Orestia. To the ending of an earlier Aeschylus play dealing with inverted sexuality, Danaids. Changes ...

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- Jared R Pike

Published in 1619, Lope de Vega’s Fuente Ovejuna may seem like a museum piece; however, in this stunning production by the Ducdame Ensemble, the vivid […]. I am excited to announce that I will be presenting a paper as part of the New Scholars Forum at the International Federation of Theatre […]. 2015 New York Fringe. I am excited to announce that I will be reviewing some of the shows in this year’s New York International Fringe Festival for Theatre Is […]. FringeNYC: Hamlet the Hip-Hopera.

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