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Jeremy Latham | Music Producer – Chillout / Trance

I produce chillout and trance music. Please see my website for release info. I also have free tracks and useful free production tips, updated regularly!

http://www.jeremy-latham.com/

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Jeremy Latham | Music Producer – Chillout / Trance | jeremy-latham.com Reviews
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I produce chillout and trance music. Please see my website for release info. I also have free tracks and useful free production tips, updated regularly!
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Jeremy Latham | Music Producer – Chillout / Trance | jeremy-latham.com Reviews

https://jeremy-latham.com

I produce chillout and trance music. Please see my website for release info. I also have free tracks and useful free production tips, updated regularly!

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1

How to make hi-hats from your drum loops | Jeremy Latham

https://www.jeremy-latham.com/how-to-make-hi-hats-from-your-drum-loops

How to make hi-hats from your drum loops. This is a useful tip for making a hi-hat channel out of your drum loops. The process is very simple. To isolate the hi-hats, the low and mid range needs to be filtered out using EQ. With some percussion already made, load up a drum loop sample onto a new audio channel and then add a EQ device. Using Live’s hot swap preset function you can quickly switch loops to see which sounds the best with your track. This is the track without the hi-hat drum loop.

2

How to clean up and get your drum loops working better with your bass | Jeremy Latham

https://www.jeremy-latham.com/how-to-clean-up-and-get-your-drum-loops-working-better-with-your-bass

How to clean up and get your drum loops working better with your bass. This is a simple but very effective way of cleaning up your drum loops and at the same time getting them working better with your bass. All you need is a standard audio gate effect. Before applying the gate. In some musical genres reverb is applied to percussion (chillout for example) using this gate technique is a great way of ensuring that the percussion doesn’t get swamped with too much reverb. After applying the gate. Audio gate e...

3

How to make gated vocals using a synth as a trigger | Jeremy Latham

https://www.jeremy-latham.com/how-to-make-gated-vocals-using-a-synth-as-a-trigger

How to make gated vocals using a synth as a trigger. There are many ways to make a gated vocal effect, in this article I’ll show you how to do it using a synth as a trigger, rather than using a separate muted trigger channel. I start by finding a suitable vocal sample. The sample I’ve used is from part of a free sample pack by Music Radar, you can download the full 1,338 samples here. I’ll use this sample snippet as an intro and also to form the gate effect. The sample needs some compression to make it s...

4

Compilations | Jeremy Latham

https://www.jeremy-latham.com/compilations

5

Gated Vocals – using two channels together to make a harmony | Jeremy Latham

https://www.jeremy-latham.com/gated-vocals-using-two-channels-together-to-make-a-harmony

Gated Vocals – using two channels together to make a harmony. In this previous article. I show an example of how to make gated vocals using a synth as a trigger. A synth channel isn’t necessary, the synth could be switched for a standard gate. The process for creating each vocal channel is the same as in this article. And the gate channels are created using the same technique as in this article. The section of gated vocals used in this article is from an early version of what eventually became Adrift.

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