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Jessica Holtaway

Everything Must Go an industrial poem. The following text is published in the Everything Must Go exhibition catalogue. Freya Gabie’s Everything Must Go rejoices in the temporal blaze of history. It celebrates the absurd, the forgotten…. Art as an antidote: artist duo Kyun-Chome discuss the fragility of the human condition and why we all need art. Post 3.11: What Can Art Do? Four Years On: Art and the Disaster. Art and Politics in East Japan: Awakening ‘Forgetful Spaces’. Political Art in Pakistan. This y...

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Jessica Holtaway | jessicaholtaway.wordpress.com Reviews

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Everything Must Go an industrial poem. The following text is published in the Everything Must Go exhibition catalogue. Freya Gabie’s Everything Must Go rejoices in the temporal blaze of history. It celebrates the absurd, the forgotten…. Art as an antidote: artist duo Kyun-Chome discuss the fragility of the human condition and why we all need art. Post 3.11: What Can Art Do? Four Years On: Art and the Disaster. Art and Politics in East Japan: Awakening ‘Forgetful Spaces’. Political Art in Pakistan. This y...

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Jessica Holtaway | jessicaholtaway.wordpress.com Reviews

https://jessicaholtaway.wordpress.com

Everything Must Go an industrial poem. The following text is published in the Everything Must Go exhibition catalogue. Freya Gabie’s Everything Must Go rejoices in the temporal blaze of history. It celebrates the absurd, the forgotten…. Art as an antidote: artist duo Kyun-Chome discuss the fragility of the human condition and why we all need art. Post 3.11: What Can Art Do? Four Years On: Art and the Disaster. Art and Politics in East Japan: Awakening ‘Forgetful Spaces’. Political Art in Pakistan. This y...

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Political Art in Pakistan | Jessica Holtaway

https://jessicaholtaway.wordpress.com/2015/03/30/political-art-in-pakistan

Political Art in Pakistan. Salima Hashmi is an artist, writer and activist. As part of an. Artistic vanguard in Pakistan, she believes art is an effective form of social critique. On March 25. She returned to Bath Spa University (having studied at the Bath Academy of Art. In the early 60s), to discuss political art practices in Pakistan. Her talk: ‘A Song For This Day: Social Critique in Pakistani Art’, reflects on the power of art and the role of the contemporary artist. For Hashmi, the idea that politi...

2

Peter Clarke’s Wind Blowing on the Cape Flats at Iniva offers insights into South African politics and fresh perspectives on art | Jessica Holtaway

https://jessicaholtaway.wordpress.com/2013/02/06/peter-clarkes-wind-blowing-on-the-cape-flats-at-iniva-offers-insights-into-south-african-politics-and-fresh-perspectives-on-art

Peter Clarke’s Wind Blowing on the Cape Flats at Iniva offers insights into South African politics and fresh perspectives on art. 8220;Art came to me,” states artist Peter Clarke, in conversation with Hans Ulrich Obrist, an event marking the opening of his exhibition at Iniva (Institute of International Visual Arts). “It said ‘you will become an artist’,” he smiles. 61 years later, and Clarke’s first major retrospective has opened: Wind Blowing on the Cape Flats. And tagged Hans Ulrich Obrist.

3

Swan Song | Jessica Holtaway

https://jessicaholtaway.wordpress.com/2014/10/02/swan-song

A text to accompany Freya Gabie’s day-long performance ‘ Dawn Till Dusk: A Swan Song. 8216; at D.I.G. Collective- part of Art Licks Weekend 3-5 October. Dawn Till Dusk: A Swan Song Sophie Mason. This song only sings, or this step only dances, at the moment of its breaking off, in the breaking of its breaking off, and it cannot do otherwise than entrust to its own dying the task of sustaining its note, of dancing its step.’ (Jean-Luc Nancy; Dis-Enclosure; 2008; 97). Sings’ rather than the ‘. The song is u...

4

Everything Must Go – an industrial poem | Jessica Holtaway

https://jessicaholtaway.wordpress.com/2017/01/08/everything-must-go-an-industrial-poem

Everything Must Go an industrial poem. The following text is published in the. Freya Gabie’s Everything Must Go. Rejoices in the temporal blaze of history. It celebrates the absurd, the forgotten and the failed. It playfully reactivates dormant memories. Lyrical and dynamic, it compels us to reflect on the tragicomic tales of our culture. Reflecting on the visual language of the exhibition, this text approaches Everything Must Go. Throughout the summer of 2016, Gabie explored Bolton’s history with reside...

5

After the tsunami; linking the past, present and future in post-Fukushima Japan | Jessica Holtaway

https://jessicaholtaway.wordpress.com/2014/10/03/after-the-tsunami-linking-the-past-present-and-future-in-post-fukushima-japan

After the tsunami; linking the past, present and future in post-Fukushima Japan. The following text, for the Art Action UK blog, responds to Komori Haruka and Seo Natsumi’s recent exhibition at St Paul’s Church in Deptford; ‘Moving the Mountain’. Art Action UK would like to present Komori Haruka and Seo Natsumi’s new film installation, ‘under the wave, on the ground’; a film about memory, recovery and hope following the 2011 earthquake, tsunami and nuclear fallout in Japan. And tagged Art Action Uk.

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Everything Must Go an industrial poem. The following text is published in the Everything Must Go exhibition catalogue. Freya Gabie’s Everything Must Go rejoices in the temporal blaze of history. It celebrates the absurd, the forgotten…. Art as an antidote: artist duo Kyun-Chome discuss the fragility of the human condition and why we all need art. Post 3.11: What Can Art Do? Four Years On: Art and the Disaster. Art and Politics in East Japan: Awakening ‘Forgetful Spaces’. Political Art in Pakistan. This y...

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