JEVBRATT.COM

batchprocess.org

batchprocess

http://www.batchprocess.org/tag/color

Bradford/Campa & Avesani/USGS & NASA. Mark Bradford, Temporary , 2005. Urban Carpet, Marcella Campa & Stefano Avesani, 2009. Bolivian Deforestation, USGS National Center for EROS and NASA Landsat Project Science Office, via But Does It Float. Nature Matching Systems, Tattfoo Tan, February 25, 2008-August 5, 2009. The River That Flows Both Ways, Spencer Finch, 2009. Jan Vormann, Dispatchwork Berlin, 2009. Photo: Kathleen Waak. Space Invaders, Amsterdam. Photo: Duncan Cumming. D-L Alvarez, XX, 2005.

charlie-roberts.com

Charlie Roberts

http://www.charlie-roberts.com/teaching.htm

Courses I designed and taught. Mobile Devices and Artistic Practice. UC Santa Barbara, Spring 2011. A graduate course focusing on the development of musical and artistic applications for mobile devices, primarily running under iOS. The final projects for the class were posted to the App Store; four of them were selected as New and Noteworthy apps by Apple. Two projects of particular note were:. Fluid Automata by Angus Forbes. DrawJong by Michael Hetrick. UC Santa Barbara, Winter 2009. This was a graduate...

teemingvoid.blogspot.com

(the teeming void): An Interview with Paul Prudence (for Neural 40)

http://teemingvoid.blogspot.com/2012/01/interview-with-paul-prudence-for-neural.html

Generative and data aesthetics. Monday, January 09, 2012. An Interview with Paul Prudence (for Neural 40). Yet another blog "paste" to provide some semblance of life around here. Paul Prudence. Recently interviewed me for Neural 40: The Generative Unexpected. Ranging over generative art (utopian and otherwise), cross modal AV and data visualisation among other things. Thanks to Paul for some thoughtful questions. Online culture - or the realtime social media flow of projects, memes and links that we tend...

scientific-aesthetics.blogspot.com

SCIENTIFIC AESTHETICS: February 2008

http://scientific-aesthetics.blogspot.com/2008_02_01_archive.html

From our research and our seminar discussions, we have concluded as a group, that while Art and Scientific practices can be complimentary, it is better to have a reciprocal relationship between practices then artists trying to be amateur scientists or vice-versa'. SEMINAR GROUP 1, IADT, 22 APRIL 2008. Tuesday, February 26, 2008. That hyperlink thing never works for me i must be doing it wrong. Here are the links to that artists site - you will have to copy and paste. Art and Science topics. Visualization...

scientific-aesthetics.blogspot.com

SCIENTIFIC AESTHETICS: The Alternative View: Collaboration - A One Way Street?

http://scientific-aesthetics.blogspot.com/2008/04/alternative-view-collaboration-one-way.html

From our research and our seminar discussions, we have concluded as a group, that while Art and Scientific practices can be complimentary, it is better to have a reciprocal relationship between practices then artists trying to be amateur scientists or vice-versa'. SEMINAR GROUP 1, IADT, 22 APRIL 2008. Sunday, April 20, 2008. The Alternative View: Collaboration - A One Way Street? It is popular these days to link Science and Art, but how realistic is it? The Devil’s Advocaat. Art and Science topics. Art o...

scientific-aesthetics.blogspot.com

SCIENTIFIC AESTHETICS: December 2007

http://scientific-aesthetics.blogspot.com/2007_12_01_archive.html

From our research and our seminar discussions, we have concluded as a group, that while Art and Scientific practices can be complimentary, it is better to have a reciprocal relationship between practices then artists trying to be amateur scientists or vice-versa'. SEMINAR GROUP 1, IADT, 22 APRIL 2008. Tuesday, December 4, 2007. Simple Example of these terms. A naturally occurring or designed sequence of changes or properties/ attributes of a system/object etc. Art and Science topics. I The Human Condition.

scientific-aesthetics.blogspot.com

SCIENTIFIC AESTHETICS: Climate Science and Art Collaboration

http://scientific-aesthetics.blogspot.com/2008/04/climate-science-and-art-collaboration.html

From our research and our seminar discussions, we have concluded as a group, that while Art and Scientific practices can be complimentary, it is better to have a reciprocal relationship between practices then artists trying to be amateur scientists or vice-versa'. SEMINAR GROUP 1, IADT, 22 APRIL 2008. Sunday, April 20, 2008. Climate Science and Art Collaboration. Creating Atmospheres and Phenomenologies through art by using science. His work creates an understanding of our physical world and makes a comm...

scientific-aesthetics.blogspot.com

SCIENTIFIC AESTHETICS: March 2008

http://scientific-aesthetics.blogspot.com/2008_03_01_archive.html

From our research and our seminar discussions, we have concluded as a group, that while Art and Scientific practices can be complimentary, it is better to have a reciprocal relationship between practices then artists trying to be amateur scientists or vice-versa'. SEMINAR GROUP 1, IADT, 22 APRIL 2008. Tuesday, March 11, 2008. A bit like that bit from the Life of Brian:- "you're all individuals! Yes, we're all individuals! So after that over coffee we had various ideas, which I will now try to remember.

scientific-aesthetics.blogspot.com

SCIENTIFIC AESTHETICS: Kirlian Photography Explained

http://scientific-aesthetics.blogspot.com/2008/04/ciaras-contribution.html

From our research and our seminar discussions, we have concluded as a group, that while Art and Scientific practices can be complimentary, it is better to have a reciprocal relationship between practices then artists trying to be amateur scientists or vice-versa'. SEMINAR GROUP 1, IADT, 22 APRIL 2008. Tuesday, April 22, 2008. Skeptics of the paranormal have long disputed the claims made concerning auras and Kirlian photography. Aura" without a camera. It is claimed that in one of the Omen movies, a babys...

scientific-aesthetics.blogspot.com

SCIENTIFIC AESTHETICS: CROSSOVER OF SCIENCE AND ART IN SCULPTURE

http://scientific-aesthetics.blogspot.com/2008/04/there-are-many-ways-that-science-and.html

From our research and our seminar discussions, we have concluded as a group, that while Art and Scientific practices can be complimentary, it is better to have a reciprocal relationship between practices then artists trying to be amateur scientists or vice-versa'. SEMINAR GROUP 1, IADT, 22 APRIL 2008. Sunday, April 20, 2008. CROSSOVER OF SCIENCE AND ART IN SCULPTURE. Is another artist who started out in the science field. He read Physics and Maths before taking a degree in Fine Art. Art and Science topics.