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Page to Stage 2011

Page to Stage 2011. Monday, May 23, 2011. Posting Up: "O" as Interpretation of Othello. We’re more than halfway through, so you have a feeling for how well this story plays as contemporary realism, and to a lesser degree you have a sense of the text as interpretation of Othello. The Iago character “Hugo” is surprisingly placed as a pseudo narrator (as he gets the opening monologue about “flying”, “jealousy”, and “being a hawk”). 8226; Does his envy and his path to getting even ring true for you? How much...

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Page to Stage 2011 | jimsshakespeare.blogspot.com Reviews

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Page to Stage 2011. Monday, May 23, 2011. Posting Up: O as Interpretation of Othello. We’re more than halfway through, so you have a feeling for how well this story plays as contemporary realism, and to a lesser degree you have a sense of the text as interpretation of Othello. The Iago character “Hugo” is surprisingly placed as a pseudo narrator (as he gets the opening monologue about “flying”, “jealousy”, and “being a hawk”). 8226; Does his envy and his path to getting even ring true for you? How much...

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Page to Stage 2011 | jimsshakespeare.blogspot.com Reviews

https://jimsshakespeare.blogspot.com

Page to Stage 2011. Monday, May 23, 2011. Posting Up: "O" as Interpretation of Othello. We’re more than halfway through, so you have a feeling for how well this story plays as contemporary realism, and to a lesser degree you have a sense of the text as interpretation of Othello. The Iago character “Hugo” is surprisingly placed as a pseudo narrator (as he gets the opening monologue about “flying”, “jealousy”, and “being a hawk”). 8226; Does his envy and his path to getting even ring true for you? How much...

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jimsshakespeare.blogspot.com

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Page to Stage 2011: Posting Up: "O" as Interpretation of Othello

http://jimsshakespeare.blogspot.com/2011/05/posting-up-o-as-interpretation-of.html

Page to Stage 2011. Monday, May 23, 2011. Posting Up: "O" as Interpretation of Othello. We’re more than halfway through, so you have a feeling for how well this story plays as contemporary realism, and to a lesser degree you have a sense of the text as interpretation of Othello. The Iago character “Hugo” is surprisingly placed as a pseudo narrator (as he gets the opening monologue about “flying”, “jealousy”, and “being a hawk”). 8226; Does his envy and his path to getting even ring true for you? Shakespe...

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Page to Stage 2011: January 2011

http://jimsshakespeare.blogspot.com/2011_01_01_archive.html

Page to Stage 2011. Sunday, January 30, 2011. Final Scenes of Macbeth. At last, the play is done, and there's nothing left to know. Please select a passage from these last pages that you think somehow capsulizes the impact of the play's concluding moments. Where does the tragedy, the irony, the justice, whatever, strike you as being the strongest? What ultimately does the play say about human nature and human will? Posted by Jim Baldwin. Thursday, January 27, 2011. Rolling into Act 5 of Macbeth. 3 Act 4,...

3

Page to Stage 2011: 12th Night Discussion Questions (Required)

http://jimsshakespeare.blogspot.com/2011/05/12th-night-discussion-questions.html

Page to Stage 2011. Tuesday, May 17, 2011. 12th Night Discussion Questions (Required). Please choose among the following questions and weigh in with your thoughts at least once. What motifs do you see in Twelfth Night that echo those of other comedies we have read or that you have seen or read previously? What elements here seem unique or different to you? How does this play present gender roles? How much seems to you like a modern interpretation of the filmmaker, and what from Shakespeare’s time? It see...

4

Page to Stage 2011: February 2011

http://jimsshakespeare.blogspot.com/2011_02_01_archive.html

Page to Stage 2011. Thursday, February 24, 2011. Ideas and Questions for Merchant, Act I. In addition to your comments on self-selected text (see below), please feel welcome to comment on any of these questions publicly. You may simply use them as food for thought as well. 1 During Portia's first scene, the content is clear. But since this is a class for actors. 2 Does Shylock's language show what it's like to be an outsider? Posted by Jim Baldwin. Posted by Jim Baldwin. Thursday, February 17, 2011.

5

Page to Stage 2011: Comedy, Act 3: Two Questions

http://jimsshakespeare.blogspot.com/2011/05/comedy-act-3-two-questions.html

Page to Stage 2011. Monday, May 9, 2011. Comedy, Act 3: Two Questions. Nice work last class directing Adriana and Luciana (and nice job, Allie and Anna! It was amazing how well that scene came to life as we imagined it together, trying on various ideas. Well done! Here are a couple of thoughts to steer us into Act 3. Post if you choose—not required this time around. See you Monday! 1 How do the two Dromios compare with one another? Talk specifically about their language and then their actions. I'm a New ...

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Page to Stage 2011

Page to Stage 2011. Monday, May 23, 2011. Posting Up: "O" as Interpretation of Othello. We’re more than halfway through, so you have a feeling for how well this story plays as contemporary realism, and to a lesser degree you have a sense of the text as interpretation of Othello. The Iago character “Hugo” is surprisingly placed as a pseudo narrator (as he gets the opening monologue about “flying”, “jealousy”, and “being a hawk”). 8226; Does his envy and his path to getting even ring true for you? How much...

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