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Rebecca Nemser» Blog Archive » New Wave Painting
http://www.rebeccanemser.com/1982/06/new-wave-painting
Laquo; The Drawings of Palladio. Volume 3 Number 7, June 1982.). False masks of plastic beauty are among its moving targets. Desperate to survive the glissando of the word processor and the deadly lull of ordinary life, it rips to pieces the world’s fabric and its skin and puts it back together, obsessively recreating from scraps and scrawls and marks and images the objects of its desire and its rage. It contains ruins, some in flames. By Rebecca Nemser for rebeccanemser.com. Feed You can leave a response.
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Rebecca Nemser» Blog Archive » Otto Piene
http://www.rebeccanemser.com/1982/05/otto-piene
Laquo; Sky Art Conference. The Drawings of Palladio. A CONVERSATION WITH OTTO PIENE. May, 1982.). Director of the Center for Advanced Visual Studies. At the Massachusetts Institute of Technology. It all began with Zero. Piene told me that after the war young artists in Europe asked themselves, Does an artist ride a motorcycle? And others to use art to contribute to efforts to reconcile man, nature, and technology. They called themselves Group Zero. And vision in motion, motion in vision. Light and air and.
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Rebecca Nemser» Blog Archive » Ingres 1780-1980
http://www.rebeccanemser.com/1980/12/ingres-1780-1980
Laquo; Gabriele Munter: From Munich to Murnau. Frances Hamilton: Books and Painted Stories. Fogg Museum (Harvard University Art Museums), Cambridge, MA, November, 1980. December, 1980.). This is a superb exhibition of the Fogg Art Museum. S entire, extensive collection of drawings and paintings by Jean Auguste Dominique Ingres. Also shown are a number of exquisite pencil portraits, drawings, and studies for major works, and some important paintings including. Raphael and the Fornarina. For a twentieth-ce...
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Rebecca Nemser» Blog Archive » Anne Neely/Robert Ferrandini
http://www.rebeccanemser.com/1983/04/anne-neely-robert-ferris-robert-ferrandini
Laquo; New Wave Painting. Impressions Gallery / Boston. Volume 4 Number 5, April 1983.). S beautiful little pastels of woods in the Adirondacks are drawn from close observations of nature filtered through a sensibility which tends to a lyrical simplification of overlapping forms, recomplicated by surfaces dense with color and mark. She imagines abstractly as she observes. In. The universe Robert Ferrandini. The Little Engine that Could. Invasion of the Body Snatchers. Yet there is exhilaration in the ter...
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Rebecca Nemser» Blog Archive » Sky Art Conference
http://www.rebeccanemser.com/1982/01/sky-art-conference
Laquo; Kush: Lost Kingdom of the Nile. Center for Advanced Visual Studies, Massachusetts Institute of Technology (Cambridge). Volume 2 Number 1, January-February 1982.). Steve Poleskie, smoke trails, 1983. Yellow airplanes circled around an exhibition field trailing sky poetry written in huge black letters by day, and at night sky poems were electronically projected under an airplane’s wing. Howard Woody. Video recordings of her Transamerica balloon flights, and Steve Poleskie. From your own site. The Bo...
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Rebecca Nemser» Blog Archive » Michael Mazur
http://www.rebeccanemser.com/1983/05/michael-mazur
Laquo; Anne Neely/Robert Ferrandini. ON MONOTYPE: FROM DARK TO LIGHT. Reflections on Michael Mazur. Volume 4 Number 6, May 1983. An exhibition of Edgar Degas. Monotypes in 1968 at the Fogg Art Museum, curated by Eugenia Parry Janis. Marked the beginning of a revival and amplification of the monotype form. Degas made hundreds of monotypes fast, powerfully structured works with dazzling lights and darks, immediate and compressed. He called them drawings made with greasy ink and printed. Monotypes can also ...
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Rebecca Nemser» Blog Archive » Frances Hamilton: Books and Painted Stories
http://www.rebeccanemser.com/1981/02/frances-hamilton-books-and-painted-stories
Laquo; Ingres 1780-1980. Frances Hamilton: Books and Painted Stories. FRANCES HAMILTON: BOOKS AND PAINTED STORIES. Cutler / Slaviridis Gallery, Boston, MA, January, 1981. February, 1981.). This delightful exhibition of paintings and painted books in gouache with occasional gold leaf and sequins clearly shows that Frances Hamilton. And other joys of childhood. The Story of Green. A small abstract collage of painted papers and gold leaf sewn and fastened together, has the same dreamlike, evocative feeling ...
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Rebecca Nemser» Blog Archive » The Dial: Arts and Letters in the 1920s
http://www.rebeccanemser.com/1981/04/the-dial-arts-and-letters-in-the-1920s
Laquo; Work on Paper. The Dial: Arts and Letters in the 1920s. THE DIAL: ARTS AND LETTERS IN THE 1920s. Worcester Art Museum / Worcester. Volume 11 Number 5, April 1981.). Was a literary magazine that during the 1920s published such icons of Modernism as T.S. Eliot. At Brooklyn Bridge,. The paintings, drawings, prints and sculpture reproduced for the first time in America in this magazine make up. Smooth bronzes by Gaston Lachaise. Drawings by e.e cummings and other literary figures; prints by Munch.
brianmurphyforcambridge.blogspot.com
Cambridge City Councilor Brian Murphy: October 2007
http://brianmurphyforcambridge.blogspot.com/2007_10_01_archive.html
Saturday, October 20, 2007. Wednesday night I stopped by the Agassiz Baldwin Neighborhood Council Meeting. There’s a lot happening in the neighborhood – here’s a few highlights:. 8211; as usual, the Historic Commission has produced a terrific summary of a piece of Cambridge’s history. 8211; Brief discussion of the aging in place project that the Agassiz Neighborhood Council has been promoting. (Also a good story in Saturday’s Boston Globe. Maud Morgan Visual Art Center/Agassiz Preschool. In addition, we ...
