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Joanne Mattera Art Blog

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Joanne Mattera Art Blog | joannematteraartblog.blogspot.com Reviews
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Guaranteed Biased, Myopic, Incomplete and Journalistically Suspect
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1 exhibitions
2 press
3 curated posts
4 art fair reports
5 prints
6 slip
7 untitled
8 shown larger below
9 and heather
10 white flower
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exhibitions,press,curated posts,art fair reports,prints,slip,untitled,shown larger below,and heather,white flower,oil on canvas,the islands,blue flower,falling blue,friendship,detail below,summer,untitled ix,is installed,untitled #3,untitled #12,gratitude
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Joanne Mattera Art Blog | joannematteraartblog.blogspot.com Reviews

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Joanne Mattera Art Blog: January 2017

http://joannematteraartblog.blogspot.com/2017_01_01_archive.html

Joanne Mattera Art Blog. Guaranteed Biased, Myopic, Incomplete and Journalistically Suspect. Tuesday, January 24, 2017. Katherine Bradford, Bonfire,. 2016, acrylic on canvas, 80 x 68 inches. 8212;and it's all still up. (But I will offer a between-the-lines message: Resist. Demonstrate. Fight Back.). Katherine Bradford at Sperone Westwater, Lower East Side, through February 11. View from the entrance of the exhibition. Left wall of the main gallery. Below: Shell Seeker, Large Night,. 2016, thread over pai...

2

Joanne Mattera Art Blog: Mothers of Invention, Part 3: Agnes Martin

http://joannematteraartblog.blogspot.com/2017/01/mothers-of-invention-part-3-agnes-martin.html

Joanne Mattera Art Blog. Guaranteed Biased, Myopic, Incomplete and Journalistically Suspect. Tuesday, January 10, 2017. Mothers of Invention, Part 3: Agnes Martin. Part 1: Carmen Herrera. Part 2: Hilma af Klint. Part 3: Alma Thomas. Subtle, Serene, Spare: Agnes Martin at the Guggenheim, New York City, October 7, 2016-January 11, 2017. At the urging of dealer Betty Parsons she moved back to Manhattan in 1957 and found space to live and work on Coenties. You can read more about Martin on the Guggenheim.

3

Joanne Mattera Art Blog: Exhibitions

http://joannematteraartblog.blogspot.com/p/rxhibitionspublications.html

Joanne Mattera Art Blog. Guaranteed Biased, Myopic, Incomplete and Journalistically Suspect. The Best of 2016. Recent work by gallery and invited artists. Here Pat Aaron, left, and a grid of my newest Silk Road. All 2016, encaustic on panel, 12 x 12 inches. Below: Silk Road 330. Subscribe to: Posts (Atom). Welcome to the 2.0 version of the Joanne Mattera Art Blog. The old version, which retains 10 years’ worth of posts, remains. Take a Look at My Website. And still the best! Please Support This Blog.

4

Joanne Mattera Art Blog: December 2016

http://joannematteraartblog.blogspot.com/2016_12_01_archive.html

Joanne Mattera Art Blog. Guaranteed Biased, Myopic, Incomplete and Journalistically Suspect. Tuesday, December 27, 2016. Mothers of Invention, Part 1: Carmen Herrera. Part 2: Hilma af Klint. Part 3: Agnes Martin. Part 4: Alma Thomas. Before there was Ellsworth Kelly, there was Carmen Herrera (born 1915) who developed a particularly powerful form of reductive abstraction. And before there was abstraction, there was Hilma af Klint (1862-1944), who painted large geometric canvases inspired by her visions.

5

Joanne Mattera Art Blog: Mothers of Invention, Part 1: Carmen Herrera

http://joannematteraartblog.blogspot.com/2016/12/mothers-of-invention.html

Joanne Mattera Art Blog. Guaranteed Biased, Myopic, Incomplete and Journalistically Suspect. Tuesday, December 27, 2016. Mothers of Invention, Part 1: Carmen Herrera. Part 2: Hilma af Klint. Part 3: Agnes Martin. Part 4: Alma Thomas. Before there was Ellsworth Kelly, there was Carmen Herrera (born 1915) who developed a particularly powerful form of reductive abstraction. And before there was abstraction, there was Hilma af Klint (1862-1944), who painted large geometric canvases inspired by her visions.

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Joanne Mattera Art Blog

Joanne Mattera Art Blog. Guaranteed Biased, Myopic, Incomplete and Journalistically Suspect. Tuesday, January 10, 2017. Mothers of Invention, Part 3: Agnes Martin. Part 1: Carmen Herrera. Part 2: Hilma af Klint. Subtle, Serene, Spare: Agnes Martin at the Guggenheim, New York City, October 7, 2016-January 11, 2017. At the urging of dealer Betty Parsons she moved back to Manhattan in 1957 and found space to live and work on Coenties. You can read more about Martin on the Guggenheim. 1955, oil on canvas.

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