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Jo Clements

We Will Never As Humans Be Able To See 360. The project We Will Never As Humans Be Able To See 360 merges Jo Clements’ sculptural structures with virtual reality to create multi-layered, immersive, sensory environments. Artists Sam Ingleson and Steve Oliver were commissioned by Clements to create new digital content specifically for the project and digital artist Alasdair Swenson worked with all three artists …. This Is The Difference Between Evidence and Belief (2016). 100 Adapted Orphans (2016).

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Jo Clements | joclements.co.uk Reviews

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We Will Never As Humans Be Able To See 360. The project We Will Never As Humans Be Able To See 360 merges Jo Clements’ sculptural structures with virtual reality to create multi-layered, immersive, sensory environments. Artists Sam Ingleson and Steve Oliver were commissioned by Clements to create new digital content specifically for the project and digital artist Alasdair Swenson worked with all three artists …. This Is The Difference Between Evidence and Belief (2016). 100 Adapted Orphans (2016).

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2 artworks

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4 unidentified recollections 2014

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6 coupons

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Jo Clements | joclements.co.uk Reviews

https://joclements.co.uk

We Will Never As Humans Be Able To See 360. The project We Will Never As Humans Be Able To See 360 merges Jo Clements’ sculptural structures with virtual reality to create multi-layered, immersive, sensory environments. Artists Sam Ingleson and Steve Oliver were commissioned by Clements to create new digital content specifically for the project and digital artist Alasdair Swenson worked with all three artists …. This Is The Difference Between Evidence and Belief (2016). 100 Adapted Orphans (2016).

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joclements.co.uk

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Unidentified Recollections (drawings for unmade sculptures)(2014) :: Jo Clements

http://www.joclements.co.uk/unidentified-recollections

Unidentified Recollections (drawings for unmade sculptures)(2014). Unidentified Recollections (2014) Charcoal and graphite on paper. Unidentified Recollections (2014) Charcoal and graphite on paper. Still from the film Unidentified. George Gregory (1965). Unidentified Recollections (2014) Charcoal and graphite on paper. Unidentified Recollections (2014) Charcoal and graphite on paper. 96 charcoal and graphite drawings on A1 paper. Film Unidentified b/w, silent 4:15.

2

100 Adapted Orphans (2016) :: Jo Clements

http://www.joclements.co.uk/100-adapted-orphans

100 Adapted Orphans (2016). Short, ambiguous poetic statements and re-appropriated film clips make up the work 100 Adapted Orphans. Experienced via a ‘sculptural archive’ 100 QR codes printed onto 100 index cards are linked to 100 short films accessed via mobile phone QR code readers. The full film can be viewed here https:/ vimeo.com/140042510. This sculptural archive is the final incarnation of the work.

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Obey On Kawara (you’re my only hope) (2016) :: Jo Clements

http://www.joclements.co.uk/obey-on-kawara-youre-my-only-hope-2016

Obey On Kawara (you’re my only hope) (2016). Obey On Kawara (you’re my only hope)(2016) Single channel video, 60 minutes, b/w, sound. Part of the group exhibition. Curated by Mark Devereux projects at &Model Gallery Leeds UK. 16 March 2 April 2016. Clements humorously questions arts authenticity, the weight of conceptual art history, truth-conditions and how the acquisition of influences for making new contemporary artwork is both fragmented and complex.

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Artworks :: Jo Clements

http://www.joclements.co.uk/category/artworks

We Will Never As Humans Be Able To See 360. This Is The Difference Between Evidence and Belief (2016). 100 Adapted Orphans (2016). Obey On Kawara (you’re my only hope) (2016). All This Happened (2015). Time to Murder and Create (2014). The Bare Bones of It (2014). Unidentified Recollections (drawings for unmade sculptures)(2014). Uncle Mac’s Plaque (2014). Ower Bit Bog Oil (2014). Process for Time Out. Premature Conclusion (The Reverse of Anticipation). My Memoirs Won’t Mention You.

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We Will Never As Humans Be Able To See 360° :: Jo Clements

http://www.joclements.co.uk/we-will-never-as-humans-be-able-to-see-360

We Will Never As Humans Be Able To See 360. Installation shot at Caustic Coastal October 2016. VR content images Top content by Steve Oliver, middle by Sam Ingleson and bottom by Jo Clements. The project We Will Never As Humans Be Able To See 360 merges Jo Clements’ sculptural structures with virtual reality to create multi-layered, immersive, sensory environments. Artists Sam Ingleson and Steve Oliver were commissioned by Clements to create new digital content specifically for the project.

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katesmith-artist.blogspot.com

Kate Smith Artist: July 2014

http://katesmith-artist.blogspot.com/2014_07_01_archive.html

Monday, 28 July 2014. Billboards in Times Square. I participated in a recent see.me event when hundreds of art works from all over the world were shown on billboards in Times Square on July 24th. Photos from the event can be seen here https:/ www.facebook.com/media/set/? Saturday, 12 July 2014. A Drawing 'To Do' List. Thursday, 10 July 2014. Building 6, Spode Works, Stoke on Trent. Wednesday, 2 July 2014. Bundle of Sticks Exhibition. Subscribe to: Posts (Atom). Kate Smith is a contemporary British artist...

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Voice Over – BHAVNISHA PARMAR

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Http:/ www.bhavnishaparmar.com/wp-content/uploads/2014/04/ChakkiGoldFlour-EDIT.wav. Http:/ www.bhavnishaparmar.com/wp-content/uploads/2014/04/Cinema-Ad-v6-VERSION-FOR-CINEMA-1280x720-H264-QT-10Mbps-AUDIO-ONLY.m4a. Http:/ www.bhavnishaparmar.com/wp-content/uploads/2014/04/NEW-NEW-REEL-DEC-2015.wav. Http:/ www.bhavnishaparmar.com/wp-content/uploads/2014/04/Narration-Reel.wav. Http:/ www.bhavnishaparmar.com/wp-content/uploads/2014/04/New-DEC-2015.wav. Transport For London Characters. Goldman Sachs Pull Print.

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Jo Clements

We Will Never As Humans Be Able To See 360. The project We Will Never As Humans Be Able To See 360 merges Jo Clements’ sculptural structures with virtual reality to create multi-layered, immersive, sensory environments. Artists Sam Ingleson and Steve Oliver were commissioned by Clements to create new digital content specifically for the project and digital artist Alasdair Swenson worked with all three artists …. This Is The Difference Between Evidence and Belief (2016). 100 Adapted Orphans (2016).

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