johnborstlap.com

John Borstlap

Borstlap’s Avatâra: a demanding piece in a rather impressionistic idiom, combining an extremely fast basic element with the utmost refinement and subtlety of expression.’ NRC Handelsblad More. In his Fantasia, Borstlap turns towards a form of new tonality. Sonorous homophonic lines. expressive and melancholic arpeggio’s. A magic sound texture.’ Heilbrunner Stimme More. Hyperion’s Dream, Night Music and Capriccio. THE CLASSICAL REVOLUTION Thoughts on new music in the 21st century. August 30, 2017. Second,...

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John Borstlap | johnborstlap.com Reviews

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Borstlap’s Avatâra: a demanding piece in a rather impressionistic idiom, combining an extremely fast basic element with the utmost refinement and subtlety of expression.’ NRC Handelsblad More. In his Fantasia, Borstlap turns towards a form of new tonality. Sonorous homophonic lines. expressive and melancholic arpeggio’s. A magic sound texture.’ Heilbrunner Stimme More. Hyperion’s Dream, Night Music and Capriccio. THE CLASSICAL REVOLUTION Thoughts on new music in the 21st century. August 30, 2017. Second,...

<META> KEYWORDS

1 list of publications

2 texts

3 epigraphs

4 blog

5 biography

6 werkbeschreibung deutsch

7 list of works

8 audio

9 classicism

10 press

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John Borstlap | johnborstlap.com Reviews

https://johnborstlap.com

Borstlap’s Avatâra: a demanding piece in a rather impressionistic idiom, combining an extremely fast basic element with the utmost refinement and subtlety of expression.’ NRC Handelsblad More. In his Fantasia, Borstlap turns towards a form of new tonality. Sonorous homophonic lines. expressive and melancholic arpeggio’s. A magic sound texture.’ Heilbrunner Stimme More. Hyperion’s Dream, Night Music and Capriccio. THE CLASSICAL REVOLUTION Thoughts on new music in the 21st century. August 30, 2017. Second,...

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johnborstlap.com

1

New music in frugal times | John Borstlap

http://johnborstlap.com/new-music-in-frugal-times

New music in frugal times. July 8, 2015. Is it possible to renew a cultural tradition? John Borstlap / 2015. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. You may use these. A href= title= abbr title= acronym title= b blockquote cite= cite code del datetime= em i q cite= strike strong. Visit Published Posts at my Google Page. Scruton on the Ring. Europe: the cultural argument. After the jubilee: Wagner’s music. Thanks to InMotion Hosting Review.

2

Reconstructing cultural identity | John Borstlap

http://johnborstlap.com/reconstructing-cultural-identity

July 13, 2014. A remarkable German building project. Http:/ en.wikipedia.org/wiki/Poundbury. In his contribution to the international symposium ‘Zwischen Traum und Trauma Die Stadt nach 1945’ at the Hochschule für Bildende Künste in Braunschweig in 2010, a text that appeared later in the same year in the Frankfurter Allgemeine Zeitung:. Http:/ www.faz.net/aktuell/feuilleton/kunst/wider-das-heutige-bauen-und-wir-nennen-diesen-schrott-auch-noch-schoen-1638610.html. Interestingly, the initiative of rebuildi...

3

Receptive frameworks | John Borstlap

http://johnborstlap.com/receptive-frameworks

May 5, 2015. 8220;We are amazed and exhilarated by Beethoven’s formal achievements – like the first movement of the. 8211; because the material which they organize lives separately in us. Le Marteau sans Maitre. Gives no comparable experience, since it contains no recognizable material – no units of significance that can live outside the work that produces them. (Could there be an arrangement of. Le Marteau sans Maitre. A free improvisation for jazz combo? A set of variations for string quartet? Well&#82...

4

THE CLASSICAL REVOLUTION Thoughts on new music in the 21st century | John Borstlap

http://johnborstlap.com/the-classical-revolution

THE CLASSICAL REVOLUTION Thoughts on new music in the 21st century. September 17, 2013. Published by the Scarecrow Press, New York, in 2013. All art forms are. 8211; instead of expressive interpretation as it had been practiced since medieval times, in the last century a quasi-objective kind of music appeared without mimesis,. This new sound art never found a place in the general performance culture because of its fundamental difference from music. A new edition by Dover Publications is being prepared.

5

Press | John Borstlap

http://johnborstlap.com/press

Unusual piece……. Borstlap’s Sinfonia succeeded remarkably well in establishing a contact with the audience…. Work of great quality.’. Borstlap’s Sinfonia: a sympathetic work……. I was quite amazed by this love declaration to Richard Strauss……… The audience reacted enthusiastically.’. Is there a way back to the supremacy of pure, emotional expression? Borstlap’s Avatâra is a remarkable piece…… Unusually convincing impression… an oasis in a modernist desert.’. Ernst Vermeulen, Ons Erfdeel. Hyperion’s Dream,...

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Zeitschichten | Beethoven

http://www.zeitschichten.com/tag/beethoven

A web magazine about music, history and the politics of culture. This tag is associated with 4 posts. Hagen Quartet at the Konzerthaus. Tonight I had the pleasure of hearing the Hagen Quartet play at the Konzerthaus (I am in Vienna and will be here for the next 2.5 months, so I am certainly looking forward to a lot of concerts! This ensemble is one of the premier string quartets in the world and as usual they did not disappoint — except for the fact that they did not play an encore! Spätwerk (= Late work...

zeitschichten.com

Zeitschichten | Bach

http://www.zeitschichten.com/tag/bach

A web magazine about music, history and the politics of culture. This tag is associated with 4 posts. Taking Time to Listen. A Review of Gabriela Montero’s New Album “Baroque”. Having just returned from a trip to Munich today, I found the new program for the Salzburg Festival 2007 in my mailbox! As you probably all know the festival has a new artistic director (Jürgen Flimm). Since Flimm is a opera/theater person he has put Markus Hinterhäuser in charge for the concert events at the […].

zeitschichten.com

Zeitschichten | Wagner’s Moments versus Motives

http://www.zeitschichten.com/2010/01/28/wagners-moments

A web magazine about music, history and the politics of culture. Wagner’s Moments versus Motives. January 28, 2010 ⋅. Due to the fact that recently I have spent a considerable amount of time driving, I decided that there could be no better opportunity to revisit the. Circa 2003 used to be presented in a most civilized manner: after a mid-week performance of. Was an ideal combination. Cavaradossi recalls a rendez-vous under the stars, or Aida conjures up distant Ethiopia. In contrast, Wagnerian music ...

thewagnerblog.com

About – The Wagner Blog

http://thewagnerblog.com/sample-page

A forum for discussion of contemporary themes arising from the works of Richard Wagner. The Wagner Blog is a forum for discussion of contemporary themes arising from the works of Richard Wagner. Discussions relating to Wagner’s musical, literary, theatrical, philosophical, political and theoretic work are all appropriate for this forum. Please note that this is a moderated blog. Contributions may be subject to review prior to public posting, to maintain civility and propriety. 8211; The Wagner Blog.

thewagnerblog.com

Parsifal – The Wagner Blog

http://thewagnerblog.com/tag/parsifal

A forum for discussion of contemporary themes arising from the works of Richard Wagner. Parsifal and Wagner’s Theology. After just an unconscionably long time, I have finally got to page 319 of Richard H. Bell’s fine study, Wagner’s Parsifal: An Appreciation in the Light of His Theological Journey. I am very grateful to Mr. Bell for his discipline and erudition, and for shedding light on both the splendid final work of this master […]. March 15, 2015 – 5:43 pm. Posted in The Wagner Blog. The Wagner Socie...

wimheldens.com

Arm & Hammer – Wim Heldens Paintings

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Arm & Hammer. 8220;Arm and Hammer”, 145 x 105 cm, 20015.

wimheldens.com

“Homework” – Wim Heldens Paintings

http://www.wimheldens.com/portfolio/details/homework

112 x 152cm, 2010. (Private Collection The Netherlands).

futuresymphony.org

The Assault on Opera | Future Symphony Institute

http://www.futuresymphony.org/the-assault-on-opera

Louis-Léopold Boilly: L'effet du mélodrame. The Assault on Opera. The disappearance of the bourgeoisie. Has led to a crisis in the arts. How can we track down the defeated remnants of the philistine class, in order to disturb them with the proof of their irrelevance? After a performance of. Katya, Pelléas, La Traviata. They stagger home amazed at those passions displayed on the stage, by creatures no more god-like than themselves! Entführung aus dem Serail. What an opportunity to get back at the American...

wimheldens.com

“Ball Game” – Wim Heldens Paintings

http://www.wimheldens.com/portfolio/details/ball-game

8220;Ball Game”. 91,44 x 91,44 cm,( 36 x 36 Inches) 2013.

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johnborstlap.com

John Borstlap

Borstlap’s Avatâra: a demanding piece in a rather impressionistic idiom, combining an extremely fast basic element with the utmost refinement and subtlety of expression.’ NRC Handelsblad More. In his Fantasia, Borstlap turns towards a form of new tonality. Sonorous homophonic lines. expressive and melancholic arpeggio’s. A magic sound texture.’ Heilbrunner Stimme More. Hyperion’s Dream, Night Music and Capriccio. THE CLASSICAL REVOLUTION Thoughts on new music in the 21st century. August 30, 2017. Second,...

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