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John Charles William Morris: Welcome

John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive. Features prints, drawings, paintings and sculpture . In each section that follows, you'll find contextual information and description of individual pieces. Born Larne, County Antrim, I live and work in Belfast. You can purchase prints directly from this website using.

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John Charles William Morris: Welcome | johncwmorris.com Reviews
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John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive. Features prints, drawings, paintings and sculpture . In each section that follows, you'll find contextual information and description of individual pieces. Born Larne, County Antrim, I live and work in Belfast. You can purchase prints directly from this website using.
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John Charles William Morris: Welcome | johncwmorris.com Reviews

https://johncwmorris.com

John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive. Features prints, drawings, paintings and sculpture . In each section that follows, you'll find contextual information and description of individual pieces. Born Larne, County Antrim, I live and work in Belfast. You can purchase prints directly from this website using.

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johncwmorris.com johncwmorris.com
1

John Charles William Morris: screen prints

http://www.johncwmorris.com/gallery_177503.html

John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive.

2

John Charles William Morris: Intaglio Prints

http://www.johncwmorris.com/gallery_172528.html

John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive. Van Gogh's bedroom in the Asylum Saint Remy. The Oil Slick, Media Bay. Call Down the Black Spirits. I use Akua water-based inks, which wipe easily from these plates and clean up with just soap and water. I print on Fabriano Rosapina paper which, with Akua inks, only needs lightly sprayed with water to dampen it before printing.

3

John Charles William Morris: Gauguin on Inishmaan

http://www.johncwmorris.com/section773624_302369.html

John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive. Cobalt shadows define the ragged edges of Inishmaan. The cliffs slashed with vermilion and violet notes. Below blue streaked creams of a torn and ravished sky. This primal land of rock and flesh is made anew. Its shoulder buttressed against wind and wave,. Steeps muted with seabirds and storm wrack,. Existing as something Gauguin has sought. As sil...

4

John Charles William Morris: drawings

http://www.johncwmorris.com/gallery_172529.html

John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive. These drawings are more 'finished' than the sketches I do for first ideas which are often just a scribble on an available piece of paper. They are developed from notes and ideas recorded and explored in my sketchbooks .

5

John Charles William Morris: Waiting

http://www.johncwmorris.com/section773624_302367.html

John Charles William Morris. Lines written after the death of my father. This is how we live. Now seen now hidden. Ball stuck in a tree. Flesh as felt, alive. Take what little comfort there is in this night. And holding it, be thankful for the slow drip of time. That makes these hours of waiting fill the silence. We cannot know what morning brings and fear it. The clock brings the gift of light which we receive. Through eyes that have kept a vigil in this place of sickness. John Charles William Morris.

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John Charles William Morris: Welcome

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