jonahcaplan.blogspot.com

Musical Experience

About music, jazz, theory, guitar. Sunday, July 31, 2011. This is the first new study in a quite a while. What's interesting about the melody of this piece and how it ties into all this open chord work I've been doing has to do with all the octave jumps. This study uses less voicings than many of the others and a smaller variety of colours on each chord. What it does well. Sunday, May 8, 2011. Saturday, November 13, 2010. There are two things that make developing compound lines on the guitar easier than ...

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Musical Experience | jonahcaplan.blogspot.com Reviews

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About music, jazz, theory, guitar. Sunday, July 31, 2011. This is the first new study in a quite a while. What's interesting about the melody of this piece and how it ties into all this open chord work I've been doing has to do with all the octave jumps. This study uses less voicings than many of the others and a smaller variety of colours on each chord. What it does well. Sunday, May 8, 2011. Saturday, November 13, 2010. There are two things that make developing compound lines on the guitar easier than ...

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Musical Experience | jonahcaplan.blogspot.com Reviews

https://jonahcaplan.blogspot.com

About music, jazz, theory, guitar. Sunday, July 31, 2011. This is the first new study in a quite a while. What's interesting about the melody of this piece and how it ties into all this open chord work I've been doing has to do with all the octave jumps. This study uses less voicings than many of the others and a smaller variety of colours on each chord. What it does well. Sunday, May 8, 2011. Saturday, November 13, 2010. There are two things that make developing compound lines on the guitar easier than ...

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jonahcaplan.blogspot.com

1

Musical Experience: March 2010

http://jonahcaplan.blogspot.com/2010_03_01_archive.html

About music, jazz, theory, guitar. Friday, March 19, 2010. More Things On All The Things. What are the circles with the letters and arrows for? Here’s a second study on all the things you are which will attempt to demonstrate. Every 8 bars makes use of a different circle as well as a different type of voicing. Bars 1-8: A=3, B=5, C=7. Bars 9-16: A=1,B=5,C=7. Hmm interesting how the arrow from A to B turns out to be a common tone. 17-24: A=1 B=2 C=3. 24-28: A=1 B=3 C=7. 29-32: A=1 B=3 C=7.

2

Musical Experience: Feeling Good

http://jonahcaplan.blogspot.com/2010/04/feeling-good.html

About music, jazz, theory, guitar. Tuesday, April 13, 2010. Here's a list which I think is really important, especially for us jazz musicians who can tend to be a pretty negative and self critical bunch. It comes directly and exactly from the book Feeling Good by David D. Burns. Definitions of Cognitive Distortions. 1 ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. B The Fortune Teller Error. 6 MAGNIFI...

3

Musical Experience: Popping and Bopping

http://jonahcaplan.blogspot.com/2010/11/popping-and-bopping.html

About music, jazz, theory, guitar. Saturday, November 13, 2010. There are two things that make developing compound lines on the guitar easier than on other instruments. Especially sequenced compound lines. The first, is that while as guitarists we may generally not have the same control over the decay and sustain of our notes as other instruments ( noted exception. I've sometimes talked about escape lines instead of escape tones, about how once you've learned to delay a resolution, you can postpone it in...

4

Musical Experience: October 2009

http://jonahcaplan.blogspot.com/2009_10_01_archive.html

About music, jazz, theory, guitar. Friday, October 30, 2009. Thursday, October 22, 2009. Kurt Rosenwinkel recently gave a talk in Montreal which despite his total lack of enthusiasm and interest managed to be useful at moments. One thing he mentioned which is a neat exercise everybody should try is to play a scale in one direction over fast and complicated changes (such as Giant Steps) and change chord scales without changing directions or leaping. Could this be done with whole or half notes and chords?

5

Musical Experience: Meditation

http://jonahcaplan.blogspot.com/2011/05/meditation.html

About music, jazz, theory, guitar. Sunday, May 8, 2011. What comes out is a bit aimless, returning to some themes and abandoning others, going through sections of clearly driving rhythm and others that meander. So, I've decided to share such a moment. And I've decided to explain what it means to me. What does the very moment when you hold an instrument mean to you? Subscribe to: Post Comments (Atom). View my complete profile.

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Musical Experience

About music, jazz, theory, guitar. Sunday, July 31, 2011. This is the first new study in a quite a while. What's interesting about the melody of this piece and how it ties into all this open chord work I've been doing has to do with all the octave jumps. This study uses less voicings than many of the others and a smaller variety of colours on each chord. What it does well. Sunday, May 8, 2011. Saturday, November 13, 2010. There are two things that make developing compound lines on the guitar easier than ...

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