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Monday, 10 May 2010. Tate Liverpool - DLA Piper Series - Sculpture. I really enjoyed this exhibition, not only does it contain a large amount (and a vast array) of work, it's also the way that the work has been curated that makes for such an interesting exhibition. What was interesting for me was the idea of a 'frame' around work, whether it be an actual frame around a painting or drawing or just the physical limits of a sculpture, where does the work start and where does it finish? Ron Mueck, Ghost, 1998.

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Monday, 10 May 2010. Tate Liverpool - DLA Piper Series - Sculpture. I really enjoyed this exhibition, not only does it contain a large amount (and a vast array) of work, it's also the way that the work has been curated that makes for such an interesting exhibition. What was interesting for me was the idea of a 'frame' around work, whether it be an actual frame around a painting or drawing or just the physical limits of a sculpture, where does the work start and where does it finish? Ron Mueck, Ghost, 1998.
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My Back Pages | jonny-rawlin.blogspot.com Reviews

https://jonny-rawlin.blogspot.com

Monday, 10 May 2010. Tate Liverpool - DLA Piper Series - Sculpture. I really enjoyed this exhibition, not only does it contain a large amount (and a vast array) of work, it's also the way that the work has been curated that makes for such an interesting exhibition. What was interesting for me was the idea of a 'frame' around work, whether it be an actual frame around a painting or drawing or just the physical limits of a sculpture, where does the work start and where does it finish? Ron Mueck, Ghost, 1998.

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My Back Pages: This is just amazing.

http://www.jonny-rawlin.blogspot.com/2010/02/this-is-just-amazing.html

Tuesday, 2 February 2010. This is just amazing. Subscribe to: Post Comments (Atom). This is just amazing.

2

My Back Pages: Gilles Barbier

http://www.jonny-rawlin.blogspot.com/2010/02/gilles-barbier.html

Tuesday, 2 February 2010. I really enjoy the morbid humor of this piece and I just like the idea of the 'super hero' having to face it's own mortality. They are meant to represent this idea of an invincible or unfaltering 'good' but yet they deteriorate like the rest of us. Subscribe to: Post Comments (Atom). This is just amazing.

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My Back Pages: January 2010

http://www.jonny-rawlin.blogspot.com/2010_01_01_archive.html

Saturday, 30 January 2010. Http:/ www.rethinkclimate.org/titel/rethink-the-implicit/? Cloth, silicone, metal, variable dimensions. Tove Storch’s artistic production occupies the field of kinetic sculpture, often with an added element of subtle mystery. In an investigation of the potential for cognition offered by the faculty of sight and the human body, she experiments with the qualities of the materials used and with the basic premises for sculptural production. VERTICAL SKIP, 2009.

4

My Back Pages: Juan Munoz

http://www.jonny-rawlin.blogspot.com/2010/02/juan-munoz.html

Tuesday, 2 February 2010. 10 March 2010 at 05:38. Subscribe to: Post Comments (Atom). This is just amazing.

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My Back Pages: Tate Liverpool - DLA Piper Series - Sculpture

http://www.jonny-rawlin.blogspot.com/2010/05/tate-liverpool-dla-piper-series.html

Monday, 10 May 2010. Tate Liverpool - DLA Piper Series - Sculpture. I really enjoyed this exhibition, not only does it contain a large amount (and a vast array) of work, it's also the way that the work has been curated that makes for such an interesting exhibition. What was interesting for me was the idea of a 'frame' around work, whether it be an actual frame around a painting or drawing or just the physical limits of a sculpture, where does the work start and where does it finish? Ron Mueck, Ghost, 1998.

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My Back Pages

Monday, 10 May 2010. Tate Liverpool - DLA Piper Series - Sculpture. I really enjoyed this exhibition, not only does it contain a large amount (and a vast array) of work, it's also the way that the work has been curated that makes for such an interesting exhibition. What was interesting for me was the idea of a 'frame' around work, whether it be an actual frame around a painting or drawing or just the physical limits of a sculpture, where does the work start and where does it finish? Ron Mueck, Ghost, 1998.

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