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Joseph Knowles | Composition, Intonation and the Renaissance

Composition, Intonation and the Renaissance

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Joseph Knowles | Composition, Intonation and the Renaissance | josephknowles.wordpress.com Reviews

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Composition, Intonation and the Renaissance

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Quarter Comma Meantone Temperament | Joseph Knowles

https://josephknowles.wordpress.com/2010/02/07/quarter-comma-meantone-temperament-2

Composition, Intonation and the Renaissance. Laquo; Tuning and Intonation in Fifteenth and Sixteenth Century Polyphony. Quarter Comma Meantone Temperament. February 7, 2010 by josephknowles. Quarter Comma Meantone Temperament was the most commonly used method of tuning. Unlike Pythagorean tuning where the thirds are sacrificed to keep the fifths pure, the fifths are sacrificed to keep the thirds pure. Thus when we begin to construct our scale the thirds are the easiest to start with. X = 5 (1/4). The las...

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josephknowles | Joseph Knowles

https://josephknowles.wordpress.com/author/josephknowles

Composition, Intonation and the Renaissance. Https:/ josephknowles.wordpress.com. Posts by Joseph Knowles:. June 16, 2010. February 7, 2010. Quarter Comma Meantone Temperament. February 7, 2010. Tuning and Intonation in Fifteenth and Sixteenth Century Polyphony. February 6, 2010. Blog at WordPress.com. Blog at WordPress.com. Follow “Joseph Knowles”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

3

Bibliography | Joseph Knowles

https://josephknowles.wordpress.com/bibliography

Composition, Intonation and the Renaissance. On this page you will find a list of sources for the posts on my site. R Alessandrini, ‘Performance Practice in the seconda prattica Madrigal,’. 27 No 4 (1999), 633-9. New York, 1972). M Bent, ‘Diatonic Ficta ’,. 4 (1984), 1-48. K Berger ‘The Expanding Universe of Musica Ficta Theory from 1300 to 1550’. The Journal of Musicology. 4 No 4 (1985) 410-430. Il Desidero trans. Carol MacClintok. American Institute of Musicology, 1962). The India Society, London 1943).

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February | 2010 | Joseph Knowles

https://josephknowles.wordpress.com/2010/02

Composition, Intonation and the Renaissance. Archive for February, 2010. Quarter Comma Meantone Temperament. On February 7, 2010 Leave a Comment. Quarter Comma Meantone Temperament was the most commonly used method of tuning. Unlike Pythagorean tuning where the thirds are sacrificed to keep the fifths pure, the fifths are sacrificed to keep the thirds pure. Thus when we begin to construct our scale the thirds are the easiest to start with. Nx 4 divide through by n. X = 5 (1/4). The last interval we need ...

5

Compositions | Joseph Knowles

https://josephknowles.wordpress.com/compositions

Composition, Intonation and the Renaissance. On this page I have some of my compositions, both as score excerpts and AACs. Please peruse and comment! As I finish work, I will upload some information about it. Opens with an initial response, which is answered by a verse. This antiphonal pattern is repeated until Verse V , which acts as a coda. And an arrow pointing down represents a slight. Excerpt from Hraegl min swigath. On February 7, 2010 at 10:30 pm. Good work I like it! Leave a Reply Cancel reply.

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Joseph Knowles | Composition, Intonation and the Renaissance

Composition, Intonation and the Renaissance. June 16, 2010 by josephknowles. Don Carlo Gesualdo (1560-2 – 1613), the infamous Italian prince is known for his highly chromatic madrigals. Having completed research into his music with respect to chromaticism, there are many conclusions to be made. Gesualdo was very influenced by the mannerist school of composers in Ferrara in the late sixteenth century such as Luzzaschi, Marenzio and Vicentino. Settimo libro de’Madrigali. Quarter Comma Meantone Temperament.

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