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Judith ReynUnderstanding anatomy to create correct dance movement
http://www.judithreyn.com/
Understanding anatomy to create correct dance movement
http://www.judithreyn.com/
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Judith Reyn | judithreyn.com Reviews
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Understanding anatomy to create correct dance movement
judithreyn.com
Judith Reyn
http://www.judithreyn.com/jr_teaching.html
CV Teaching Experience. Studied anatomy and ballet pedagogy with Marika Besobrasova and other leading teachers in Europe under the sponsorship of the Vienna State Opera Ballet School. Continued studies in Vienna of ballet methodology, corrective gymnastics, Pilates and kinesiology. Evolved a special workshop to acquaint professional dancers and students of ballet and contemporary dance with anatomical and kinaesthetic awareness on an easy understandable basis. Involved in social projects for teaching d...
Judith Reyn
http://www.judithreyn.com/jr_evaluations.html
Workshop Evaluations 2011 2014. Artistic and Pedagogical Director, National Youth Ballet. Director of the Bayrisches Staatsballett 1998 2016. Chairman Heinz-Bosl-Stiftung, Munich. Director of the Bayerisches Staatsballett II/Junior Company. Artistic Director of the Joffrey Ballet School (New York). Choreographer/Director TanzTheaterWien, Heidelberg Ballet (Germany),. Volksoper Vienna, Dance Identity. Associate Professor of Dance, Philadelphia University of the Arts. Tisch School for the Arts.
Judith Reyn
http://www.judithreyn.com/index.html
Right thinking always helps the correctness of movement. If we understand the nature of the movement, then our limbs follow the orders of our intellect; and if we cultivate this relation between mind and body, it will soon result in. A correct instinct of movement. Tamara Karsavina 18851978). CV - Teaching Experience. CV - Professional Dance Career.
Judith Reyn
http://www.judithreyn.com/jr_workshop.html
Using anatomical explanation as a tool to achieve correct articulations of movement in ballet and contemporary dance. A thorough comprehension of the anatomical articulations of the body concerning the bones, joints and muscles required for ballet movement. An understanding about what exactly happens when the dancer rotates the femur (thigh bone) and humerus (upper arm bone) in the respective hip and shoulder joints. I provide a PowerPoint-presentation to illustrate the anatomy with more transparency....
Judith Reyn
http://www.judithreyn.com/jr_dance.html
CV Professional Dance Career. Studied at the Royal Ballet School, London. After graduation, accepted into the Royal Ballet Company, Royal Opera House, Covent Garden. Remained four years in the company, working with many leading personalities of the period, including Sir Frederick Ashton, Sir Kenneth MacMillan, George Balanchine, Margot Fonteyn, Rudolf Nureyev. Danced also demi-solo and solo roles in ballets by Ashton and MacMillan. Danced the leading roles in John Cranko s important full-length ballets:.
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Judith has lived and worked in Vermont for thirty years and is an avid gardener. She has taught art in public schools, served as an arts administrator and also the CEO of an art-based manufacturing company. The artist began painting at the kitchen table with her mother around the age of 3, and she has loved it ever since. 2007 Judith Rey Vergennes, Vermont.
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Judith Reyn
Right thinking always helps the correctness of movement. If we understand the nature of the movement, then our limbs follow the orders of our intellect; and if we cultivate this relation between mind and body, it will soon result in. A correct instinct of movement. Tamara Karsavina 18851978). CV - Teaching Experience. CV - Professional Dance Career.
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Judith R. Hendricks, attorney at law
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