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Musicworks'2017 Electronic Music Competition. I'm really happy to hear that my piece. Has placed third in Musicworks'. 2017 International Electronic Music Competition! So thankful for being selected amongst these amazing artists. Catch the acousmatic performance of the whole work at the Spark to Stone Concert. Co-presented by Caution Tape Sound Collective. And the Association of Canadian Women Composers. Etobicoke Philharmonic Orchestra's 2018 Young Composers Competition. January 17, 2018. I'm also thril...

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Musicworks'2017 Electronic Music Competition. I'm really happy to hear that my piece. Has placed third in Musicworks'. 2017 International Electronic Music Competition! So thankful for being selected amongst these amazing artists. Catch the acousmatic performance of the whole work at the Spark to Stone Concert. Co-presented by Caution Tape Sound Collective. And the Association of Canadian Women Composers. Etobicoke Philharmonic Orchestra's 2018 Young Composers Competition. January 17, 2018. I'm also thril...
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Julia Mermelstein - | juliamermelstein.com Reviews

https://juliamermelstein.com

Musicworks'2017 Electronic Music Competition. I'm really happy to hear that my piece. Has placed third in Musicworks'. 2017 International Electronic Music Competition! So thankful for being selected amongst these amazing artists. Catch the acousmatic performance of the whole work at the Spark to Stone Concert. Co-presented by Caution Tape Sound Collective. And the Association of Canadian Women Composers. Etobicoke Philharmonic Orchestra's 2018 Young Composers Competition. January 17, 2018. I'm also thril...

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Julia MermelsteinCompositions - Julia Mermelstein

http://juliamermelstein.com/compositions

For clarinet, violin, percussion, and piano; 14 , 2016. Performed by the Array Ensemble: Stephan Clarke, Colleen Cook, David Shotzko, Stephen Sitarski and conducted by Rick Sacks. Presented as a part of the 28th Futurelab: Young Composers’ Workshop. Premiered on May 28, 2016 at Arraymusic, Toronto. For baritone saxophone and electronics; 13′, 2016. For string orchestra; 7′, 2016. Composed for and premiered by Ensemble Arkea. For mixed ensemble and soprano; 7’30” 2015. Conducted by Pratik Gandhi, soprano ...

2

Julia MermelsteinRecording Session Clips - Julia Mermelstein

http://juliamermelstein.com/394

Here is a compilation of short clips from all of my recording sessions for REFLEXtion.

3

Julia MermelsteinBio - Julia Mermelstein

http://juliamermelstein.com/bio

My compositions have been performed by The Array Ensemble, Ensemble Arkea, Toy Piano Composers Ensemble, Bozzini String Quartet, Nostos Dance Collectives, Windermere String Quartet, DaCapo Chamber Choir, Orchestre Symphonique de l’Isle and presented at Arraymusic YCW, Montréal Contemporary Music Lab, New Voices Festival, and Open Ears Festival. I’m currently working on a new commission from Blue Rider Ensemble for Fall 2016. I received a B.F.A specializing in Music Composition under Dr. Georg...

4

Julia MermelsteinMCML 2015 - Julia Mermelstein

http://juliamermelstein.com/mcml-2015

I’m excited to be taking part in the Montreal Contemporary Music Lab. In June. I’ll be writing for solo electric guitar that will be performed by Montreal-based musician Jacob Wiens. I’m just beginning my brainstorming process and looking forward to how this piece unfolds! Is balance necessary between these two elements, similar to a yin and yang, do they rely on each other?

5

Julia MermelsteinMultimedia - Julia Mermelstein

http://juliamermelstein.com/multimedia

For woodwind quintet, 2013; 0’35. It was commissioned for Concordia’s Animation Department Sound Library. Recorded and performed at McGill University. Melancholic piano music for film. City of the Dead. I recently composed the music for the documentary, City of the Dead: Halifax and the Titanic Disaster directed Robert Zimmerman, a part of Morning’s Mist Films. It discusses the involvement and impact that Halifax had on the aftermath of the Titanic.

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About - Windup Music

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Windup Music explores music making through improvisation and composition, allowing for students’ own interpretation and creativity to be a strong part in their learning process. This approach to teaching music is based on what we know from current research on how children learn and play. Older music programs are not as open to adapting their curriculum to each students’ needs. Check out our blog post to find out more about The Windup Music Way. Julia Mermelstein – Founder/Teacher. She began her musical e...

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Musicworks'2017 Electronic Music Competition. I'm really happy to hear that my piece. Has placed third in Musicworks'. 2017 International Electronic Music Competition! So thankful for being selected amongst these amazing artists. Catch the acousmatic performance of the whole work at the Spark to Stone Concert. Co-presented by Caution Tape Sound Collective. And the Association of Canadian Women Composers. Etobicoke Philharmonic Orchestra's 2018 Young Composers Competition. January 17, 2018. I'm also thril...

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