twofloatingweeds.blogspot.com
Ukigusa Monogatari: And we're back after a short break
http://twofloatingweeds.blogspot.com/2008/07/and-were-back-after-short-break.html
A story of floating weeds. And were back after a short break. And were on air. This week at Floating Weeds. The Two Floating Weeds. Thursday, July 24, 2008. And we're back after a short break. The two Floating Weeds were busy trekking in the Sahyadris the last couple of weeks to organise screenings, but this Saturday, 26th July, 6.30 pm, we are back with Wong Kar Wai's My Blueberry Nights. And now for the mandatories:. Subscribe to: Post Comments (Atom).
twofloatingweeds.blogspot.com
Ukigusa Monogatari: March 2010
http://twofloatingweeds.blogspot.com/2010_03_01_archive.html
A story of floating weeds. Where the gods give up caste! Fifty years apart: Tales from Sarbatwalla Chowk (P. The Two Floating Weeds. Wednesday, March 24, 2010. Where the gods give up caste! Where the gods give up caste! 8216;Where the gods give up caste! 8217; is a look at the origin of Theyyam (a traditional dance form of North Kerala, and predecessor to the more famous Kathakali) and the role it, together with other art and cultural expressions, can play in creating a casteless, borderless society.
lastparsis.blogspot.com
The Last Parsis: Tales of Survival and Extinction: IV: Taking stock
http://lastparsis.blogspot.com/2008/07/after-satara-i-once-again-got-involved.html
The Last Parsis: Tales of Survival and Extinction. C) Kaevan Umrigar, 2005. Tuesday, July 1, 2008. I also began thinking about the form of the film. I reflected that my interests tended more towards documentary and realism, and since the footage wasn’t enough to shoot a documentary, I thought of making a quasi-documentary, a documentary that’s made like it were a fiction film. I also thought of putting together a cinematic essay, but I was unable to define exactly what it would be. X: Devlali and Igatpuri.
lastparsis.blogspot.com
The Last Parsis: Tales of Survival and Extinction: III: Satara
http://lastparsis.blogspot.com/2008/07/iii-satara.html
The Last Parsis: Tales of Survival and Extinction. C) Kaevan Umrigar, 2005. Tuesday, July 1, 2008. Parsi mansion in ruins, Tarapore. What a beautiful mansion. Very sad that there is no one to use it.or renovet it. June 2, 2013 at 12:03 PM. Subscribe to: Post Comments (Atom). X: Devlali and Igatpuri. XV: Dahanu and Bordi. View my complete profile.
cage433.blogspot.com
John Cage's 4' 33'': July 2008
http://cage433.blogspot.com/2008_07_01_archive.html
John Cage's 4' 33'. C) Kaevan Umrigar, 2004. Wednesday, July 2, 2008. 8220;I have nothing to say / and I am saying it /. And that is / poetry / as I need it.”. John Cage, “Lecture on Nothing”. Music and I have met a few times, but we remain strangers at best. And though we have even worked together, we remain indifferent to each other, not comfortable with each other, not understanding one another, not communicating. The chemistry is just not there. Now, we are being forced to work on a film together.
lastparsis.blogspot.com
The Last Parsis: Tales of Survival and Extinction: X: Devlali & Igatpuri
http://lastparsis.blogspot.com/2008/07/x-devlali-igatpuri.html
The Last Parsis: Tales of Survival and Extinction. C) Kaevan Umrigar, 2005. Tuesday, July 1, 2008. X: Devlali and Igatpuri. Her husband was managing to pull the agiary along, she told me, though the dharamsala next door was being kept shut. She didn’t face any problem being a Parsi here. There was a water problem in Igatpuri, and she allowed them the use of water from the agiary well. People had respect for them and left them alone. Parsi house of recent vintage, Tarapore. X: Devlali and Igatpuri.
lastparsis.blogspot.com
The Last Parsis: Tales of Survival and Extinction: VII: Solapur
http://lastparsis.blogspot.com/2008/07/vii-solapur.html
The Last Parsis: Tales of Survival and Extinction. C) Kaevan Umrigar, 2005. Tuesday, July 1, 2008. My next stop was Solapur. Solapur surprised me. I was expecting to see crowds, chaos, congestion, confusion after my experiences with Nagar and Kalyan; instead, I found wide roads, little traffic, planned houses and little noise. The thought struck me, this was how Pune must have been when it used to be called the pensioners’ paradise, though not climate-wise. Solapur was hot and sultry. Wowwhat a sad pictu...
cage433.blogspot.com
John Cage's 4' 33'': The image-track
http://cage433.blogspot.com/2008/07/image-track.html
John Cage's 4' 33'. C) Kaevan Umrigar, 2004. Wednesday, July 2, 2008. Consider this piece of Dada junk-poetry:. Toothache boys related to 9. Jeanine, the friend of Jeanine and earns frequent flier miles with philosopher toward blithe spirit. Furthermore, cashier toward apartment building beams with. Joy, and skyscraper related to bur debutante from hand. If toward dust bunny teach insurance agent from cloud formation, then defined by impresario gets. Boldface canberra centrex byr. I would like viewers to...
cage433.blogspot.com
John Cage's 4' 33'': The images
http://cage433.blogspot.com/2008/07/what-i-have-therefore-decided-to-do-is.html
John Cage's 4' 33'. C) Kaevan Umrigar, 2004. Wednesday, July 2, 2008. What I have therefore decided to do is shoot a lot of images. Some planned, some unplanned. In a variety of settings, in studio and on location. Using all the constructions of film grammar possible – camera movements, camera speeds, camera effects – sometimes conforming to them, sometimes distorting them, sometimes reinventing them. Here are a few examples, just an indicative list:. 8226; Swish pans to nothing in particular. 8226; Extr...
kaevanswritings.blogspot.com
Notes of a Student Filmmaker: Yasujiro Ozu: An appreciation
http://kaevanswritings.blogspot.com/2009/12/yasujiro-ozu-appreciation.html
Notes of a Student Filmmaker. Tuesday, December 29, 2009. Yasujiro Ozu: An appreciation. This dissertation was to have been on Aravindan. The few films I had seen of his oeuvre – Thampu, Kummaty, Esthappan – had charmed me with their deceptive simplicity, and left me with a feeling I found difficult to articulate in words. That, coupled with the paucity of written material on Aravindan and his films, made writing this dissertation a personal challenge I was eager to take on. Yasujiro Ozu: An appreciation.
