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Kara's Cinematic Modernism

Monday, June 8, 2009. Without question, Ayn Rand’s The Fountainhead. 1947) is exceptionally suited for a cinematic adaptation. Indeed Rand not only writes cinematically, but the subject matter of her novel is premised on the visual; which naturally is fitting for cinema. However this is not my point of concern, rather my interest lies in how King Vidor’s 1949 cinematic adaptation takes on a novelistic form in itself. So from its earliest moments, The Fountainhead. While I enjoyed the bold, theatrical nat...

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Kara's Cinematic Modernism | karascinematicmodernism.blogspot.com Reviews
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Monday, June 8, 2009. Without question, Ayn Rand’s The Fountainhead. 1947) is exceptionally suited for a cinematic adaptation. Indeed Rand not only writes cinematically, but the subject matter of her novel is premised on the visual; which naturally is fitting for cinema. However this is not my point of concern, rather my interest lies in how King Vidor’s 1949 cinematic adaptation takes on a novelistic form in itself. So from its earliest moments, The Fountainhead. While I enjoyed the bold, theatrical nat...
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Kara's Cinematic Modernism | karascinematicmodernism.blogspot.com Reviews

https://karascinematicmodernism.blogspot.com

Monday, June 8, 2009. Without question, Ayn Rand’s The Fountainhead. 1947) is exceptionally suited for a cinematic adaptation. Indeed Rand not only writes cinematically, but the subject matter of her novel is premised on the visual; which naturally is fitting for cinema. However this is not my point of concern, rather my interest lies in how King Vidor’s 1949 cinematic adaptation takes on a novelistic form in itself. So from its earliest moments, The Fountainhead. While I enjoyed the bold, theatrical nat...

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Kara's Cinematic Modernism

http://karascinematicmodernism.blogspot.com/2009/04/at-beginning-of-victor-burgins-reading.html

Wednesday, April 8, 2009. At the beginning of Victor Burgin’s reading, a discussion of Andre Breton’s and Jaques Vache’s strange method of ‘movie hopping’ from one theater to another is discussed. Burgin writes of how these two men never watched an entire film, leaving whenever ‘boredom tugs at the sleeve’. Cornell primarily establishes these techniques through the cutting and reordering of footage from the 1931 jungle flick,. As a result, my experience of the film was none other than confusion. I fe...

2

Kara's Cinematic Modernism

http://karascinematicmodernism.blogspot.com/2009/06/without-question-ayn-rands-fountainhead.html

Monday, June 8, 2009. Without question, Ayn Rand’s The Fountainhead. 1947) is exceptionally suited for a cinematic adaptation. Indeed Rand not only writes cinematically, but the subject matter of her novel is premised on the visual; which naturally is fitting for cinema. However this is not my point of concern, rather my interest lies in how King Vidor’s 1949 cinematic adaptation takes on a novelistic form in itself. So from its earliest moments, The Fountainhead. While I enjoyed the bold, theatrical nat...

3

Kara's Cinematic Modernism

http://karascinematicmodernism.blogspot.com/2009/06/greatest-picture-in-world-or-is-it.html

Friday, June 5, 2009. 8220;I’m going out to make the greatest picture in the world, something that no one’s ever seen or heard! 8221; When adventure film producer Carl Denim states these lines in Merian C. Cooper and Ernest B. Schoedsack’s King Kong. 1933), we intuitively know he's referring to the film we are about to watch… and how right he was! Indeed today King Kong. But the question is how? I believe the answer essentially lies in the spectacle of the film. Indeed the popularity of the ‘big-on...

4

Kara's Cinematic Modernism

http://karascinematicmodernism.blogspot.com/2009/04/belated-yet-very-warm-welcome-everyone.html

Wednesday, April 8, 2009. A belated, yet very warm welcome everyone! I have tried to avoid writing on here as the 'blogword' is extremely new to me. Nonetheless, a blog discussing Rose Hobart. Will be on here for you all very soon. Stay tuned. Subscribe to: Post Comments (Atom). It is hard not to find yourself immersed in the th. At the beginning of Victor Burgin’s reading, a dis. A belated, yet very warm welcome everyone! View my complete profile.

5

Kara's Cinematic Modernism: April 2009

http://karascinematicmodernism.blogspot.com/2009_04_01_archive.html

Saturday, April 11, 2009. It is hard not to find yourself immersed in the theatrical world of Ewald Andre Dupont’s Piccadilly. Indeed as early on as the opening scene the audience is bombarded with upbeat music, electric signs, flashing lights, and busy streets filled with flowing traffic and hurrying bodies. Piccadilly is presented as an illuminated, spectacular location, in which we found ourselves - like the bodies on the screen – immediately drawn to. Did anybody else make this comparison? The charac...

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Cinematic Modernism: wikipedia and ayn rand

http://cinmod09.blogspot.com/2009/05/wikipedia-and-ayn-rand.html

Thursday, May 21, 2009. Wikipedia and ayn rand. Ayn Rand on Donahue:. You might be interested to see the ways in which the ideas of Ayn Rand have influenced the development of wikipedia. This. Article from the London Review of Books offers an interesting argument about the way in which wikipedia can be said to be working. Subscribe to: Post Comments (Atom). Cameron's Introduction to Cinematic Modernism. Daniel's Cinematic Modernism Posts. ENGL3604 - Cinematic Modernism. Reflections on Modern Cinema.

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Cinematic Modernism: Hart Crane

http://cinmod09.blogspot.com/2009/04/hart-crane.html

Wednesday, April 22, 2009. During this week's seminar I mentioned the poetry of Hart Crane, and in particular his evocation of the Brookly Bridge in The Bridge (1930). In the Proem to the poem, "To Brooklyn Bridge," Crane writes:. I think of cinemas, panoramic sleights. With multitudes bent toward some flashing scene. Never disclosed, but hastened to again,. Foretold to other eyes on the same screen;. You can read "To Brooklyn Bridge" here. Subscribe to: Post Comments (Atom). Reflections on Modern Cinema.

cinmod09.blogspot.com cinmod09.blogspot.com

Cinematic Modernism: Rose Hobart

http://cinmod09.blogspot.com/2009/03/rose-hobart.html

Monday, March 2, 2009. Rose Hobart's collage makes extensive use of the 1931 jungle flick, East of Borneo. Is now in the public domain so you can torrent it here. Whereas East of Borneo. Ends with a volcanic eruption, Cornell cut into Rose Hobart. S last moments images of a solar eclipse intercut with an image of a ball falling into water. Whereas the action of East of Borneo. You may like to ponder the monkey who makes a brief appearance as Rose's companion. In East of Borneo. Appears on the marquee of ...

cinmod09.blogspot.com cinmod09.blogspot.com

Cinematic Modernism: Facebook

http://cinmod09.blogspot.com/2009/03/facebook.html

Tuesday, March 3, 2009. One class member, Matthew, has already created his blog. It's linked to the right, under "student blogs." A comment on his blog suggested it might be a good idea to create a Facebook group for the class, and that was something I'd been wondering about as well. So - I have. Just search "cinematic modernism" and you will find it. Subscribe to: Post Comments (Atom). Cameron's Introduction to Cinematic Modernism. Daniel's Cinematic Modernism Posts. ENGL3604 - Cinematic Modernism.

cinmod09.blogspot.com cinmod09.blogspot.com

Cinematic Modernism: The Ignorant Schoolmaster: Rancière

http://cinmod09.blogspot.com/2009/04/ignorant-schoolmaster-ranciere.html

Monday, April 20, 2009. The Ignorant Schoolmaster: Rancière. Rancière writes that the experiment with his Flemish students made this model less than persuasive; without explanation from him, his students had learned the language they did not know. Explication, it seemed, was not necessarily the source of a student's learning. A parallel arises with the most basic scene of learning we have in common:. Trans Kristin Ross. Stanford: Stanford University Press, 1991. Subscribe to: Post Comments (Atom).

cinmod09.blogspot.com cinmod09.blogspot.com

Cinematic Modernism: a film canon

http://cinmod09.blogspot.com/2009/03/film-canon.html

Monday, March 16, 2009. In preparation for next week's class, you should browse Billy Stevenson's website, a film canon. Subscribe to: Post Comments (Atom). This is the central blog for ENGL3604 Cinematic Modernism, an Advanced Unit of Study taken by students in the Faculty of Arts, University of Sydney. Any enquiries may be directed to the co-ordinator, Melissa Hardie. Cameron's Introduction to Cinematic Modernism. Daniel's Cinematic Modernism Posts. ENGL3604 - Cinematic Modernism. My City of Sydney.

cinmod09.blogspot.com cinmod09.blogspot.com

Cinematic Modernism: Explode Art's Tower of Babel!

http://cinmod09.blogspot.com/2009/04/explode-arts-tower-of-babel.html

Monday, April 27, 2009. Explode Art's Tower of Babel! Last week I proposed to you that Wikipedia is often a very useful resource. The quality of Wikipedia entries varies, of course, but on the assumption that you treat it with the same critical judgement you treat all resources, I feel it's important to acknowledge this collaborative encyclopaedia as, in its own way, a revolutionary pedagogical tool. On Vertov is exemplary: clear, informative, scholarly. An excerpt:. Here is an explanation.

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Cinematic Modernism: Kong v Gonga

http://cinmod09.blogspot.com/2009/05/kong-v-gonga.html

Monday, May 11, 2009. Orientation to the representation of its imaginary spaces. Marshalling these indices, some lines of flight emerge between:. The city symphony and King Kong. The city symphony and Wise Blood. King Kong and Rose Hobart. East of Borneo and King Kong. And one final intersection, the reworking of Wise Blood by John Huston in his 1979 Wise Blood, which we will watch, in part, in class. Subscribe to: Post Comments (Atom). Cameron's Introduction to Cinematic Modernism. Wikipedia and ayn rand.

cinmod09.blogspot.com cinmod09.blogspot.com

Cinematic Modernism: calligraphic modernism

http://cinmod09.blogspot.com/2009/03/calligraphic-modernism.html

Monday, March 16, 2009. Meanwhile, here's an autographed photograph of Anna May Wong, which she has likewise signed with both her European name and its rendition in characters. Wong's contemporary celebrity can be gauged from the archive of ephemera associated with her career: cigarette cards, celebrity portraits, and posters of Wong are hot properties in the cinephile world. Subscribe to: Post Comments (Atom). Cameron's Introduction to Cinematic Modernism. Daniel's Cinematic Modernism Posts.

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Cinematic Modernism: Kaleidoscope, Hypnosis, Snack.

http://cinmod09.blogspot.com/2009/03/heres-compilation-of-cinema.html

Sunday, March 8, 2009. Kaleidoscope, Hypnosis, Snack. Here's a compilation of cinema intermission ads, including one that evokes Burgin's description of the "psychical space of the spectating subject" as, after Baudelaire, "a kaleidoscope equipped with consciousness." I'm referring of course to the series of kaleidoscoped snacks. August 17, 2010 at 2:01 AM. August 25, 2010 at 5:18 AM. I would like to thank you for sharing your thoughts and time into the stuff you post! Essex mobile dj disco. Kaleidoscope...

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Kara's Cinematic Modernism

Monday, June 8, 2009. Without question, Ayn Rand’s The Fountainhead. 1947) is exceptionally suited for a cinematic adaptation. Indeed Rand not only writes cinematically, but the subject matter of her novel is premised on the visual; which naturally is fitting for cinema. However this is not my point of concern, rather my interest lies in how King Vidor’s 1949 cinematic adaptation takes on a novelistic form in itself. So from its earliest moments, The Fountainhead. While I enjoyed the bold, theatrical nat...

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