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Karen-Baxter

This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female ****** organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Porcelain and Fabric Works. In Vessel, cast in slip:. Works in other media.

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Karen-Baxter | karen-baxter.blogspot.com Reviews

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This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female ****** organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Porcelain and Fabric Works. In Vessel, cast in slip:. Works in other media.

<META> KEYWORDS

1 karen baxter

2 artists statement

3 posted by

4 no comments

5 large hanging pieces

6 large slip cast support

7 on stoneware

8 first piece

9 mixed media drawings

10 three oil based mono prints

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karen baxter,artists statement,posted by,no comments,large hanging pieces,large slip cast support,on stoneware,first piece,mixed media drawings,three oil based mono prints,early paper clay vessels,stretched porcelain,about me,visual arts ba,final show

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Karen-Baxter | karen-baxter.blogspot.com Reviews

https://karen-baxter.blogspot.com

This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female ****** organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Porcelain and Fabric Works. In Vessel, cast in slip:. Works in other media.

INTERNAL PAGES

karen-baxter.blogspot.com

1

Karen-Baxter: Examples of my ceramic works.

http://karen-baxter.blogspot.com/2009/05/examples-of-my-ceramic-works.html

This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female sexual organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Examples of my ceramic works. Cast porcelain slip, with lace:. View my complete profile.

2

Karen-Baxter

http://karen-baxter.blogspot.com/2009/05/artists-statement.html

This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female sexual organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Subscribe to: Post Comments (Atom). View my complete profile. Porcelain and Fabric Works.

3

Karen-Baxter: May 2009

http://karen-baxter.blogspot.com/2009_05_01_archive.html

This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female sexual organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Porcelain and Fabric Works. In Vessel, cast in slip:. Works in other media.

4

Karen-Baxter: Fold sculptures in stoneware

http://karen-baxter.blogspot.com/2009/05/ceramics.html

This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female sexual organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Saturday, 23 May 2009. Fold sculptures in stoneware. Subscribe to: Post Comments (Atom). View my complete profile.

5

Karen-Baxter: Porcelain and Fabric Works.

http://karen-baxter.blogspot.com/2009/05/porcelain-and-fabric-works.html

This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female sexual organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Porcelain and Fabric Works. In Vessel, cast in slip:. Subscribe to: Post Comments (Atom).

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This work began as an exploration of The Feminine and why a tear, slit or gap is often read as pertaining to female sexual organs. The main occupation has been with folds and crevices, as the properties of clay, and in particular porcelain, have added intriging dimensions to the various pieces. Woman as vessel, or container has been a recuring theme as has the sensual experience of the visual. Wednesday, 27 May 2009. Porcelain and Fabric Works. In Vessel, cast in slip:. Works in other media.

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