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KARENTMASSARO.COM

Karen Thuesen Massaro

Sculptures and Glaze Paintings 1973 1981. For me the sensory experience of looking and touching ceramic objects intertwines with the words they suggest. I use ceramics, an integration of. Form and surface in space, to pose questions about placement, movement and perception. I make poems for the eye and the hand. Composite arrangements of forms support fired layers of color. Most of my works have remained intimate. In scale, and nod to the tactile and visual potential of clay surfaces.

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Karen Thuesen Massaro | karentmassaro.com Reviews
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Sculptures and Glaze Paintings 1973 1981. For me the sensory experience of looking and touching ceramic objects intertwines with the words they suggest. I use ceramics, an integration of. Form and surface in space, to pose questions about placement, movement and perception. I make poems for the eye and the hand. Composite arrangements of forms support fired layers of color. Most of my works have remained intimate. In scale, and nod to the tactile and visual potential of clay surfaces.
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1 karen thuesen massaro
2 biography
3 galleries
4 necklaces
5 sculptures 2001 present
6 vessels
7 writing
8 search for
9 pages
10 karen t massaro
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Karen Thuesen Massaro | karentmassaro.com Reviews

https://karentmassaro.com

Sculptures and Glaze Paintings 1973 1981. For me the sensory experience of looking and touching ceramic objects intertwines with the words they suggest. I use ceramics, an integration of. Form and surface in space, to pose questions about placement, movement and perception. I make poems for the eye and the hand. Composite arrangements of forms support fired layers of color. Most of my works have remained intimate. In scale, and nod to the tactile and visual potential of clay surfaces.

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1

Sculptures 1988 – 1999 | Karen Thuesen Massaro

http://www.karentmassaro.com/galleries/sculptures-1988-1999

Sculptures 2001 – Present. Sculptures 1988 – 1999. Sculptures and Glaze Paintings 1973 1981. Sculptures 1988 – 1999. Sculptures 1988 – 1999. Karen Thuesen Massaro 2017. Support by AM of Santa Cruz.

2

Vessels | Karen Thuesen Massaro

http://www.karentmassaro.com/galleries/vessels

Sculptures 2001 – Present. Sculptures 1988 – 1999. Sculptures and Glaze Paintings 1973 1981. Karen Thuesen Massaro 2017. Support by AM of Santa Cruz.

3

Galleries | Karen Thuesen Massaro

http://www.karentmassaro.com/galleries

Sculptures 2001 – Present. Sculptures 1988 – 1999. Sculptures and Glaze Paintings 1973 1981. To see individual galleries please choose a link below:. Sculptures 2001 – Present. Sculptures and Glaze Paintings 1973-1981. Karen Thuesen Massaro 2017. Support by AM of Santa Cruz.

4

Sculptures and Glaze Paintings 1973 – 1981 | Karen Thuesen Massaro

http://www.karentmassaro.com/galleries/sculptures-1973-1981

Sculptures 2001 – Present. Sculptures 1988 – 1999. Sculptures and Glaze Paintings 1973 1981. Sculptures and Glaze Paintings 1973 1981. Sculptures and Glaze Paintings 1973 1981. Karen Thuesen Massaro 2017. Support by AM of Santa Cruz.

5

Sculptures 2001 – Present | Karen Thuesen Massaro

http://www.karentmassaro.com/galleries/sculptures-2001-present

Sculptures 2001 – Present. Sculptures 1988 – 1999. Sculptures and Glaze Paintings 1973 1981. Sculptures 2001 – Present. Sculptures 2001 – Present. TWO SIDES OF THE STORY. COCONUT BROWN FOR PIA. Karen Thuesen Massaro 2017. Support by AM of Santa Cruz.

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Sculptures and Glaze Paintings 1973 1981. For me the sensory experience of looking and touching ceramic objects intertwines with the words they suggest. I use ceramics, an integration of. Form and surface in space, to pose questions about placement, movement and perception. I make poems for the eye and the hand. Composite arrangements of forms support fired layers of color. Most of my works have remained intimate. In scale, and nod to the tactile and visual potential of clay surfaces.

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