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Katie's Musings

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About | Katie's Musings

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This is an example of a WordPress page, you could edit this to put information about yourself or your site so readers know where you are coming from. You can create as many pages like this one or sub-pages as you like and manage all of your content inside of WordPress. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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Taking a Look at the Ratings Board | Katie's Musings

https://katiesmusings.wordpress.com/2010/04/26/taking-a-look-at-the-ratings-board

Battleship Potemkin as Propaganda →. Taking a Look at the Ratings Board. This Film Is Not Yet Rated. This Film Is Not Yet Rated. Battleship Potemkin as Propaganda →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Blog at WordPress.com.

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Response to The Public Enemy | Katie's Musings

https://katiesmusings.wordpress.com/2010/03/08/response-to-the-public-enemy

Response to Baby Face. The Subtle Notorious →. Response to The Public Enemy. Wellman, 1931), a tale of another Powers family, succeeded in meeting the Production Code’s goals in ways. Green, 1933) did not. Lily Powers of. Used her sexuality to gain power, while Tom Powers of. Used force and violence to gain power. In the end, Tom Powers ended up dead. He paid the greatest price for his sinfulness. I was most surprised at another type of violence in. Response to Baby Face. The Subtle Notorious →.

4

The Subtle Notorious | Katie's Musings

https://katiesmusings.wordpress.com/2010/03/22/the-subtle-notorious

Response to The Public Enemy. Taking a Look at the Ratings Board →. Alfred Hitchcock’s Notorious (1946) sneaks around the censors, but does so naturally and without blatantly pushing its bounds. The famous kissing scene is the most obvious example of this, but the film includes other subtle elements that communicate a point which may have been objectionable if communicated explicitly. As if Bergman and Grant had been kissing the entire time. In fact, the pauses even enhance the scene. You are commenting ...

5

Katie Miller | Katie's Musings

https://katiesmusings.wordpress.com/author/katiesmusings

Author Archives: Katie Miller. Battleship Potemkin as Propaganda. Sergei Eisenstein successfully uses new filming techniques, particularly montage editing, to convince his audience that the Tsarist government is evil in his 1925 film,. Several elements of the film stood out as making the film effective propaganda. Is famous as a propaganda film, and rightly so. The filming techniques are excellent and Eisenstein successfully causes his audience to sympathize with the sailors and the Soviet government.

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Cycle of Self-Regulation, Part 5 | Censorship in Film

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Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! Cycle of Self-Regulation, Part 5. Filed under: Cycle of Self-Regulation. Mdash; Leave a comment. February 8, 2010. By Chris A. Blair, Ph.D. Thomas Doherty states in his book,. What a massacre of innocence of youth is taking place hour by hour! How shall the crimes that have their direct source in immoral motion pictures be measured? In an editorial in. Protestant churches would rally behi...

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Cycle of Self-Regulation, Part 4 | Censorship in Film

https://censorshipinfilm.wordpress.com/2010/02/08/cycle-of-self-regulation-part-3-2

Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! Cycle of Self-Regulation, Part 4. Filed under: Cycle of Self-Regulation. Mdash; 1 Comment. February 8, 2010. By Chris A. Blair, Ph.D. 1927) offended many of the religious leaders, while an MGM comedy,. The Callahans and the Murphys. Strained relations prompted Hays to investigate the implementation of stricter guidelines than his Hays Formula. Most often referred to as the don’ts and be c...

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March | 2010 | Censorship in Film

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Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! Archive for March, 2010. Mdash; Leave a comment. March 15, 2010. 1946, Alfred Hitchcock). Film Censorship: A Legal Review, Part 4. Filed under: Film Censorship. Mdash; Leave a comment. The Miracle Case and After. Case in 1915 to the Miracle case in 1952 (. Burstyn v. Wilson. Mutual v. Ohio. Examples of films banned in the years following the. Message Photo-Play v. Bell. The Spirit of ’76.

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February | 2010 | Censorship in Film

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Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! Archive for February, 2010. Mdash; Leave a comment. February 20, 2010. The original trailer for. 1933, Alfred E. Green). Cycle of Self-Regulation, Part 5. Filed under: Cycle of Self-Regulation. Mdash; Leave a comment. February 8, 2010. By Chris A. Blair, Ph.D. Thomas Doherty states in his book,. What a massacre of innocence of youth is taking place hour by hour! In an editorial in. Protes...

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Censorship in Film | Page 2

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Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! Latest Entries ». Cycle of Self-Regulation, Part 2. Filed under: Cycle of Self-Regulation. Mdash; Leave a comment. February 8, 2010. By Chris A. Blair. The first moving picture was presented in the United States in 1895, and controversy over film content soon followed. Protests over the film. Dolorita in the Passion Dance. There are, of course, many exhibitions in the moving picture line ...

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Production Code 1934 | Censorship in Film

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Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! The Motion Picture Production Code of 1930. If motion pictures present stories that will affect lives for the better, they can become the most powerful force for the improvement of mankind. Hence, though regarding motion pictures primarily as entertainment without any explicit purpose of teaching or propaganda, they know that the motion picture within its own field of entertainment may be...

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Notorious (1946) trailer | Censorship in Film

https://censorshipinfilm.wordpress.com/2010/03/15/notorious-1946-trailer

Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! Mdash; Leave a comment. March 15, 2010. 1946, Alfred Hitchcock). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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Resources | Censorship in Film

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Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! The “Hays Formula,” MPPDA, 1922. The “Purity Code” or the “Don’ts and Be Carefuls,” MPPDA, 1927. The Motion Picture Production Code, MPPDA, 1932. The Motion Picture Ratings System, MPAA, 1969. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out.

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“Hays Formula” 1922 | Censorship in Film

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Thanks for dropping by Censorship in Film! Take a look around and grab the RSS feed. To stay updated. See you around! 8220;Hays Formula” 1922. Motion Picture Producers and Distributors Association, Hays Formula, 1922. The motion picture studios and the Motion Picture Producers and Distributors Association came to a gentlemen’s agreement on thirteen elements to be avoided on screen, namely films that:. 1 dealt with sex in an improper manner;. 2 were based on white slavery;. 3 made vice attractive;. Carter...

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Katie's Musings

Battleship Potemkin as Propaganda. Sergei Eisenstein successfully uses new filming techniques, particularly montage editing, to convince his audience that the Tsarist government is evil in his 1925 film,. Several elements of the film stood out as making the film effective propaganda. Is famous as a propaganda film, and rightly so. The filming techniques are excellent and Eisenstein successfully causes his audience to sympathize with the sailors and the Soviet government. Taking a Look at the Ratings Board.

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