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Keith Glassman – Dance & Performance

Dance & Performance

http://www.keithglassman.org/

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Keith Glassman – Dance & Performance | keithglassman.org Reviews
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Dance & Performance
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1 keith glassman
2 dance and performance
3 upcoming shows
4 the work
5 the company
6 collaborators
7 repertory
8 news
9 coffeehouse dances return
10 poolside
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Keith Glassman – Dance & Performance | keithglassman.org Reviews

https://keithglassman.org

Dance & Performance

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1

Why American Men Dance

http://www.keithglassman.org/wamd

Why American Men Dance. Why American Men Dance. As I get older and no longer physically dancing, I am still deeply involved in the art form. I existentially ask myself, why? Did their families get behind their interest in being a dancer? Did they come across any challenges as they immersed themselves in the performance community? What keeps them going? These are the kinds of questions I am asking men to answer and record in “Why American Men Dance.”. Rough Cut Near Ready. 2015 Year In Review. We started ...

2

The Company

http://www.keithglassman.org/the-work

Why American Men Dance. Keith Glassman Dance and Performance. Return to top of page.

3

Keith Glassman

http://www.keithglassman.org/sample-page

Why American Men Dance. Grew up playing basketball in Philadelphia and earned a degree in Sociology from Brown University. He began making dances soon after he started his dance training at San Diego State University as a post-bac student. He then moved to New York and studied with, among others, Sara Rudner and Bessie Schonberg and performed in the companies of Kenneth Rinker, Bebe Miller and Catlin Cobb. He formed Keith Glassman and Dancers in 1989. Return to top of page.

4

The Work

http://www.keithglassman.org/the-work-2

Why American Men Dance. Since 2007, Keith has been bringing dances to neighborhood coffeehouses, interacting with audiences in up-close-and-personal surroundings across Los Angeles county. With an occasional touch of comic irony, the choreography is filled with an athletic physicality layered over a vocabulary of detailed nuance. His goal is to find the language that best communicates specific human situations. Return to top of page.

5

Upcoming Shows

http://www.keithglassman.org/category/upcoming-shows

Why American Men Dance. A Poet, Some Musicians and 4 Dancers Walk Into a Coffeehouse . . . Friday, May 16 7PM. Saturday, May 17 8PM. Sunday, May 18 3PM. Saturday, May 31 5:30PM. 3838 S. Centinela Ave. 5772 W. Pico Blvd. 4 Headed Dance IV. Exploring off-center, high velocity movement and abandon, the African diaspora, the Thai experience in contemporary performance and down-home centenarians, 4 Headed Dance. Friday and Saturday May 3 and 4, 2013 @8:30p. 18th St. Arts Center. Santa Monica, CA 90404.

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Projects

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Dance/Theater, Contact Improvisation, and Community Engagement. Recently presented by the Indianapolis Museum of Art in their ARTX Series, Suzanne Lappas and Stephanie Nugent brought a new vision for multi-disciplinary performance to Indiana, with original music by Scott Kellogg, lighting/scenic design by David Lapham, and costumes by Amy Beth Burrell, garnering Nugent Dance praise as. A relocated company to watch! Lou Harry Indianapolis Business Journal. The full evening which also includes. Was re-imag...

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Keith Glassman was born in Brooklyn, raised in New York and attended the Parsons School of Design in Manhattan, where in 1985 he began his career as. Keith shoots primarily for advertisements, catalogs, magazines, packaging and corporate brochures. He is known for his keen sense of composition and lighting, and for his eye for design, which he developed while growing up around the graphic design industry. 29 Rabenu Hananel st.

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Keith Glassman – Dance & Performance

Why American Men Dance. Premiering new work by company veterans Louie Cornejo and Rachel Lopez and recent dances by Rebeca Hernandez and guest Laurel Jenkins, this eclectic program is a tantalizing mixture of movement, music, costume and space. Re-visiting cafes in Santa. Why American Men Dance Fundraising. As I get older and no longer physically dancing, I am still deeply involved … [Read More.]. Return to top of page.

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