nicolehst201.blogspot.com
Historical Methods: Draft 2
http://nicolehst201.blogspot.com/2007/04/while-it-does-not-comprise-majority-of.html
Sunday, April 22. It cannot be put out of view that the exhibition of moving pictures is a business, pure and simple, originated and conducted for profit, like other spectacles, not to be regarded, nor intended to be regarded by the Ohio Constitution, we think, as part of the press of the country, or as organs of public opinion12. Subscribe to: Post Comments (Atom). My Group Members' Blogs.
nicolehst201.blogspot.com
Historical Methods: February 2007
http://nicolehst201.blogspot.com/2007_02_01_archive.html
Saturday, February 24. The topic I am studying is the representation of sexuality in film because I want to find out how mainstream or popular films reflected the changing regulations as well as increasing the representation in order to help my reader understand the impact film had on the sexual revolution in addition to the affect of relaxation of censorship. Types of Sources to Use:. Film Institute lists(to be able to gauge some popularity). Rental and purchasing statistics. Court cases of censorship.
nicolehst201.blogspot.com
Historical Methods: Outline Draft
http://nicolehst201.blogspot.com/2007/03/outline-draft.html
Thursday, March 22. Thesis Statement: After years of regulation by the industry, films that fought for artistic First Amendment rights changed the tide of censorship toward an age classification system. I History of Motion Picture Code and Censorship. 1 creation in 1930s, enforcement in ‘40s, revision in ‘50s. 2 MPPC, National Board of Censors. 1 Movies not protected by First Amendment. B Reached an easily influenced audience. C Paramount trust case. A Joseph Burstyn v. Wilson (The Miracle decision).
nicolehst201.blogspot.com
Historical Methods: Outline
http://nicolehst201.blogspot.com/2007/03/outline.html
Monday, March 26. Thesis Statement: After years of regulation by the industry, films that fought for artistic First Amendment rights changed the tide of censorship toward an age classification system. I History of Motion Picture Code and Censorship. 1 creation in 1930s, enforcement in ‘40s, revision in ‘50s. 2 MPPC, National Board of Censors. 1 Movies not protected by First Amendment. B Reached an easily influenced audience (Quigley quote). C Paramount trust case. 1 Justice Declares First Amendment Rights.
nicolehst201.blogspot.com
Historical Methods: May 2007
http://nicolehst201.blogspot.com/2007_05_01_archive.html
Wednesday, May 2. Catholic Censors: The Evolution of Film Censorship. Introduced as a means to edit films according to a Judeo-Christian morality, the 1930 Production Code was initially rarely enforced. [1]. Quigley emphasized the entertainment purpose of films to justify censorship. The questionable motivations of filmmakers required regulation. Without guaranteed moral intentions, film could reach a receptive and widespread audience that was easily influenced by material onscreen. Having be...Facing de...
nicolehst201.blogspot.com
Historical Methods: Final Paper
http://nicolehst201.blogspot.com/2007/05/final-paper.html
Wednesday, May 2. Catholic Censors: The Evolution of Film Censorship. Introduced as a means to edit films according to a Judeo-Christian morality, the 1930 Production Code was initially rarely enforced. [1]. Quigley emphasized the entertainment purpose of films to justify censorship. The questionable motivations of filmmakers required regulation. Without guaranteed moral intentions, film could reach a receptive and widespread audience that was easily influenced by material onscreen. Having be...Facing de...
nicolehst201.blogspot.com
Historical Methods: January 2007
http://nicolehst201.blogspot.com/2007_01_01_archive.html
Saturday, January 27. The topic I am studying is the sexual revolution reflected in film because I want to find out how the sexual revolution impacted censorship, media, and the content of films, in order to help my reader understand the changes the film industry incurred, or not, as the sexual revolution occurred. Easy Rider: PN1997.E284.E653 1999, MSU digital media. I Am Curious-Yellow: PN1995.9.F67.J34 2003, MSU Digital media. Lolita: PG3476.N3.L6 1999, digital. A Clockwork Orange: I own it. I think t...
nicolehst201.blogspot.com
Historical Methods: March 2007
http://nicolehst201.blogspot.com/2007_03_01_archive.html
Monday, March 26. Thesis Statement: After years of regulation by the industry, films that fought for artistic First Amendment rights changed the tide of censorship toward an age classification system. I History of Motion Picture Code and Censorship. 1 creation in 1930s, enforcement in ‘40s, revision in ‘50s. 2 MPPC, National Board of Censors. 1 Movies not protected by First Amendment. B Reached an easily influenced audience (Quigley quote). C Paramount trust case. 1 Justice Declares First Amendment Rights.
nicolehst201.blogspot.com
Historical Methods: Sentenced Outline
http://nicolehst201.blogspot.com/2007/04/sentenced-outline.html
Sunday, April 1. Thesis Statement: Although censorship was initially advanced by American Catholics, the division amongst its proponents caused by socially merited themes in films transformed outright censorship to an age classification system. I The push for the Production Code and its enforcement was based on a Judeo-Christian morality. A The Production Code became the tool to edit films according to a religious morality. B The Mutual decision set a precedent in favor of censorship proponents. A The Mi...
