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Ken Schneider Editor

I have been editing documentaries for over 25 years. I see documentary film as a means to move, educate and challenge viewers to rethink their assumptions. I believe deeply that a compelling story can do just that. My editing work is broad, although my passions are stories of war and peace, human rights, artists’ lives, and Cuba. I love character stories, where the issues explored are embedded in a person’s journey, and I like history that is told through the emotional experiences of those who made it.

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PatchWorks Films

Ken Schneider

663 ●●●● Ave

San ●●●●isco , 94118

US

1.41●●●●8024
ke●@patchworksfilms.net

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Ken Schneider

663 ●●●● Ave

San ●●●●isco , 94118

US

1.41●●●●8024
ke●@patchworksfilms.net

View this contact

PatchWorks Films

Ken Schneider

663 ●●●● Ave

San ●●●●isco , 94118

US

1.41●●●●8024
ke●@patchworksfilms.net

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Ken Schneider Editor | kenschneidereditor.net Reviews
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I have been editing documentaries for over 25 years. I see documentary film as a means to move, educate and challenge viewers to rethink their assumptions. I believe deeply that a compelling story can do just that. My editing work is broad, although my passions are stories of war and peace, human rights, artists’ lives, and Cuba. I love character stories, where the issues explored are embedded in a person’s journey, and I like history that is told through the emotional experiences of those who made it.
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1 running on cargo
2 testimonials
3 filmography
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8 free at last
9 into the current
10 trailer cubánacan
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Ken Schneider Editor | kenschneidereditor.net Reviews

https://kenschneidereditor.net

I have been editing documentaries for over 25 years. I see documentary film as a means to move, educate and challenge viewers to rethink their assumptions. I believe deeply that a compelling story can do just that. My editing work is broad, although my passions are stories of war and peace, human rights, artists’ lives, and Cuba. I love character stories, where the issues explored are embedded in a person’s journey, and I like history that is told through the emotional experiences of those who made it.

INTERNAL PAGES

kenschneidereditor.net kenschneidereditor.net
1

Orozco: Man of Fire - Ken Schneider Editor

http://www.kenschneidereditor.net/Orozco-Man-of-Fire

Orozco: Man of Fire. Produced by Laurie Coyle and Rick Tejada-Flores. PBS American Masters. Nominee, Outstanding TV Documentary, NCLR Alma Awards. Nominee, Best Documentary, Imagen Awards. Orozco: Man of Fire. Ralph Ellison: An American Story. OPENING Speaking In Tongues. OPENING The New Generation. The Good War and Those Who Refused To Fight It. ENDING Speaking in Tongues. Born in the USA. A Fierce Green Fire. TEASE Ralph Ellison: An American Story. TRAILER Regret To Inform.

2

Born in the USA - Ken Schneider Editor

http://www.kenschneidereditor.net/Born-in-the-USA

Born in the USA. Produced by Marcia Jarmel and Ken Schneider. PBS Independent Lens. Issues are often not dramatic. But people grappling with issues are. The physician in this film feels pressure from patients, hospital economics, and a litigious society. It makes it difficult for her to practice medicine the way she deems best. I found this tension quite moving. Orozco: Man of Fire. Ralph Ellison: An American Story. OPENING Speaking In Tongues. OPENING The New Generation. ENDING Speaking in Tongues.

3

ENDING | Speaking in Tongues - Ken Schneider Editor

http://www.kenschneidereditor.net/ENDING-Speaking-in-Tongues

By Marcia Jarmel and Ken Schneider. Endings are very delicate for me what sentiment, what tonality do I want to leave with the viewer? The ending for Speaking in Tongues. Highlights the end of the journey for José, father of one of the main characters, whose response to his son’s graduation reflects the aspirations of many American families, regardless of their immigrant history. Orozco: Man of Fire. Ralph Ellison: An American Story. OPENING Speaking In Tongues. OPENING The New Generation. Born in the USA.

4

TESTIMONIALS - Ken Schneider Editor

http://www.kenschneidereditor.net/TESTIMONIALS

For a list of my collaborators click here. Ken is one of the best editors I have worked with during my 30-year career as a documentary screenwriter. He brings to the screen his knowledge of the world and a fine intelligence. And as a bonus, Ken is a pleasure to work with. Stephen Most, writer, playwright. Marco Williams, President, Hiptruth Productions. Laurie Coyle, Producer, Orozco: Man of Fire. Tony Vainuku, Director/Writer, In Football We Trust. Jim LeBrecht, Owner, Berkeley Sound Artists. Ken Schnei...

5

Havana Curveball - Ken Schneider Editor

http://www.kenschneidereditor.net/Havana-Curveball

By Marcia Jarmel and Ken Schneider. Orozco: Man of Fire. Ralph Ellison: An American Story. OPENING Speaking In Tongues. OPENING The New Generation. The Good War and Those Who Refused To Fight It. ENDING Speaking in Tongues. Born in the USA. A Fierce Green Fire. TEASE Ralph Ellison: An American Story. TRAILER Regret To Inform.

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The Team - Come Hell or High Water

http://leahmahan.com/comehellorhighwater/about-the-film/the-team

Press & Reviews. Learn & Act. Host a Watch Party. Bridge the Gulf Project. Press & Reviews. Learn & Act. Host a Watch Party. Bridge the Gulf Project. Producer, Director, Cinematographer. Is an independent documentary filmmaker whose work has been nominated by the Directors Guild of America for Outstanding Directorial Achievement. Leah’s film Sweet Old Song. 2002) was featured on the PBS series P.O.V. The Rebirth of Dudley Street. Butte, America, the Saga of a Hard Rock Mining Town. Come Hell or High Water.

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Ken Schneider Editor

I have been editing documentaries for over 25 years. I see documentary film as a means to move, educate and challenge viewers to rethink their assumptions. I believe deeply that a compelling story can do just that. My editing work is broad, although my passions are stories of war and peace, human rights, artists’ lives, and Cuba. I love character stories, where the issues explored are embedded in a person’s journey, and I like history that is told through the emotional experiences of those who made it.

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