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KENSHI DAITO photographthe photographic works of Kenshi Daito
http://www.kenshidaito.com/
the photographic works of Kenshi Daito
http://www.kenshidaito.com/
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KENSHI DAITO photograph | kenshidaito.com Reviews
https://kenshidaito.com
the photographic works of Kenshi Daito
kenshidaito.com
Gum bichromate | KENSHI DAITO
http://kenshidaito.com/alt_process_category/gum_bichromate
Making a Gum bichromate Print from an original negative of Yasuzo Nojima. 野島康三(1889-1964 が 芸術写真 の時代に手がけたガムプリント ゴム印画 は、同時代においても、そしてその後この技法が用いられなくなってから現在に至るまで、写真史上に類を見ないほどの完成度に達しているものであった。 ガムプリント ゴム印画、Gum bichromate process は、忘れられた写真技法のひとつである。 8 焼付け作業 / 野島康三のガムプリント. 9 焼付け作業 / シンプルな技術.
around and very close #2 | KENSHI DAITO
http://kenshidaito.com/gallery/around-and-very-close-2
Around and very close #2. Gum bichromate over Cyanotype. 20cm x 30cm (image). Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito.
Kenshi Daito | Blog | KENSHI DAITO
http://kenshidaito.com/blog
Λανθάνομαι ランタノマイ という語は、通常 忘却する と訳される。 そしてさらに重要な語として、この語の語幹である λαθ に否定の接頭語を付けてできた語 άλήθεια アレーテイア がある。 この語の意味は 非 忘却 つまり 忘れていない 覚えている だろうか. Λανθάνομαι ランタノマイ の正しい意味が 忘却する ではない以上、その否定語もまた 非 忘却 ではない。 Άλήθεια アレーテイア が指示する意味は 真理 だ。 参照 パルメニデス ハイデッガー Martin Heidegger “Parmenides”. 平らな世界と近代/ the Flat Earth and the Modernity. 説明を始めるとややこしくなるので、一切省いて結論を言ってしまうと、われわれが生きている近代という世界は、実は古代の世界観のような平らな世界”Flat Earth”に近い。 しかし、ラース フォン トリアーが監督した ダンサー イン ザ ダーク はそうだった。 AFPBB ノルウェー銃乱射、容疑者の好きな映画 ドッグヴィル の監督が 不快感. そして戦争と国策報道という土壌を通し...
around and very close #1 | KENSHI DAITO
http://kenshidaito.com/gallery/around-and-very-close-1
Around and very close #1. Gum bichromate over Cyanotype. 20cm x 30cm (image). Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito.
Kenshi Daito Biography | KENSHI DAITO
http://kenshidaito.com/biography
Born in JAPAN in 1970. Belonged to a pantomime theatrical company as an actor in 1990. From early 1990’s, engaged in drama production and movie production, began to make art works of photography. In 2003, won the highest prize of CANON DIGITAL CREATORS CONTEST. Judges of the contest; Steve Baker ex. tomato. Kate Gibb silkscreen artist. Mounting the first solo exhibition in 2004 in Tokyo. 8220;camera plastica” PUNCTUM Photo Graphix Tokyo, TOKYO (2004). SUSU, TOKYO (2009). Feature of the magazine.
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KenshiCanine (Kєnshเ) - DeviantArt
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KENSHI DAITO photograph
2013 Cyanotype 20cm x 30cm (image). Around and very close #1. Gum bichromate over Cyanotype. 20cm x 30cm (image). Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close, Kenshi Daito. Around and very close #2. Gum bichromate over Cyanotype.
Jump into Web 2.0 | Ka Lok Chiu (Dicky), IT student@QUT
Jump into Web 2.0. Ka Lok Chiu (Dicky), IT student@QUT. Lightweight Models and Cost-Effective Scalability of Nico Nico Douga. Lightweight Models and Cost-Effective Scalability is the last part refer to Web 2.0 Design Patterns. Which wrote by Tim O’Reillyand I will show the best practice with the Niconico Douga. T is Nico nico Douga (ニコニコ動画)? Niconico), managed by Niwango. Niwango is a subsidiary of Dwango. 1) Scale with demand. 2) Syndicate business models. 3) Outsource whenever practical and possible.
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