morrismusic.org
admin | Jeff Morris
http://www.morrismusic.org/author/admin
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Technology-Based Performances by TAMU Students. August 26, 2016. Introduction to Performance Technology. ZenMan X Performance for Video at Texas A&M University. August 14, 2016. In fall 2010, German Cellist Ulrich Maiß. For cello (or cellist). Bellingham Electronic Arts Festival. May 1, 2016.
morrismusic.org
Compositions | Jeff Morris
http://www.morrismusic.org/category/compositions
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). B4ch1007 (Bach Loot) Video Score. March 9, 2016. This is a set of six variations Bach’s Cello Suite No. 1 (BWV 1007), especially the famous opening motive. These graphic scores exist as silent videos, but they are presented as musical. Zur Elektrodynamik bewegter Musiker. November 1, 2015.
morrismusic.org
saxophone | Jeff Morris
http://www.morrismusic.org/tag/saxophone
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Feedback Mixer Improvisation with Harald Kisiedu. May 16, 2015. Harald Kisiedu (alto sax) improvising with Jeff Morris (Texas A&M University) playing Baby, the 1980s vintage mixer turned into a feedback instrument. Bellingham Electronic Arts Festival. Live Sampling with Jazz Saxophone. Miguel E...
morrismusic.org
media | Jeff Morris
http://www.morrismusic.org/tag/media
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Weblogmusic: Taking the Mediatized Stage. July 11, 2014. While modern citizens are busy keeping up with communications technology, they are. Missing out on many human elements in communication like presence and authenticity. Continue reading →. Zur Elektrodynamik bewegter Musiker. July 11, 2012.
morrismusic.org
live sampling | Jeff Morris
http://www.morrismusic.org/tag/live_sampling
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Tag Archives: live sampling. CQD for Feedback Mixer and Live Sampling. November 15, 2015. Http:/ www.morrismusic.org/wp-content/uploads/2015/05/Morris-CQD-StereoDemo.mp3. Or with video, using the new live video engine I created for Shankcraft with Joe Hertenstein:. November 1, 2015. Live Sampli...
morrismusic.org
network | Jeff Morris
http://www.morrismusic.org/tag/network
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Weblogmusic: Taking the Mediatized Stage. July 11, 2014. While modern citizens are busy keeping up with communications technology, they are. Missing out on many human elements in communication like presence and authenticity. Continue reading →. A Treatise on the Æsthetic of Efforte. July 11, 2011.
morrismusic.org
aesthetics | Jeff Morris
http://www.morrismusic.org/tag/aesthetics
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Collaborating with Machines: Hybrid Performances Allow a Different Perspective on Generative Art. December 11, 2013. Generative Art International Conference Continue reading →. Bellingham Electronic Arts Festival. A Treatise on the Æsthetic of Efforte. July 11, 2009. Philosopher Stephen Davies h...
morrismusic.org
Teaching | Jeff Morris
http://www.morrismusic.org/category/teaching
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Technology-Based Performances by TAMU Students. August 26, 2016. Introduction to Performance Technology. ZenMan X Performance for Video at Texas A&M University. August 14, 2016. In fall 2010, German Cellist Ulrich Maiß. For cello (or cellist). Live Sampling with Jazz Saxophone. May 1, 2016.
morrismusic.org
feedback | Jeff Morris
http://www.morrismusic.org/tag/feedback
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). CQD for Feedback Mixer and Live Sampling. November 15, 2015. Http:/ www.morrismusic.org/wp-content/uploads/2015/05/Morris-CQD-StereoDemo.mp3. Or with video, using the new live video engine I created for Shankcraft with Joe Hertenstein:. Afterimages for bass flute and electronics. May 16, 2015.
morrismusic.org
algorithmic-composition | Jeff Morris
http://www.morrismusic.org/tag/algorithmic-composition
Posthuman composer, performer, and educator. Skip to primary content. Skip to secondary content. Introduction to Performance Technology. Music & Technology. Maiß’s Instrument and Gear. Maiß Website (for feedback). Installation for the I-Park Environmental Art Biennale. November 1, 2015. About the I-Park Environmental Art Biennale: click here. Continue reading →. Third Prize in Music/Architecture Competition. The Collected Solo Piano Works of Ferin Martino, as Conjured by Your Presence. December 11, 2013.