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Lit 110

Friday, February 27, 2009. Genre, Cleverness, and Kiss Kiss Bang Bang. I watched Rush Hour 3. Was not stupid because using a makeshift parachute to escape is stupid plot device, but because we knew it was the inevitable plot device they would use; namely, because it was following the “Rush Hour” generic convention. There are almost identical escapes made at the end of Rush Hour. 1998) and Rush Hour 2. Of course, not all generic elements are stupid when recognized. Some elements almost have to be inco...

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Lit 110 | kevnfu.blogspot.com Reviews

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Friday, February 27, 2009. Genre, Cleverness, and Kiss Kiss Bang Bang. I watched Rush Hour 3. Was not stupid because using a makeshift parachute to escape is stupid plot device, but because we knew it was the inevitable plot device they would use; namely, because it was following the “Rush Hour” generic convention. There are almost identical escapes made at the end of Rush Hour. 1998) and Rush Hour 2. Of course, not all generic elements are stupid when recognized. Some elements almost have to be inco...

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Lit 110 | kevnfu.blogspot.com Reviews

https://kevnfu.blogspot.com

Friday, February 27, 2009. Genre, Cleverness, and Kiss Kiss Bang Bang. I watched Rush Hour 3. Was not stupid because using a makeshift parachute to escape is stupid plot device, but because we knew it was the inevitable plot device they would use; namely, because it was following the “Rush Hour” generic convention. There are almost identical escapes made at the end of Rush Hour. 1998) and Rush Hour 2. Of course, not all generic elements are stupid when recognized. Some elements almost have to be inco...

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kevnfu.blogspot.com

1

Lit 110: February 2009

http://www.kevnfu.blogspot.com/2009_02_01_archive.html

Friday, February 27, 2009. Genre, Cleverness, and Kiss Kiss Bang Bang. I watched Rush Hour 3. Was not stupid because using a makeshift parachute to escape is stupid plot device, but because we knew it was the inevitable plot device they would use; namely, because it was following the “Rush Hour” generic convention. There are almost identical escapes made at the end of Rush Hour. 1998) and Rush Hour 2. Of course, not all generic elements are stupid when recognized. Some elements almost have to be inco...

2

Lit 110: Genre, Cleverness, and Kiss Kiss Bang Bang

http://www.kevnfu.blogspot.com/2009/02/genre-cleverness-and-kiss-kiss-bang.html

Friday, February 27, 2009. Genre, Cleverness, and Kiss Kiss Bang Bang. I watched Rush Hour 3. Was not stupid because using a makeshift parachute to escape is stupid plot device, but because we knew it was the inevitable plot device they would use; namely, because it was following the “Rush Hour” generic convention. There are almost identical escapes made at the end of Rush Hour. 1998) and Rush Hour 2. Of course, not all generic elements are stupid when recognized. Some elements almost have to be inco...

3

Lit 110: Cinematographic Spaces in Sleepless in Seattle

http://www.kevnfu.blogspot.com/2009/02/cinematographic-spaces-in-sleepless-in.html

Monday, February 2, 2009. Cinematographic Spaces in Sleepless in Seattle. The most striking feature of Sleepless in Seattle. 1993) is that the two main characters, Sam Baldwin (Tom Hanks) and Annie Reed (Meg Ryan), scarcely share two minutes of screen time. Yet this movie still manages to develop a connection between the two, tangible enough to satisfy the demands of the genre. Stephen Heath, in Questions of Cinema. February 2, 2009 at 7:11 PM. February 3, 2009 at 11:30 AM. Negar mentioned in her lecture...

4

Lit 110: Voyeurism in Funny Games

http://www.kevnfu.blogspot.com/2009/02/voyeurism-in-funny-games.html

Friday, February 13, 2009. Voyeurism in Funny Games. SPOILER ALERT for the aforementioned movie. Paul: Okay, we bet- what time is it? Paul: That in, let's say, 12 hours all three of you are gonna be kaput. Okay? Paul: You bet that you'll be alive tomorrow at 9 o'clock and we bet that you'll be dead. Okay? Peter: They don't want to bet. Paul: Well it's not an option. There has to be a bet. Turns toward camera, breaks fourth wall, addressing the audience]. Paul: I mean, what do you think? I think voyeurism...

5

Lit 110: Authenticity in film

http://www.kevnfu.blogspot.com/2009/01/authenticity-in-film.html

Monday, January 12, 2009. The editing in the movie further heightens the sense of surrealism. Several sequences are shown in fast-motion, and the eponymous character often breaks the fourth wall, updating the audience on her thoughts with surreptitously whisper and a shy, sidelong glance. Despite these artifices of movie making techniques, Amelie still feels authentic. It portrays a world which perhaps doesn’t exist but perhaps should exist. Specifically in a precise, unique moment in spacetime).

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film101thoughts.blogspot.com

Thoughts on Film 101: Deconstructing Genre

http://film101thoughts.blogspot.com/2009/03/deconstructing-genre.html

Thoughts on Film 101. Sunday, March 1, 2009. I found Sarah’s use of art history terminology. Very useful in thinking about genre. The idea of a “movement” better captures the reality of film noir. As Sarah points out, movements are often built in reaction to movements of the past. This helps to explain the neo-noir (Chinatown? And the neo-neo-noir (L.A. Confidential? Subscribe to: Post Comments (Atom). Fascist Film and Socialist Film. View my complete profile.

film101thoughts.blogspot.com

Thoughts on Film 101: March 2009

http://film101thoughts.blogspot.com/2009_03_01_archive.html

Thoughts on Film 101. Friday, March 27, 2009. Fascist Film and Socialist Film. At a recent screening, our class watched the full Triumph of the Will. This effect occurs even though the shots are not actually related. It is unlikely that the filmed observers were really looking at the Hitler shown in the final shot of the sequence. Still, we do not question it as viewers. Another film that we screened in class was Man with the Movie Camera. In Triumph of the Will. Is a direct challenge to the fascist art ...

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Lit 110

Friday, February 27, 2009. Genre, Cleverness, and Kiss Kiss Bang Bang. I watched Rush Hour 3. Was not stupid because using a makeshift parachute to escape is stupid plot device, but because we knew it was the inevitable plot device they would use; namely, because it was following the “Rush Hour” generic convention. There are almost identical escapes made at the end of Rush Hour. 1998) and Rush Hour 2. Of course, not all generic elements are stupid when recognized. Some elements almost have to be inco...

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