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West Side Story (Research)

West Side Story (Research). Sunday, 20 March 2011. Reflecting the febrile tensions of the New York streets, West Side Story was unknown territory for the original cast. Chita Rivera is now a panther-like Broadway legend, but when she created Anita, the heroine’s confidante, she was a fiery hoofer who had never been required to act. How did Robbins galvanise the young dancers? Despite – or because of – his boiler-room intensity, the dancers adored Robbins. His other collaborators, not so much. Laurents ne...

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West Side Story (Research) | kimmy-westsidestory.blogspot.com Reviews

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West Side Story (Research). Sunday, 20 March 2011. Reflecting the febrile tensions of the New York streets, West Side Story was unknown territory for the original cast. Chita Rivera is now a panther-like Broadway legend, but when she created Anita, the heroine’s confidante, she was a fiery hoofer who had never been required to act. How did Robbins galvanise the young dancers? Despite – or because of – his boiler-room intensity, the dancers adored Robbins. His other collaborators, not so much. Laurents ne...

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West Side Story (Research) | kimmy-westsidestory.blogspot.com Reviews

https://kimmy-westsidestory.blogspot.com

West Side Story (Research). Sunday, 20 March 2011. Reflecting the febrile tensions of the New York streets, West Side Story was unknown territory for the original cast. Chita Rivera is now a panther-like Broadway legend, but when she created Anita, the heroine’s confidante, she was a fiery hoofer who had never been required to act. How did Robbins galvanise the young dancers? Despite – or because of – his boiler-room intensity, the dancers adored Robbins. His other collaborators, not so much. Laurents ne...

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West Side Story (Research): Jerome Robbins: Dance Training and Choreography Style Part I

http://kimmy-westsidestory.blogspot.com/2011/03/jerome-robbins-dance-training-and.html

West Side Story (Research). Sunday, 13 March 2011. Jerome Robbins: Dance Training and Choreography Style Part I. Robbins, who learned from De Mille as a dancer in. Would go on to make musicals where the leads danced and sang and acted, and the dancing moved the plot as much as the lyrics. Robbins's innovative approach began with. His 1944 ballet about three sailors on shore leave in New York City during World War II. "What. And established Robbins and Bernstein as formidable talents in American theater.

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West Side Story (Research): West Side Story: 1950 Influences

http://kimmy-westsidestory.blogspot.com/2011/03/west-side-story-1950-influences.html

West Side Story (Research). Friday, 18 March 2011. West Side Story: 1950 Influences. Living standards improved rapidly during the 1950s. Launderettes and home washing machines made looking after clothes easier. The. And American influence was everywhere. American culture made bomber jackets and casual shirts. In bright prints popular with men. Teenagers were identifiable as a distinct group with spending power of their own. As the fifties progressed,. In spite of the sartorial conservatism of the 1950s,.

3

West Side Story (Research): West Side Story:Settings-Romeo and Juliet Vs West Side Story

http://kimmy-westsidestory.blogspot.com/2011/03/west-side-storysettings-romeo-and.html

West Side Story (Research). Sunday, 20 March 2011. West Side Story:Settings-Romeo and Juliet Vs West Side Story. Having watched the film my self, I took notes about the different settings of West Side Story, and compared them to the settings of Romeo and Juliet:. Commercialised and industrialised Setting (New York) Neighbourhood setting -Urban. Theatre Setting-set on stage. Costumes reflects the setting:. Costumes represent the different cultural backgrounds:- Jets, yellow, bold bomber jackets. Maria&#82...

4

West Side Story (Research): Jerome Robbins: West Side Story

http://kimmy-westsidestory.blogspot.com/2011/03/jerome-robbins-west-side-story.html

West Side Story (Research). Sunday, 13 March 2011. Jerome Robbins: West Side Story. Had come almost a decade earlier when Robbins brought the idea of a contemporary. To Bernstein and playwright Arthur Laurents. The project stalled for several years until an article in the. As its choreographer-director," writes Long, "Robbins was indispensable and in absolute control of. There is no dance portion of the show; it is all dance, all movement.". Jerry Robbins is an incredible man, and I'd work with him in a ...

5

West Side Story (Research): Jerome Robbins: Family, Culture and Ancestry Part II

http://kimmy-westsidestory.blogspot.com/2011/03/jerome-robbins-family-culture-and_13.html

West Side Story (Research). Sunday, 13 March 2011. Jerome Robbins: Family, Culture and Ancestry Part II. The neighborhood at the edge of Carnegie Hill and what is now Spanish Harlem was then largely Jewish. More than fifty other families lived in the building, all of them immigrants representing the stratified Jewish world of Europe, with Germans at the top and Russians, Poles and Hungarians at the bottom. 13 March 2011 at 08:18. 13 March 2011 at 08:26. Subscribe to: Post Comments (Atom). West Side Story...

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West Side Story (Research)

West Side Story (Research). Sunday, 20 March 2011. Reflecting the febrile tensions of the New York streets, West Side Story was unknown territory for the original cast. Chita Rivera is now a panther-like Broadway legend, but when she created Anita, the heroine’s confidante, she was a fiery hoofer who had never been required to act. How did Robbins galvanise the young dancers? Despite – or because of – his boiler-room intensity, the dancers adored Robbins. His other collaborators, not so much. Laurents ne...

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