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Kirsty Hawthorn – Exploring digital media & digital birth networks

Exploring digital media & digital birth networks

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Kirsty Hawthorn – Exploring digital media & digital birth networks | kirstyahawthorn.wordpress.com Reviews
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Kirsty Hawthorn – Exploring digital media & digital birth networks | kirstyahawthorn.wordpress.com Reviews

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Exploring digital media & digital birth networks

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1

The potential for Social Media in a Centralised Maternity Care System. – Kirsty Hawthorn

https://kirstyahawthorn.wordpress.com/the-web/the-potential-for-social-media-in-a-centralised-maternity-care-system

Exploring digital media and digital birth networks. A Response to Katherine Hayles “How We Read: Close, Hyper, Machine”. Full Research Paper- 2013. An Inventory of Irish Maternity Services and the use of New Media. International Association of Infant Massage. A feminist reading of Jane Eyre and Wide Sargasso Sea. A feminist response to Freud’s theory of femininity. TS Eliot’s The Wasteland and The Frankfurt School. Time and Space in Mrs Dalloway by Virginia Woolf. Michel Foucault and the Examining Gaze.

2

A Response to “Reading on the Screen: The New Media Sphere” by Christian Vandendorpe – Kirsty Hawthorn

https://kirstyahawthorn.wordpress.com/the-web/a-response-to-reading-on-the-screen-the-new-media-sphere-by-christian-vandendorpe

Exploring digital media and digital birth networks. A Response to Katherine Hayles “How We Read: Close, Hyper, Machine”. Full Research Paper- 2013. An Inventory of Irish Maternity Services and the use of New Media. International Association of Infant Massage. A feminist reading of Jane Eyre and Wide Sargasso Sea. A feminist response to Freud’s theory of femininity. TS Eliot’s The Wasteland and The Frankfurt School. Time and Space in Mrs Dalloway by Virginia Woolf. Michel Foucault and the Examining Gaze.

3

In Resonse to Alan Liu’s – “Imagining the New Media Encounter”. – Kirsty Hawthorn

https://kirstyahawthorn.wordpress.com/the-web/in-resonse-to-alan-lius-imagining-the-new-media-encounter

Exploring digital media and digital birth networks. A Response to Katherine Hayles “How We Read: Close, Hyper, Machine”. Full Research Paper- 2013. An Inventory of Irish Maternity Services and the use of New Media. International Association of Infant Massage. A feminist reading of Jane Eyre and Wide Sargasso Sea. A feminist response to Freud’s theory of femininity. TS Eliot’s The Wasteland and The Frankfurt School. Time and Space in Mrs Dalloway by Virginia Woolf. Michel Foucault and the Examining Gaze.

4

Digital Literary Studies – Kirsty Hawthorn

https://kirstyahawthorn.wordpress.com/digital-literary-studies

Exploring digital media and digital birth networks. A Response to Katherine Hayles “How We Read: Close, Hyper, Machine”. Full Research Paper- 2013. An Inventory of Irish Maternity Services and the use of New Media. International Association of Infant Massage. A feminist reading of Jane Eyre and Wide Sargasso Sea. A feminist response to Freud’s theory of femininity. TS Eliot’s The Wasteland and The Frankfurt School. Time and Space in Mrs Dalloway by Virginia Woolf. Michel Foucault and the Examining Gaze.

5

A Response to Katherine Hayles “How We Read: Close, Hyper, Machine.” – Kirsty Hawthorn

https://kirstyahawthorn.wordpress.com/the-web/a-response-to-katherine-hayles-how-we-read-close-hyper-machine

Exploring digital media and digital birth networks. A Response to Katherine Hayles “How We Read: Close, Hyper, Machine”. Full Research Paper- 2013. An Inventory of Irish Maternity Services and the use of New Media. International Association of Infant Massage. A feminist reading of Jane Eyre and Wide Sargasso Sea. A feminist response to Freud’s theory of femininity. TS Eliot’s The Wasteland and The Frankfurt School. Time and Space in Mrs Dalloway by Virginia Woolf. Michel Foucault and the Examining Gaze.

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Art | The Written Word

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By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. Leave a Reply Cancel reply.

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Philosophy | The Written Word

https://natashaob.wordpress.com/philosophy

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. Leave a Reply Cancel reply.

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The Strawsonian Theory of Moral Responsibility | The Written Word

https://natashaob.wordpress.com/philosophy/the-strawsonian-theory-of-moral-responsibility

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. A person morally responsible...

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The Beat Generation | The Written Word

https://natashaob.wordpress.com/literature/the-beat-generation

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. Ginsberg reflects on the cor...

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Banksy: Art that Speaks | The Written Word

https://natashaob.wordpress.com/art/banksy-art-that-speaks

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. Banksy: Art that Speaks.

natashaob.wordpress.com natashaob.wordpress.com

Harold Pinter’s play “The Birthday Party” | The Written Word

https://natashaob.wordpress.com/bibliography/harold-pinters-play-the-birthday-party

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. Leave a Reply Cancel reply.

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Electronic Scholarly Editions – Kenneth Price | The Written Word

https://natashaob.wordpress.com/digital-humanities-2/electronic-scholarly-editions-kenneth-price

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. States that the reason peopl...

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Harold Pinter’s play “The Birthday Party” | The Written Word

https://natashaob.wordpress.com/literature/harold-pinters-play-the-birthday-party

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. MEG You got your paper?

natashaob.wordpress.com natashaob.wordpress.com

The Fable of Arachne | The Written Word

https://natashaob.wordpress.com/art/the-fable-of-arachne

By Natasha O'Brien. Banksy: Art that Speaks. The Fable of Arachne. Electronic Scholarly Editions Kenneth Price. How We Read Now: Close, Hyper, Machine N. Katherine Hayles. The “Edition”. Harold Pinter’s play “The Birthday Party”. Sir Gowther – Would it have shocked the audience? Power, Knowledge, Right – Michel Foucault. The Strawsonian Theory of Moral Responsibility. Do we own our own data? Harold Pinter’s play “The Birthday Party”. Power, Knowledge, Right – Michel Foucault. The Fable of Arachne. Portra...

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Kirsty Hawthorn – Exploring digital media & digital birth networks

Exploring digital media and digital birth networks. A Response to Katherine Hayles “How We Read: Close, Hyper, Machine”. Full Research Paper- 2013. An Inventory of Irish Maternity Services and the use of New Media. International Association of Infant Massage. A feminist reading of Jane Eyre and Wide Sargasso Sea. A feminist response to Freud’s theory of femininity. TS Eliot’s The Wasteland and The Frankfurt School. Time and Space in Mrs Dalloway by Virginia Woolf. Michel Foucault and the Examining Gaze.

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