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Kristin Juarez: Film 2700 History of Motion Pictures | class syllabus, notes, and updatesclass syllabus, notes, and updates
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Kristin Juarez: Film 2700 History of Motion Pictures | class syllabus, notes, and updates | kjfilm2700.wordpress.com Reviews
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class syllabus, notes, and updates
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Daily Schedule | Kristin Juarez: Film 2700 History of Motion Pictures
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Kristin Juarez: Film 2700 History of Motion Pictures. Class syllabus, notes, and updates. Resources Online and Intown. Chapters with asterisks (*) are optional, and may be used as a source for your research assignments. Early Moving Pictures: Edison and Lumiere Bros. Ch 1, 19*. Narrative/Story Telling: Melies and Porter. DW Griffith: Controversy and Narrative Clarity. Ch 3, 20*. Soviet Cinema Revolutionary Films. Hollywood Created, Genres Begin. Hollywood Morality and the Coming of Sound. Ch 6, 35*.
Notes | Kristin Juarez: Film 2700 History of Motion Pictures
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Kristin Juarez: Film 2700 History of Motion Pictures. Class syllabus, notes, and updates. Resources Online and Intown. My notes can also be found at the top of the posts that cover these topics. These notes are in order of class discussion:. Preconditions of Cinema and Early Film Technologies. Developments in Narrative Cinema: Melies and Porter. DW Griffith and Cinematic Language. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.
Textbook info | Kristin Juarez: Film 2700 History of Motion Pictures
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Kristin Juarez: Film 2700 History of Motion Pictures. Class syllabus, notes, and updates. Resources Online and Intown. The standard text for this course is available only as an eBook. You need an access code to download your digital copy. You may purchase your electronic textbook through the GSU Bookstore. The cost is $75.00. Bordwell, D, and K. Thompson. Film History. Once you purchase the book in the bookstore the redemption code will be on the receipt. Go to the website they on the receipt.
Resources Online and Intown | Kristin Juarez: Film 2700 History of Motion Pictures
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Kristin Juarez: Film 2700 History of Motion Pictures. Class syllabus, notes, and updates. Resources Online and Intown. Resources Online and Intown. Lists of respected, but totally biased films to watch:. Http:/ www.rogerebert.com. Http:/ www.openculture.com/2013/07/spike-lee-shares-his-nyu-teaching-list-of-87-essential-films-every-aspiring-director-should-see.html. Http:/ www.salon.com/2011/10/21/film criticism 101 the essential library/. AV Club http:/ www.avclub.com/. Leave a Reply Cancel reply.
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kjuarez2 | What's Old is New
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What's Old is New. April 29, 2014. 8900: Visual Communication Pedagogy. April 29, 2014. 8900: Visual Pragmatism in a Virtual World. April 25, 2014. The Mental Image as Place. April 11, 2014. Liquid blackness symposium starts this evening (lineup after the jump)! April 3, 2014. I really enjoyed the interactive, multimodal capabilities that Kairos. Encourages of viewers and demands of writers. Looking specifically at. Polymorphous Perversity and Texts. March 25, 2014. 8900: Bodies as Form. March 4, 2014.
8900: Bodies as Form | What's Old is New
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What's Old is New. March 25, 2014. 8900: Bodies as Form. More to come. In the mean time, this “advertisement” first came to mind. “Kissing Doesnt Kill” speaks the ad language, particularly the Benetton ads that were popular at the time. If these bodies are read as form, its possible that beyond one’s politics, fears, or prejudices, human bodies are have equal borders, shapes, and perform the same gestures (in this case, kissing). And how does it produce or fail to produce the uncanny? Is a jumble of the ...
April | 2014 | What's Old is New
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What's Old is New. Monthly Archives: April 2014. April 29, 2014. 8900: Visual Communication Pedagogy. April 29, 2014. 8900: Visual Pragmatism in a Virtual World. April 25, 2014. The Mental Image as Place. April 11, 2014. Liquid blackness symposium starts this evening (lineup after the jump)! April 3, 2014. I really enjoyed the interactive, multimodal capabilities that Kairos. Encourages of viewers and demands of writers. Looking specifically at. Polymorphous Perversity and Texts. The Mental Image as Place.
On Looking | What's Old is New
https://kdjuarez.wordpress.com/on-seeing
What's Old is New. Kanye West x Steve McQueen interview for. Photos by Steven Klein. There’s a very interesting photo album accompanying Steve McQueen’s interview with Kanye West. Jerry Saltz calls Kanye’s pastiche the “ The New Uncanny.”. On the right the image touches on the the spectacle, its fabrication, and nod to both Kehinde Wiley. Left to Right. Kehinde Wiley, A. Fter Jean August Dominique Ingres’ The Virgin with the Host. Black Light series, photograph, 2009. Marilyn Minter,. Liquid blackness sy...
8900 Reading: In the Age of Mecha- nical Reproduction | What's Old is New
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What's Old is New. February 12, 2014. 8900 Reading: In the Age of Mecha- nical Reproduction. Or does it refer to the person or object being captured and their aura? Somehow I think this has something to do with the time-image and the movement-image, or maybe even the meta-picture. Through Glen Ligon’s self portraits, I think it becomes possible to see the tension that Benjamin describes between the obsolescence of locating the “original” photograph. This entry was posted in Reading. Notify me of new comm...
On Watching | What's Old is New
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What's Old is New. More Mediation: interfacing the screen. I first watched Joan Jonas’ live streamed performance at the Tate. Space, Time, Play: Computer Games, Architecture, and Urbanism: The Next Level. Edited by Friedrich von Borries, Steffen P Walz, and Matthias Boltger. Studio Charl Landvreugd,. 8216; at TENT Rotterdam in the exhibition Dark Matters. Tony Martin, Proximity Switched Installation, 2012. Courtesy of Ab-sens Press. Mediated viewership in Wong Kar Wai’s. Wong Kar Wai’s film. The recurrin...
What's Old is New | Thinking through visual rhetoric, film theory, media historiagraphy, & contemporary art | Page 2
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What's Old is New. February 27, 2014. 8900: where wonder occurs because thinking or curiosity is enabled, but not easily satisfied or quieted - Philip Fisher. February 27, 2014. 8900: On Techne and Wonder. February 16, 2014. Watching: Interfacing the screen. February 12, 2014. 8900 Reading: In the Age of Mecha- nical Reproduction. January 28, 2014. 8900: Thoughts on watching Berger’s Way of Seeing. January 28, 2014. 8900 Thoughts on Reading 1.30. January 26, 2014. Deleuze and the ‘Time-Image’.
8900: On Techne and Wonder | What's Old is New
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What's Old is New. February 27, 2014. 8900: On Techne and Wonder. This has changed over the years, where I have realized the power and the elusiveness of work that can perform concept and beauty indistinguishably and inextricably. It’s why I keep being drawn to work that challenges the concept of perception, but in ways that are enigmatic and not easily knowable. Tacita Dean’s film. For Shadow Puppets exhibition curated by Stephanie Dowda and Jill Frank at GSU galleries. The “mixed” seems to ...Though un...
8900: Visual Communication Pedagogy | What's Old is New
https://kdjuarez.wordpress.com/2014/04/29/visual-communication-pedagogy
What's Old is New. April 29, 2014. 8900: Visual Communication Pedagogy. I also agree that visual communication should be integrated into pedagogical innovation, but also feel that it should be integrated with the help of graphic designers, artists, advertisers, web designers and others who are pushing innovative communication techniques or interfaces, in order for students to have a nuanced understanding of media. This entry was posted in Reading. 8900: Visual Pragmatism in a Virtual World.
February | 2014 | What's Old is New
https://kdjuarez.wordpress.com/2014/02
What's Old is New. Monthly Archives: February 2014. February 27, 2014. 8900: where wonder occurs because thinking or curiosity is enabled, but not easily satisfied or quieted - Philip Fisher. February 27, 2014. 8900: On Techne and Wonder. February 16, 2014. Watching: Interfacing the screen. February 12, 2014. 8900 Reading: In the Age of Mecha- nical Reproduction. 8900: Visual Communication Pedagogy. 8900: Visual Pragmatism in a Virtual World. The Mental Image as Place. On 8900: Bodies as Form.
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Kristin Juarez: Film 2700 History of Motion Pictures | class syllabus, notes, and updates
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