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KSU Glass – Learn | Work | Safety

Learn | Work | Safety

http://ksuglass.wordpress.com/

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KSU Glass – Learn | Work | Safety | ksuglass.wordpress.com Reviews

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Learn | Work | Safety

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1

General Safety – KSU Glass

https://ksuglass.wordpress.com/safety

Follow KSU Glass on WordPress.com. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. How to Use the Annealers. How to Charge the Furnace. Mould Room and Sand-Blaster Safety. Using the Diamond Saw(s). Using the Sand Blaster(s). Eye protection MUST be worn AT ALL TIMES in the Hot Shop and Cold Shop. Proper clothing must be worn:. Natural fiber clothing (cotton, etc). NO SYNTHETICS. Long pants; no shorts or skirts. No dangly, loose jewelry.

2

Annealer Manual – KSU Glass

https://ksuglass.wordpress.com/annealer-manual

Follow KSU Glass on WordPress.com. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. How to Use the Annealers. How to Charge the Furnace. Mould Room and Sand-Blaster Safety. Using the Diamond Saw(s). Using the Sand Blaster(s). Of the glass type used at KSU Glass is roughly 960 F. Proper safety gear must always be worn when working inside a hot annealer. Which is a common occurrence when working glass at annealing temperatures. Always load...

3

Mould Room & Sand-Blaster Safety – KSU Glass

https://ksuglass.wordpress.com/mould-room-sand-blaster-safety

Follow KSU Glass on WordPress.com. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. How to Use the Annealers. How to Charge the Furnace. Mould Room and Sand-Blaster Safety. Using the Diamond Saw(s). Using the Sand Blaster(s). Mould Room and Sand-Blaster Safety. SAND BLASTER ROOM SAFETY. ALWAYS wear Respirator or Dust Mask when in Blasting Room. Keep Blasting Room door closed AT ALL TIMES! Hearing Protection required when Blasting.

4

Closing the Studio – KSU Glass

https://ksuglass.wordpress.com/closing-the-studio

Follow KSU Glass on WordPress.com. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. How to Use the Annealers. How to Charge the Furnace. Mould Room and Sand-Blaster Safety. Using the Diamond Saw(s). Using the Sand Blaster(s). The last blow-slot of the day (regardless of when) is a “Closing” slot. Press RED button on back of Glory Holes. This turns them OFF). Press Button marked PIPE-WARMER on Pipe-Warmer Controller. Flip Sign to RED.

5

Opening the Studio – KSU Glass

https://ksuglass.wordpress.com/opening-procedure

Follow KSU Glass on WordPress.com. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. How to Use the Annealers. How to Charge the Furnace. Mould Room and Sand-Blaster Safety. Using the Diamond Saw(s). Using the Sand Blaster(s). Press GREEN button on back of Glory Holes. Press Button marked Pipe-Warmer . Empty CLEAR break-off bins into Clear Recycle barrel. Located in Kiln Room). CHECK G-HOLES and Pipewarmer are ON. Make sure Annealer is ON!

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Artist Statement - DAVIN EBANKS

http://davinebanks.com/statement

Smart phone friendly. Swipe and Enjoy. Redaction: 2016.01.15. The Presence of Absence. This duality also belies another inescapable reality of such work: the seeming inability of documentation to re-present experience. The water models offer sensory stimuli light, color, and the tension between movement and stasis but they only hint at the experience of the place they represent and in the final analysis leave us unsatisfied. EXHIBITION: Oct. 19, 2013. Two of Davin Ebanks' recent pieces will be on display...

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Artist Biography - DAVIN EBANKS

http://davinebanks.com/bio

Smart phone friendly. Swipe and Enjoy. After graduation he embraced any venue to continue exploring his favorite medium while still working in more traditional materials like wood and steel and paint. In 2010 he received his M.F.A. from Kent State University in Ohio with a concentration in glass sculpture. His work has been displayed at the Glass Art Society’s Annual Conference, the. National Biennial Exhibition: Fine Contemporary Craft. And at a recent invitational show highlighting contemporary glass.

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“Adjacent” Studio Process: Step 4 - DAVIN EBANKS

http://davinebanks.com/adjacent-studio-process-step-4

Smart phone friendly. Swipe and Enjoy. Adjacent Studio Process: Step 4. This work is about the tension between the solid, volumetric forms of the catboat ‘columns’ and the lucid, patterns glass facade. The challenge was how to integrate one with the other visually and then translate that into physical glass objects that could actually be affixed to the concrete facades. I decided early on I wanted to borrow from the patterns that have interested me in my other, more intimate glass sculptures.

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