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Extent of Space II (Slovenski Dom)Extent of Space II (Slovenski Dom). Tuesday, October 27, 2009. Subscribe to: Posts (Atom).
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Extent of Space II (Slovenski Dom). Tuesday, October 27, 2009. Subscribe to: Posts (Atom).
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Extent of Space II (Slovenski Dom) | kylemilne-extentofspaceii.blogspot.com Reviews
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Extent of Space II (Slovenski Dom). Tuesday, October 27, 2009. Subscribe to: Posts (Atom).
Extent of Space II (Slovenski Dom)
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Extent of Space II (Slovenski Dom)
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Extent of Space II (Slovenski Dom)
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Extent of Space II (Slovenski Dom). Tuesday, October 27, 2009. Subscribe to: Post Comments (Atom).
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Associated Artists of Pittsburgh. Thursday, March 11, 2010. Subscribe to: Posts (Atom). Simple template. Powered by Blogger.
kylemilne-contact.blogspot.com
contact
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kylemilne-doyouhaveit.blogspot.com
Do You Have It All Covered
Do You Have It All Covered. Friday, January 31, 2014. Subscribe to: Posts (Atom). I’m concerned with the stunning lack of individuality, integrity and loss of culture in this country. It seems that concepts and events from fifty years ago have largely gone unchallenged and are accepted as the norm. We have implicitly agreed to let ourselves believe that others will figure things out for us while we sit back and mow the lawn. We allow our financial institutions to work and do business unfairly and cruelly.
kylemilne-everything.blogspot.com
Everything Is Not In Its Right Place
Everything Is Not In Its Right Place. Monday, January 24, 2011. Subscribe to: Posts (Atom). Simple template. Powered by Blogger.
kylemilne-experimentalcast.blogspot.com
Experimental Cast Series
Wednesday, April 15, 2009. Experimental Cast #7: 2008, Cardboard, aluminum, cardboard. Experimental Cast #5: 2008, porcelain, cardboard, cardboard. Experimental Cast #11: 2008, cardboard, aluminum. Experimental Cast #8: 2008, cardboard, aluminum. Experimental Cast #15: 2008, cardboard, aluminum. Subscribe to: Posts (Atom).
kylemilne-extentofspaceii.blogspot.com
Extent of Space II (Slovenski Dom)
Extent of Space II (Slovenski Dom). Tuesday, October 27, 2009. Subscribe to: Posts (Atom).
kylemilne-highway.blogspot.com
Highway Domain: Into The Mountains
Highway Domain: Into The Mountains. Thursday, February 7, 2013. Subscribe to: Posts (Atom). The allegory of a physical mountain for the spiritual one that stands between each soul and its goal is an easy and natural one to make. Like those in the valley behind us,most people stand in sight of the spiritual mountains all their lives and never enter them,being content to listen to others who have been there and thus avoid the hardships. -R Pirsig. Simple template. Powered by Blogger.
kylemilne-ivegonetofar.blogspot.com
I've Gone To Far To Go Back
I've Gone To Far To Go Back. Friday, January 31, 2014. Subscribe to: Posts (Atom). I've Gone To Far To Go Back, 2013, performance. 38° 55’ 57.8676” N. 106° 43’ 5.1672” W. Simple template. Powered by Blogger.
kylemilne-lostidmanufacturedworld.blogspot.com
Lost Identity: Manufactured World
Lost Identity: Manufactured World. Friday, February 8, 2013. Monday, December 19, 2011. Subscribe to: Posts (Atom). I am interested in exploring environments and how I and other people perceive the world. While traveling, I often feel as if I don't exist anymore, that the world and my personality are just constructs, with nature being the only realm which is not a concept. I am constantly questioning our cultures and environments, and how people interact in them. Simple template. Powered by Blogger.
kylemilne-mapping.blogspot.com
Mapping The Experience
Subscribe to: Posts (Atom). I have mapped out my entire experience in Slovenia over the past couple years, every city or area that I have been to was cut out, drawn and installed onto the gallery walls in a panorama type of map. A legend and a 'You Are Here' type of direction is for the viewer to 'pin' the types of places they have been,felt or experienced. 2013, cardboard, pins, wire. Simple template. Powered by Blogger.
kylemilne-outhouse.blogspot.com
The Outhouse
Subscribe to: Posts (Atom). My work is influenced by exploring new environments, culture and identity. This project allows for a dialog between the viewer and the work: it is only with the direct connection of the viewer with the outhouse that the actual work is created. Each gesture performed by the viewer creates an expectation or illusion as to what is being created. The porcelain slip will create a constantly changing environment, one that dries and cracks, only to be covered over again and again.