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Software Studies Initiative

We use tools from computer science, media design, and digital art to study massive cultural data sets. Directed by Dr. Lev Manovich.

http://lab.softwarestudies.com/

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Software Studies Initiative | lab.softwarestudies.com Reviews
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We use tools from computer science, media design, and digital art to study massive cultural data sets. Directed by Dr. Lev Manovich.
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projects,publications,software,cultural analytics,topics events,program and abstracts,summary,organizing committee,science of culture,from lev manovich,topics publications,during winter spring 2016,book chapters,part 1,part 2,abstract,lev manovich,español
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Software Studies Initiative | lab.softwarestudies.com Reviews

https://lab.softwarestudies.com

We use tools from computer science, media design, and digital art to study massive cultural data sets. Directed by Dr. Lev Manovich.

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1

Software Studies Initiative: "Analyzing Cultural Data" - Lev Manovich's Spring 2015 course at The Graduate Center, CUNY

http://lab.softwarestudies.com/2014/12/analyzing-cultural-data-lev-manovichs.html

Analyzing Cultural Data" - Lev Manovich's Spring 2015 course at The Graduate Center, CUNY. Spring 2014 semester / The Graduate Center, City University of New York. Wednesday, 4:15-6:15 pm / 3 credits. MALS 78500 / IDS 81650. Instructor: Dr. Lev Manovich. Professor, The Graduate Center, CUNY. One of 50 most important people of 2014. Verge Top 50 list, 2014;. One of 25 People Shaping the Future of Design. The course will use of some of the data sets from Dr. Manovich's Software Studies Initiative. Data str...

2

Software Studies Initiative: Cultural Analytics

http://lab.softwarestudies.com/p/overview-slides-and-video-articles-why.html

HOW BIG DATA AFFECTS HUMANITIES? Cultural Analytics is the analysis of massive cultural data sets and flows using computational and visualization techniques. Here are some of the questions which drive our work:. How can work with "big cultural data" can help us to question standard assumptions and concepts in humanities and social sciences? How can we combine computational techniques and analysis of massive cultural data with more traditional humanities methodologies? How do we research interactive media...

3

Software Studies Initiative: Manovich's lectures May - July, 2015

http://lab.softwarestudies.com/2015/06/manovichs-lectures-may-july-2015.html

Manovich's lectures May - July, 2015. Photo: Lev with members of Software Studies Initiative in front of HiperWall (next generation visualization system featuring multiple flat screens, Calit2. Dataset: 3200 selfies from Selfiecity project. May 20 - July 10, 2015:. 1 LDV Vision Summit, New York City, 5/20 (keynote). 2 Museum of Contemporary Art of Vojvodina, Novi Sad, 5/25. 3 Belgrade Cultural Center, Belgrade, 5/26. 4 Technarte 2015, Bilbao, 5/29. 5 American Center, Moscow, 6/6. 7 Kazan (Russia), 6/8.

4

Software Studies Initiative: Cultural Analytics

http://lab.softwarestudies.com/2008/09/cultural-analytics.html

Posted by Lev Manovich. Saturday, June 20, 2009. Visualizing Vertov" - new article by Lev Manovich with 33 visualizations available for download. Data stream, database, timeline (new article by Lev Manovich, part 1). NURBS theory conceptualizing cultural processes: from discrete categories to continuous curves. Director, Software Studies Initiative Professor, CUNY Graduate Center. Cicero Inacio da Silva. Professor, Federal University of São Paulo. Research Scientist, Calit2.

5

Software Studies Initiative: Does “media” still exist?

http://lab.softwarestudies.com/2012/09/does-media-still-exist.html

Does “media” still exist? The completely revised and updated version of my manuscript Software Takes Command will appear in print 2013. Below are the two opening pages from this new version. Miltos Manetas. Girls in Nike. 2005. Why should humanists, social scientists, media scholars and cultural critics care about software? Because outside of certain cultural areas such as crafts and fine art, software has replaced diverse array of physical, mechanical, and electronic technologies used before 21st centur...

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The Exceptional and the Everyday: 144 hours in Kyiv

http://www.the-everyday.net/2014/08/kiev-project-summary.html

The Exceptional and the Everyday: 144 hours in Kyiv. Is the first project to analyze the use of Instagram during a social upheaval using computational and visualization techniques. Lev Manovich, Alise Tifentale, Mehrdad Yazdani, and Jay Chow. "The Exceptional and the Everyday: 144 Hours in Kyiv" The 2nd Workshop on Big Humanities Data. Held in conjunction with IEEE Big Data 2014 Conference. Paper in PDF format. During this period, 9 most frequently used tags were directly related to the Revolution (#main...

matiasjaramillo.blogspot.com matiasjaramillo.blogspot.com

Grauzone: octubre 2012

http://matiasjaramillo.blogspot.com/2012_10_01_archive.html

Grauzone en alemán significa zona gris y refleja el momento que vivimos entre la comunicación de antes y la comunicación de hoy. Martes, 30 de octubre de 2012. Welcome to the virtual gallery of The Temporary Stedelijk. Via It's Nice That. 10/30/2012 07:19:00 a. m. Enviar por correo electrónico. Enlaces a esta entrada. Martes, 23 de octubre de 2012. Un experimento para llevar mi tráfico en la agencia. Ya he realizado varios intentos de llevar a cabo esta idea, hasta ahora no he logrado llevarlas a cabo.

sevenlions.org sevenlions.org

Seven Lions » Blog Archive » iGuilt - writing, research, art and digital media

http://sevenlions.org/wp/iguilt

Writing, research, art and digital media. Pulitzer Prize-winner and App Store Censoree Mark Fiore explaining the hidden costs of your latest status symbol. This entry was posted on Wednesday, July 21st, 2010 at 10:40 PM and is filed under Buckeye. You can follow any responses to this entry through the RSS 2.0. Feed Both comments and pings are currently closed. Son of the Great River.

remixstudies.com remixstudies.com

Part 1: History | Remix Studies

http://www.remixstudies.com/abstracts/part-1-history

A Resource for the Routledge Companion. Editors & Contributors. 1) Remix and the Dialogic Engine of Culture: A Model for Generative Combinatoriality”. In this chapter I introduce a new transdisciplinary view of the. Principles behind remix and hybrid works. My approach draws from research and theory on dialogism (from Bakhtin to sociolinguistics), generative semiotics (Peircean. To the generative, collective, and unfinalizable meaning-making processes that enable cultures to. 2) A Rhetoric of Remix.

grimesinf1240.blogspot.com grimesinf1240.blogspot.com

INF1240 Research Methods: November 2010

http://grimesinf1240.blogspot.com/2010_11_01_archive.html

Course Blog for INF1240 Research Methods Section 1, Fall 2012 Faculty of Information, University of Toronto. Monday, November 29, 2010. Planning Ahead: Research Ethics. Via Dean Sharpe, Research Ethics Board Manager for the Social Sciences and Humanities Office of Research Ethics (University of Toronto), here are the links to a number of relevant and useful sources that will help you in writing your ethics review protocol (and proposal! McMaster guidelines regarding intent to cause harm to oneself or oth...

remixstudies.com remixstudies.com

Part 2: Aesthetics | Remix Studies

http://www.remixstudies.com/abstracts/part-2-aesthetics

A Resource for the Routledge Companion. Editors & Contributors. 9) Remix Strategies in Social Media. In this chapter I discuss the data stream form, and analyze its differences and similarities to other types of information organization and interaction popular in digital culture which other writers described as remixes and montages. Is data stream also a remix, or is it something different? 10) Remixing Movies and Trailers before and after the Digital Age. 13) Digital Poetics and Remix Culture: From the ...

remixstudies.com remixstudies.com

Part 4: Politics | Remix Studies

http://www.remixstudies.com/abstracts/part-4-politics

A Resource for the Routledge Companion. Editors & Contributors. 23) A Capital Remix. 24) Remix Practices and Activism: A Semiotic Analysis of Creative Dissent. 25) Political Remix Video as a Vernacular Discourse. 26) Locative Media as Remix. 27) The Politics of John Lennon’s Imagine : Contextualizing the roles of mashups and new media in political protest. 28) Détournement as a Premise of the Remix from Political, Aesthetic, and Technical Perspectives. 29) The New Polymath. Leave a Reply Cancel reply.

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